Creative Writing Archives - Page 12 of 57 - Trisha Sugarek, Author, Playwright & Poet

Writer’s Sprints/Writer’s Block (part 2)

Writing Sprints (Part 2)

In writing my sample of a writing sprint (for this blogging session) it WORKED! I had been ‘resting’ from my creative writing; fiction, scripts, etc., but writing every day, my blog, etc. But after writing a couple of ‘sprints’ I seemed to have kicked aside whatever was holding me back and wrote a short, one act play in less than a week. And returned to an unfinished novel in my true crime series.

If you want extra accountability, start your writing sprint by posting “Starting a 30-minute writing sprint” on one of your social

media sites (Instagram, Twitter, Facebook) with the hashtag #writingsprint.
Before you start, double check one last time that you have everything you need to do your writing sprint. Preparation is critical to a successful sprint.
Once you are ready, start your timer. As soon as you start the timer, start writing and don’t stop until the timer stops. Don’t pause to consider word choice. Don’t stop for a sip of water (or wine). That can wait. Don’t think about what to do next (hopefully, you have planned it out earlier, so just implement your plan). It doesn’t matter what you write as much as that you keep your fingers or hands moving and words going down on the page or screen.
You can always edit your writing later. Remember: “Writing is not a calling; it’s a doing.” (t. sugarek)
Stop only when the timer goes off. Then celebrate your successful sprint (and motivate others) by posting your word count achieved on social media and in any group forums if you are participating in an event.
Finally, record your sprinting session to track your progress.

When to Do a Writing Sprint

There are certain times where writing sprints can be extremely useful.
• When you have writer’s block
• When you only have a limited amount of time to write
• When you want to increase your writing speed
• When you want to reach a specific word count goal by a specific time
• When you want to break out of editing mode

There is no right way or wrong way to do writing sprints. So you can’t write 500 words in fifteen minutes. So what? Just do your best. Stop over thinking it and just write as fast and furiously as you can. Put words down and see what happens. That blank page isn’t going to fill up by itself.

Did you miss Part I of this post?
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary, December: Mimi Mathews
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Writing Sprints May Cure Writer’s Block

Writing sprints are timed writing sessions of usually 15-60 minutes where writers try to achieve a specific word count or write as many words as possible. Just like running sprints, writing sprints aim to maximize results in minimal time.
We are going to explore exactly how to do just that…every time.

Why Writers Do Writing Sprints

There are many reasons why a writer might conduct a writing sprint. But the most helpful is to cure writer’s block.
A writing sprint can be an effective way to break out of a writing slump. Writing sprints, with their focus on high intensity pace and word count over quality, can be just the kickstart a writer needs to shatter writer’s block.

Ok, that’s all well and good, but how do you actually do a writing sprint?

Start by deciding whether you want to do a writing sprint alone or as part of an event with other writers. Solo sprints are more flexible because you only have yourself to think about, but tandem sprints or group sprints can be incredibly motivating and fun.
Select a writing goal, usually a set word count or number of pages if you want to complete. Usually this number is between 500 and (gulp) 1,000 words.
Next, choose a time limit between 15 and 60 minutes. Obviously, make sure the time limit is reasonable for the goal! You don’t want your hand to fall off.
If possible, remove all distractions. Choose a quiet place to conduct your sprint so you won’t be disturbed or interrupted by noise or other people. (Of course, some writers thrive off ambient coffee shop sounds or music, so do whatever works best for you!)

Prepare your writing tools. Gather your pencils, pens, paper, timer, laptop, writing software or apps, etc. It’s a good idea to have backup writing tools and to ensure that your computer is fully charged with a charging cable available in case you need it.
If you are using a timing device like an egg timer, get that ready and ensure that it is fully charged or has batteries with backup batteries available.
Make a writing plan. Either have a prompt (or series of prompts) ready or create an outline for the scene, chapter or sequence you want to write. A little bit of preplanning can make all the difference in your pace during a sprint.
Choose a time of day when you know that you will have high energy and few distractions. Some writers write best in the mornings, others do better at night. If you have a choice, pick the optimum time for your sprinting.

Following is a sample of my own writing sprint. Four hundred words in 15 minutes. I used only one punctuation, the period. As I intended to use an edited version of this in my current book-in-progress, I threw in quote marks out of habit. A habit hard to break.

