Interview with author, Mimi Matthews (conclusion)

Mimi with her horse, Centelleo

Q. What comes first to you? The Characters or the Situation?

MM. Both. The ideas for my novels usually start with a single disconnected scene. I imagine the characters in a specific situation. That scene helps me to understand them and their motivations, but it also helps me to understand the goal of my story as a whole.

Q. Do you ‘get lost’ in your writing?

MM. At the best of times, yes, when the words are flowing and the story is unfolding without too much mental anguish on my part. It’s one of the primary reasons I write. Because of my spine injury, I suffer a lot from pain. When I’m lost in a story, I can forget the pain, at least temporarily. For that reason alone, writing is incredibly therapeutic for me.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

MM. I’m really excited about my upcoming January release, The Siren of Sussex. Set in Victorian London, it features Ahmad Malik, the half-Indian tailor from my Parish Orphans of Devon series, and Evelyn Maltravers, a bluestocking equestrienne who hires him to make her daring riding habits. Siren is the first in a new series I’m writing for Berkley/Penguin Random House. It will be out on January 11th.

Q. When did you begin to write seriously?

MM. I wrote my first novel at thirteen. At eighteen, that novel got me my first literary agent. That novel didn’t sell, nor did the next one I wrote. After that, I took a very long break from writing fiction while I went to college and law school, traveled a bit, and did some other exciting things. It was only my spine injury that brought me back to writing fiction again.

Jet trying to find the delete button

Q. Do you think we will see, in our lifetime, the total demise of paper books?

MM. Gosh, I hope not. I love the look, feel, and smell of books—both old books and new ones.

Q. What makes a writer great?

MM. I love an author who can tell a compelling story that grabs hold of you from the start and won’t let you go. Beautiful prose is a bonus.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

MM. For me, the process involves lots of work and lots of writerly angst. It usually starts with me loving my characters and ends with me being sick to death of them. Seriously, by the time a book is finished, I’ve reread it so many times I can’t take it anymore. Hopefully, all those rereads and revisions result in a polished story that my readers are going to love.

Q. How has your life experiences influenced your writing?

MM. My own experience with a life altering injury has a huge impact on the stories I tell. I write a lot about people who are experiencing similar life altering circumstances—a devastating loss, a debilitating physical injury, or a change in fortune. My characters have to work through these situations, to adapt and grow in order to ultimately find happiness again.

Stella

Q. What’s your down time look like?

MM. I’m terrible at down time. My laptop is often open on my lap, even when my family is watching a movie. Shutting off technology and learning to relax is something I’m struggling to get better at.

Q. Have you or do you want to write in another genre`?

A. Yes! I recently indulged the urge to write a Victorian gothic vampire novel. I had so much fun. Not sure I’d do it again, but I loved that I could—and that some of my readers even enjoyed it.

Q. Note to Self: (a life lesson you’ve learned.)

MM. Be kind, both to other people and to yourself.

Did you miss Part I of our interview with Mimi Matthews?
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary, December: Mimi Mathews
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How To Write a Play Journal is Now in Hardback

This beautiful journal/handbook is now available in Hardcover. Here’s a little of what you can expect inside. Plus hundreds of blank pages for your own writings and plans for a stage play.

1.  Format is very important.    If you submit your new play to anyone they will not read it if it is not in the proper format. There is software out there that offer auto-format but I found them lacking.   The character’s name is centered. Blocking (action) is indented and placed in parentheses. Setting (indent once), Rise  (indent once) and Dialogue is far left. Double space between character’s name and first line of dialogue.  Blocking (action): is placed below the character’s name in parentheses. (indent x 3).  A ‘beat’ is a dramatic pause to enhance the pace of the speech and is placed in the dialogue where you wish the actor to pause for a beat or two. 

2. Each page represents approximately one minute of time on stage.  So if you have a play that is 200 pages long, that won’t work.  Audiences aren’t going to sit for more than one and a half hours unless you are providing a circus, a fire drill, sex, and an earthquake.  You should keep your full length script to about 100 pages which equals 1.6 hours of stage time.  For a one act divide that by 2.  For a ten minute play your script should be from 10-15 pages. These times and figures are debated by others but this has been my experience as an actor/director/writer.

