D. Donovan, Sr. Reviewer, Midwest Book Review~~
(Warning! Spoiler alert)
Hannah Mae stepped past the gunny sack that acted as a door to their shack
and walked into the yard. A heavy-set woman in a hideous polyester suit struggled up the dirt path. “Can I hep’ y’all? Ya lost?”
“I’m looking for the guardian for the children of Daisy McAllister. Name’s Betty Jones. I’m from the St. Charles Home’s Ladies Auxiliary, St. Vincent De Paul Society.”
When almost adult Hannah Mae and her younger brother are left orphaned upon their mother’s death, they find themselves at the mercy of the St. Vincent De Paul Society. With her brother young enough to be considered for adoption, Hannah Mae faces the reality that, at sixteen-nearing-seventeen, she is likely to remain under the care of the Catholic Children’s Home until she comes of age to make her own way in the world.
Hannah Mae clings to one mandate—remain at her brother’s side against all odds. And so Ain’t Nuthin’ Gonna Separate Us traverses the rocky world of older siblings raising younger ones sans any family support system, fueled by Hannah Mae’s determination to not let outsiders tear them apart.
Readers who anticipate that the story will revolve around this struggle alone will be pleasantly surprised to find more depth in these still waters, because Jerry is actually a musical prodigy. Hannah Mae finds herself fostering his talent as much as she reinforces his connections to her.
Despite the focus on Hannah Mae in the beginning, the limelight edges over to Jerry’s talents, achievements, and the many changes they portend as the two stand against a world that would divide, repress, or misunderstand them.
Trisha Sugarek cultivates the environment, feel, and culture of the South, setting her story in the small Mississippi town of Laurel in the 1950s. She reviews a lifestyle that opens with siblings threatened by separation, then grows the story to fully embrace the Southern milieu.
Early descriptions cement the story with a sense of place and purpose. This creates a compelling, thought-provoking examination of influences, both personal and cultural, that drive Hannah Mae’s determination to search for remaining family roots despite the risks she takes by evading the foster care system:
Hannah Mae’s reluctance to give anyone their last name and her fear of the foster care system was outweighed by her deep desire to have access to all these lovely books. She whispered, “Hannah Mae and Gerald McAllister.”Jerry, too, grows in unexpected directions as he receives musical instruction on the harmonica that allows his innate genius to blossom. As the tale evolves, its focus shifts between Hannah Mae and Jerry’s growth as each field both new opportunities and adversity.
Whether she’s navigating the foster care system or responding to racial inequalities, Hannah Mae keeps her eyes on the ultimate goal of not just survival, but family connections and growth.
Sugarek’s outstanding, realistic portrait of the 1950s South and the forces that buffet two children reaching for more than rote safety creates a memorable tale. It will reach a wide audience, from those interested in Southern settings and portraits to readers of coming-of-age stories and sagas of survival, musical growth, and foster care struggles.
Sugarek’s attention to probing the underlying responsibilities, choices, and consequences of not just individual action, but systems geared to provide support, is especially notable:
Now a white man, unknown to all of them, was threatening to take her baby brother away from this safe home they’d made for Jerry. Hannah Mae wasn’t certain she could make the right decision for anyone.
Sugarek’s research into blues music (Muddy Waters, in particular) lends realistic background and observation into this world as she spices her own memories of the times with intensive research. This reinforces both the atmosphere and facts about the entertainment industry which dovetail over the social issues of a changing South.
All these facets are why Ain’t Nuthin’ Gonna Separate Us is a thoroughly compelling read that’s highly recommended not just for library collections interested in powerful portraits of young lives under siege, but book clubs. These audiences will find plenty of fodder for discussion in the many ways Hannah Mae and Jerry cement their relationships, values, and life connections.
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