Detective Phoebe Sneed knew she had one shot to make people believe that she was under age, no more than seventeen. These men liked ‘em young if reports were to be believed. She put on her big eyed innocent look and walked through the door of the mansion. She heard music coming from somewhere in the back of the house. She found a hallway leading back of the house and walked down it. the music intensifying. Stepping through a doorway, she entered what looked like a small ballroom. Some furniture bordered the walls leaving a sizable space for dancing. The girl she met last night rushed up to her. “Where’d you go last night?” You disappeared.” Phoebe sighed and pouted, “I got sick. I ate at a bodega for lunch and it hit me. Something must have been bad.”
“Well, come join the party. I told Geoff all about ya. He wants to meet you. He’s fond of brunettes. How old are ya, did you say?”
“I’m sixteen.”. Phoebe waited for the incongruitous laughter but the girl just nodded and grabbed her by the wrist. Pulling her onto the dance floor, she began to gyrate in front of Phoebe and they joined the dancers.
Meanwhile, a small knot of middle-aged men stood in a corner watching the young dancers. It was reputed that Geoff Wexstein collected princes, politicians,

CEO’s, and an occasional Catholic Bishop to his parties. Their leers were not hidden as the men all but salivated in front of the young girls. A politician, in an Italian silk suit and bold red tie whispered in Geoff’s ear.
“Fuck, Geoff, this is a prime batch of pussy, here. How old are they?”
“Giselle tells me the usual; around fifteen, sixteen. Nice, huh?”
“I’m gonna go dance.” The politician peeled off and half danced across the floor to join the girls. Soon they were are around him, laughing and gyrating. They could smell the money coming off of him in waves, mixed with the Armani after shave.
Phoebe danced with the guy, avoiding his hands which had a propensity to wander and accidently brush butts and breasts. “Eww.” She thought. What a creep.”
Soon the other men had joined in the group dance and in a few minutes, pairs were being formed. Geoff, the host, was very careful that there were always more girls than men so there was plenty of choice. ©

Tune in tomorrow for the conclusion. In the meantime try your own writing sprint.
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Auld Lang Syne ~~ Happy Holidays!

It’s that time of year….Auld Lang Syne and as the poet, Robbie Burns wrote, “old long since”. And I’m in the mood to tell a story.

Wild Violets, a novel — Mother, Violet, on right, circa 1922?

In a very ‘Auld Lang Syne’ kind of mood, I remembered things from my long ago youth at holiday time. Especially my mother’s traditions in the kitchen. Christmas dinner was a big stuffed turkey with all, and I do mean all, the trimmings. Dinner began with a ‘shrimp cocktail’. If there was fresh shrimp (there had to have been; we lived in the Pacific Northwest for goodness sakes); my mother had never heard of them. Canned shrimp filled two third’s of a martini glass, topped with her homemade cocktail sauce. A sprig of parsley on top and the glass was then placed on a paper doily covered saucer. On the saucer was ONE, (never two or three) Ritz cracker.

The sage, giblet stuffing, made from scratch and that means my mother saved the heels of bread loaves for weeks. I’ve never tasted dressing as good since. She would make the usual trimmings, gravy from the turkey drippings, green beans (out of a can, of course) flavored with bits of boiled bacon, baked sweet potatoes, and jellied cranberry sauce. She considered whole berry cranberry sauce savage. Home made biscuits and mashed potatoes. And then the pièce de résistance………..her oyster dressing. (Fresh oysters) Heaven in a bite!

family histories, family secrets, story telling, writers — Mom & me

Not being a particularly religious family the blessing was be short. If my Dad could get away with it, he would add: “Pass the spuds, pass the meat, for

Godssakes, let’s eat.” We would toast each other with Manischewitz wine. A wine connoisseur Mom was not! And I never knew why a Kosher red wine was part of her tradition.

As dishes were passed around the table, someone would always mention my mother’s off colored joke about a “boarding house reach“. A stickler for good manners, she would instruct us that a ‘boarding house reach’ was when you could ‘reach’ for something on the table and at least one butt cheek remained on your chair. That was an acceptable ‘reach’ and not bad manners. Otherwise, you must ask politely for someone to pass down the dish you wanted.

roaring 20's, flappers, new fiction, Wild Violets — the flapper days

I was never certain whether she had run a boarding house or had just lived in one sometime during her 1920’s flapper*bar owner*professional bowler* speckled younger days. If she had run a bordello it would not have surprised me! Miss you, Mom!