3.  Leave lots of white space on the page.  One day when your play is being produced, actors will need a place to make notes in the script during rehearsal.  This is a sample of an actor’s (mine) working script. The    
actor usually ‘highlights’ their lines and writes the director’s blocking in the margins. (in pencil, as blocking frequently changes)

4.  The blocking is indented, in parentheses, and directly below the character’s name.  This is where the playwright gives the characters instructions on when and where to move.  But, keep it short and sweet.  Remember there will be a director who has their own ideas of where he/she wants their actors to be.  Be aware of costume changes in your writing.  An actor can’t exit stage left and enter stage right, seconds later, if you haven’t written in the time it will take for them to accomplish a costume change.

5.  Your script has to work on a stage.  If your story takes place in more than one locale, you have to be aware of the logistics of set changes. So keep it simple to start.  If you are ambitious in your setting buy a book on set design to research if your set is feasible.  There are some wonderful ‘envelope’ sets that unfold when you need to change the scene.  But you have to consider the budget; would a theatre have the money to build it? Always a worry.

6.  Dialogue: Now here’s the sometimes hard part:  everything you want the audience to know about the story and the characters, is
conveyed in the dialogue.  Unlike a short story or a novel, where you can write as much description as you’d like, a play script has none of that.  NO description. 

Here is a Sample of formatting your script correctly.  (Click link for details.) 

Journal includes instruction on: 

How To Begin
How to Write a Play
Formatting your Play on the Page
How to write Dialogue
How to Create Rich, Exciting Characters
Designing a Set
Stage Lighting
Stage Terminology
and more…..
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary, December: Mimi Mathews
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I Guess It’s All In the Writing…

What makes us, as readers, care about the characters in a book?  What is it about one book over another? I recently took a chance on a couple of new authors (to me) and was pretty disappointed. The books were like eating a slice of Wonder White Bread, with nothing on it; not even butter. Bland, tasteless and of little interest. 

Sophie was listless, I’m sorry to say with long run-on sentences. Beachcomber Motel was not interesting for a different and ‘deadly’ reason; the characters were not well drawn. They could have been more interesting; instead all three had been ‘done wrong’ by life. And quite frankly, I didn’t care about them. The love story of Jules didn’t develop until the last few pages and was more like: ‘Oh! I forgot to finish up Jules and Nick’s story.’  But, I misspoke, it wasn’t finished up but left the reader dangling mid-relationship with those two. Probably in the author’s hope that readers would be enticed to read a sequel.  Both of these are going to be a series, which I cannot recommend.  
  1 out of 5 stars 

This is beginning to sound more like a book review but hang in there….I will get to my point about writing. 

4 out of 5 stars

So I gave up on those two and cracked another new one; The Stationmaster’s Daughter.  I was instantly engaged and worried about Tilly and her dad, Ken, Ted and Annie. Of course, the setting didn’t hurt; a discarded railway station out in the wilds of Dorset. (UK)  Through no fault of her own, Tilly’s been kicked pretty hard by life. We find that out (artfully written) pretty soon after page one but with no feeling of being rushed.  Then there are flashbacks to 1935 when the trains were running in rural counties.

So no surprise, the difference is simple. It’s all about the writing. That something that a writer has in their storytelling that weaves a charming, enticing, well-drawn and interesting tale. This one’s about trains; I don’t care about trains except if they are on time and relatively clean. But the writer based the back story on trains in their heyday; the steam locomotion. And it was just enough that a reader like me didn’t grow weary with the history of trains.  It was well balanced with beautifully drawn characters. And the dialogue was excellent; I could hear their voices.             
It’s all in the writing. Full stop!
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary, December: Mimi Matthews 
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Interview with author, Susanne O’Leary (conclusion)

Pebbles is a rescue dog, golden retriever/collie mix

Q. Do you ‘get lost’ in your writing?

SO. Often. I can sit at an airport with my laptop and write, lost in the story—aka ‘the zone.’ Very irritating for anyone who tries to talk to me.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

New Release

SO. I am currently working on part 10 in the Sandy Cove series, or maybe I should call it part 4 in the Starlight Cottages series, which is a series within a series,

set in a coastguard station just outside the fictional village of Sandy Cove. The Lost Promise of Ireland, book 9 (Starlight Cottage #3) will be published in mid-December this year.