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Boy Underground by Catherine Ryan Hyde **Review

5 stars ** Book Review **

Catherine Ryan Hyde’s brilliance as a story teller knows no bounds. In Boy Underground she creates wonderful characters that the reader loves
and cheers for by page three. Secondary characters shine with believability. While the reader may hate some of them, Hyde gives the reader some insight to why they are such terrible parents, friends, and classmates. Dross and riffraff of a small town.

While weaving this wonderful story about four high school misfits, Hyde brings forth a time in America’s history that should drip with shame for all of us. Woven through this fiction is non-fiction history about social norms and the betrayal of US citizens, on so many levels.
(Note: This is as much as I am willing to say about the story to avoid, as I do, spoiler alerts.)

This book is a must for your library; to read and read again and then to keep on the shelf that holds your most treasured books.

Now available at your favorite book store.
Did you see my Interview with Catherine Ryan Hyde?
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Interview with author, Mimi Matthews (conclusion)

Q. What comes first to you? The Characters or the Situation?

MM. Both. The ideas for my novels usually start with a single disconnected scene. I imagine the characters in a specific situation. That scene helps me to understand them and their motivations, but it also helps me to understand the goal of my story as a whole.

Q. Do you ‘get lost’ in your writing?

MM. At the best of times, yes, when the words are flowing and the story is unfolding without too much mental anguish on my part. It’s one of the primary reasons I write. Because of my spine injury, I suffer a lot from pain. When I’m lost in a story, I can forget the pain, at least temporarily. For that reason alone, writing is incredibly therapeutic for me.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

MM. I’m really excited about my upcoming January release, The Siren of Sussex. Set in Victorian London, it features Ahmad Malik, the half-Indian tailor from my Parish Orphans of Devon series, and Evelyn Maltravers, a bluestocking equestrienne who hires him to make her daring riding habits. Siren is the first in a new series I’m writing for Berkley/Penguin Random House. It will be out on January 11th.

Q. When did you begin to write seriously?

MM. I wrote my first novel at thirteen. At eighteen, that novel got me my first literary agent. That novel didn’t sell, nor did the next one I wrote. After that, I took a very long break from writing fiction while I went to college and law school, traveled a bit, and did some other exciting things. It was only my spine injury that brought me back to writing fiction again.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

MM. Gosh, I hope not. I love the look, feel, and smell of books—both old books and new ones.

Q. What makes a writer great?

MM. I love an author who can tell a compelling story that grabs hold of you from the start and won’t let you go. Beautiful prose is a bonus.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

MM. For me, the process involves lots of work and lots of writerly angst. It usually starts with me loving my characters and ends with me being sick to death of them. Seriously, by the time a book is finished, I’ve reread it so many times I can’t take it anymore. Hopefully, all those rereads and revisions result in a polished story that my readers are going to love.

Q. How has your life experiences influenced your writing?

MM. My own experience with a life altering injury has a huge impact on the stories I tell. I write a lot about people who are experiencing similar life altering circumstances—a devastating loss, a debilitating physical injury, or a change in fortune. My characters have to work through these situations, to adapt and grow in order to ultimately find happiness again.

Q. What’s your down time look like?

MM. I’m terrible at down time. My laptop is often open on my lap, even when my family is watching a movie. Shutting off technology and learning to relax is something I’m struggling to get better at.

Q. Have you or do you want to write in another genre`?

A. Yes! I recently indulged the urge to write a Victorian gothic vampire novel. I had so much fun. Not sure I’d do it again, but I loved that I could—and that some of my readers even enjoyed it.

Q. Note to Self: (a life lesson you’ve learned.)

MM. Be kind, both to other people and to yourself.

Did you miss Part I of our interview with Mimi Matthews?
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How To Write a Play Journal is Now in Hardback

This beautiful journal/handbook is now available in Hardcover. Here’s a little of what you can expect inside. Plus hundreds of blank pages for your own writings and plans for a stage play.