Q. When did you begin to write seriously?

SO. When I started writing fiction.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

SO. No. I think we’ll always have both. A lot of readers love to hold a ‘real’ book in their hand.

Q. What makes a writer great?

SO. A great writer is someone who can pull the reader into the story from the very first page and hold his/her attention right through to the end.

Work space in Tipperary

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

SO. It’s quite a long, complicated process. First, I write the first draft from start to finish, then I go over it and chop and change quite a bit before I send it to my editor. After that there are four different rounds of edits: structural, line edit, copy edit and proofreading. The final stage is checking through the different formats, Kindle, e-book and PDF (for paperback). In all, three different editors work on the book. All this can take up to two months before publication.

Q. How has your life experiences influenced your writing?

SO. Mostly in the settings (I have lived in quite a few different countries and travelled a lot) and things that have happened to me through my life that have touched my heart and my emotions. Love, tragedies, illness and so on.

Q. What’s your down time look like?

SO. If you mean what I do to relax, it’s mostly about the outdoors. I love hiking in the beautiful mountains of Ireland, or walking on the beaches. I also like yoga or any other kind of workout.

Q. Have you or do you want to write in another genre`?

Friendly horse on my walk

SO. I have co-written four detective stories and also written two historical novels based on the lives of my great-aunt and her daughter who had fascinating lives.

Q. Note to Self: (a life lesson you’ve learned.)

SO. Count your blessings. And carpe diem.

Did you miss Part 1 of this fascinating Interview?

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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary, December: Mimi Mathews
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Storyteller In Any Language

The storyteller was the most respected (and looked forward to) person second only to the Shaman since the time where we scratched images into cave walls. Since time immemorial the storyteller has kept alive the tribe’s history and traditions.  The name/word, Storyteller, is alive in most languages today. 

We writers keep this age-old tradition alive with our stories, whether we seek the past, write about the present, explore unknown worlds, suggest a fairytale, write our personal (tribe’s) history. In whatever language we choose, we tell a story hoping someone out there will read it and be moved by it.

 

Irish:          Seanachais — storytellers 
French:       le conteur —  storyteller, taleteller, romancer
German:    der Erzähler  — teller, narrator, storyteller, narrative writer
Spanish:     Cuentista  — storyteller
Italian:        Narratore — storyteller 
Hawaiian:  Mea haʻi moʻolelo — teller of tales
Icelandic:  Sagnhafi — Storyteller
                                                     Chinese:    Shuō gùshì de rén — storyteller
                                                     Russian:    сказочник  — storyteller, fabler 
                                                     Scottish:    Sgeulaiche  —  (Gaelic)  Tale teller  
                                                     Swahili:    Msimuliaji hadithi  — Spinner of yarns 
                                                     Swedish:  Berättare  —  Storyteller
                                 Vietnamese:  Người kể chuyện — Taleteller, teller of stories

Our ‘oral’ storytelling and the passing down of tribe’s history and heroics is becoming obsolete. When I was a girl my mother rarely read me a story. Rather she would tell stories of herself, growing up with 12 siblings in the backwoods of Washington state. There were countless stories of thirteen brothers and sisters and their adventures and misdeeds.  I believe it was this story telling by my mother that made me the Seanachais  that I am today. 
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary.
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BOOKS BY TRISHA SUGAREK

 

Storyteller In Any Language

The storyteller was the most respected (and looked forward to) person second only to the Shaman since the time where we scratched images into cave walls. Since time immemorial the storyteller has kept alive the tribe’s history and traditions.  The name/word, Storyteller, is alive in most languages today. 

We writers keep this age-old tradition alive with our stories, whether we seek the past, write about the present, explore unknown worlds, suggest a fairytale, write our personal (tribe’s) history. In whatever language we choose, we tell a story hoping someone out there will read it and be moved by it.

Irish:          Seanachais — storytellers 
French:       le conteur —  storyteller, taleteller, romancer
German:    der Erzähler  — teller, narrator, storyteller, narrative writer
Spanish:     Cuentista  — storyteller
Italian:        Narratore — storyteller 
Hawaiian:  Mea haʻi moʻolelo — teller of tales
Icelandic:  Sagnhafi — Storyteller
                                                     Chinese:    Shuō gùshì de rén — storyteller
                                                     Russian:    сказочник  — storyteller, fabler 
                                                     Scottish:    Sgeulaiche  —  (Gaelic)  Tale teller  
                                                     Swahili:    Msimuliaji hadithi  — Spinner of yarns 
                                                     Swedish:  Berättare  —  Storyteller
                                 Vietnamese:  Người kể chuyện — Taleteller, teller of stories

We writers keep this age-old tradition alive with our stories, whether we seek the past, write about the present, explore

Shaman, charcoal/ink by Trisha

unknown worlds, suggest a fairytale, write our personal (tribe’s) history. In whatever language we choose, we tell a story hoping someone out there will read it and be moved by it. 

Our ‘oral’ storytelling and the passing down of tribe’s history and heroics is becoming passé. When I was a girl my mother rarely read me a story. Rather she would tell the stories of growing up with 12 siblings in the backwoods of Washington state. These were countless stories of thirteen brothers and sisters and their adventures and misdeeds.  I believe it was this story telling by my mother that made me the story teller I am today. 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary.
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Parkland Shootings

In  remembrance  of  the  innocent  victims  killed  in  a  senseless  shooting. Inspired by that horrible day, I wrote a ten minute play for the classroom in the hopes that teens would learn more about the circumstances that led up to that day.  Perhaps more teens would open up about their thoughts and fears through performance of this play. The child (and yes he is a child regardless of his heinous actions) was in court yesterday pleading guilty to 17 murders of students, coaches and teachers. 

Synopsis:

Mass shootings are a part of our current culture. Not until now did I have something to say (write) about so many mass murders.
This ten minute play for teens in the classroom is to honor and memorialize the Marjory Stoneman Douglas High School shooting. It focuses on a small class of students hidden away in safety by their English teacher and what happens while they wait for the shooting to stop. But the question begs will they ever be safe again?

The victims:
My Mr. Hale (play) is fashioned after Scott Beigel, 35, a geography teacher and the school’s cross-country coach. He was killed after he unlocked a door to allow students in to hide from the shooter.

Alyssa Alhadeff
Aaron Feis
Martin Duque Anguiano
Nicholas Dworet
Jamie Guttenberg
Chris Hixon
Luke Hoyer
Cara Loughran
Gina Montalto
Joaquin Oliver
Alaina Petty
Meadow Pollack
Helena Ramsay
Carmen Schentrup
Peter Wang

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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary.
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Cheets Heads for Trouble…..Book #5 in the Kids’ Series, The Fabled Forest

   Book #5 in the Fabled Forest series.  CHEETS HEADS for TROUBLEsville

Cheets is looking for an adventure!  The elf has heard about ‘town’. Emma and her mother go there all the time but no one from the fabled forest has ever been there. Cheets is certain it is a magical place and perfect for him. He decides that he must head for Troublesville. He stows away in the car one day and, at the end of the trip, finds
him-self in busy, noisy streets all alone. He begins his adven-ture by befriend-ing two cats who live in a house with two humans. Then because of his undying curiosity and his obsession with carrots, he is captured in a trap and that’s when his adventure is no longer any fun. How can his friends back in the Fabled Forest help him when they don’t even know he’s in Trouble?

 

 

 

Don’t miss Cheets’ escapade and ultimate rescue!

 

Beautiful full color illustrations by Jefferson O’Neal.Click here to Purchase
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary.
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A Book Review and a Writing Lesson

   1 out of 5 quills reviews, authors, writing

                                 

Second Chance Grill could have been an engaging, charming and entertaining read but….the writing was clunky and author, Christine Nolfi, did a lot of ‘telling’ instead of ‘showing’.  Where she could have put a character’s challenge into the hands of the characters in her book to solve, she elected to get out a small soap box and preach about the issue (real time).  It was very distracting.  

I will digress from this review and begin a writing lesson. One of the first tenants of writing well is wherever possible, to ‘show don’t tell’.   (Example) The employees of the Second Chance Grill need health insurance.  This writer tells all about the challenges of a small business owner trying to find an affordable plan for employees. She almost crosses the line and leaves fiction for non-fiction.  The author could have easily ‘shown’ the challenge of procuring health insurance by creating a chapter/scene where she meets with some insurance agents. Or she reports back to her employees, Finny and Delia, about her failure to find insurance. But that she isn’t giving up and will continue to pursue it. Maybe Finny reacts with cynicism and disbelief. Maybe Delia has special pre-existing conditions that she’s worried about. 

Same for Blossom’s leukemia. Nolfi writes a couple of pages about leukemia in teens, percentages of poor diagnoses, bone marrow transplants. That’s ‘telling’. It would have been a better story if she’d let her characters show the grim percentages of death, tell of Blossom’s struggle with the side effects of chemotherapy.

And then Nolfi barrels into a fund drive to raise money for the transplant. This is where the writing gets particularly clunky and chopped up, and frankly, unbelievable.  The rhythm of the writing goes off the rails so, sadly, I can’t give it a good review. 

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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary.
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Glowing Review Bestowed on Emma and the Lady Aardvarks

‘ Trisha Sugarek’s Emma and the Lady Aardvarks is both whimsical and thought-provoking and will delight and attract fiction and nonfiction young readers alike, as a new mandate to save the planet emerges.  A time travel adventure about climate change and a mystical forest that features sister Aardvarks, who arrive in the mystical forest quite by accident when their time travel adventure goes awry.

Emma and the Lady Aardvarks adds another book to Trisha Sugarek’s Fabled Forest series for advanced elementary to early middle grade readers. The aardvarks meet friendly elves, fairies, farm girl Emma, and a host of creatures who inhabit a rare habitat, indeed. Annie is the shy one. Her braver sister Agnes has always protected her young sister, but even she quakes at the strange creatures and dialogues that emerge at the beginning of their new adventure.

Trisha Sugarek’s dialogue and setting is anything but predictable, from a Spanish-speaking spider to a host of characters who greet the skittish sisters Aardvarks: “Patsy, where are your manners?” Donald strolled over to Patsy. “Everyone is welcome in the fabled forest, as long as they come in peace.” “Dios mio, how do we know they come in peace, pequeño? Se ven como bandidos!” Donald laughed, “No they are not bandits, Patsy. Don’t be silly.”

Colorful drawings bring the forest and its creatures to life as Sugarek spins a colorful yarn, from a magical portal that discharges a posse of puppies to the injection of facts about extinction, global warming, and threats to wildlife. While Sugarek’s Fabled Forest milieu has been explored previously in five prior adventures, it should be noted that newcomers need have no prior familiarity with its creatures or history in order to appreciate this warm fantasy of a magical place and a mandate to try to stop climate change’s impact.

Young readers just past the picture book stage will find the peppering of colorful drawings a fine embellishment to a tale that weaves elements of fantasy and reality into a thought-provoking adventure.’  D. Donovan, Midwest Book Review
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My weekly BLOG features INTERVIEWS with  best-selling AUTHORS!    March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary.
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BOOKS BY TRISHA SUGAREKfairy tales, fables, elves, fairies, running away, audio books

 

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