1. Format is very important. If you submit your new play to anyone they will not read it if it is not in the proper format. There is software out there that offer auto-format but I found them lacking. The character’s name is centered. Blocking (action) is indented and placed in parentheses. Setting (indent once), Rise (indent once) and Dialogue is far left. Double space between character’s name and first line of dialogue. Blocking (action): is placed below the character’s name in parentheses. (indent x 3). A ‘beat’ is a dramatic pause to enhance the pace of the speech and is placed in the dialogue where you wish the actor to pause for a beat or two.

2. Each page represents approximately one minute of time on stage. So if you have a play that is 200 pages long, that won’t work. Audiences aren’t going to sit for more than one and a half hours unless you are providing a circus, a fire drill, sex, and an earthquake. You should keep your full length script to about 100 pages which equals 1.6 hours of stage time. For a one act divide that by 2. For a ten minute play your script should be from 10-15 pages. These times and figures are debated by others but this has been my experience as an actor/director/writer.

3. Leave lots of white space on the page. One day when your play is being produced, actors will need a place to make notes in the script during rehearsal. This is a sample of an actor’s (mine) working script. The
actor usually ‘highlights’ their lines and writes the director’s blocking in the margins. (in pencil, as blocking frequently changes)

4. The blocking is indented, in parentheses, and directly below the character’s name. This is where the playwright gives the characters instructions on when and where to move. But, keep it short and sweet. Remember there will be a director who has their own ideas of where he/she wants their actors to be. Be aware of costume changes in your writing. An actor can’t exit stage left and enter stage right, seconds later, if you haven’t written in the time it will take for them to accomplish a costume change.

5. Your script has to work on a stage. If your story takes place in more than one locale, you have to be aware of the logistics of set changes. So keep it simple to start. If you are ambitious in your setting buy a book on set design to research if your set is feasible. There are some wonderful ‘envelope’ sets that unfold when you need to change the scene. But you have to consider the budget; would a theatre have the money to build it? Always a worry.

6. Dialogue: Now here’s the sometimes hard part: everything you want the audience to know about the story and the characters, is
conveyed in the dialogue. Unlike a short story or a novel, where you can write as much description as you’d like, a play script has none of that. NO description.

Here is a Sample of formatting your script correctly. (Click link for details.)

Journal includes instruction on:

How To Begin
How to Write a Play
Formatting your Play on the Page
How to write Dialogue
How to Create Rich, Exciting Characters
Designing a Set
Stage Lighting
Stage Terminology
and more…..
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I Guess It’s All In the Writing…

What makes us, as readers, care about the characters in a book? What is it about one book over another? I recently took a chance on a couple of new authors (to me) and was pretty disappointed. The books were like eating a slice of Wonder White Bread, with nothing on it; not even butter. Bland, tasteless and of little interest.

Sophie was listless, I’m sorry to say with long run-on sentences. Beachcomber Motel was not interesting for a different and ‘deadly’ reason; the characters were not well drawn. They could have been more interesting; instead all three had been ‘done wrong’ by life. And quite frankly, I didn’t care about them. The love story of Jules didn’t develop until the last few pages and was more like: ‘Oh! I forgot to finish up Jules and Nick’s story.’ But, I misspoke, it wasn’t finished up but left the reader dangling mid-relationship with those two. Probably in the author’s hope that readers would be enticed to read a sequel. Both of these are going to be a series, which I cannot recommend.
1 out of 5 stars

This is beginning to sound more like a book review but hang in there….I will get to my point about writing.

So I gave up on those two and cracked another new one; The Stationmaster’s Daughter. I was instantly engaged and worried about Tilly and her dad, Ken, Ted and Annie. Of course, the setting didn’t hurt; a discarded railway station out in the wilds of Dorset. (UK) Through no fault of her own, Tilly’s been kicked pretty hard by life. We find that out (artfully written) pretty soon after page one but with no feeling of being rushed. Then there are flashbacks to 1935 when the trains were running in rural counties.

So no surprise, the difference is simple. It’s all about the writing. That something that a writer has in their storytelling that weaves a charming, enticing, well-drawn and interesting tale. This one’s about trains; I don’t care about trains except if they are on time and relatively clean. But the writer based the back story on trains in their heyday; the steam locomotion. And it was just enough that a reader like me didn’t grow weary with the history of trains. It was well balanced with beautifully drawn characters. And the dialogue was excellent; I could hear their voices.
It’s all in the writing. Full stop!
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary, December: Mimi Matthews
To receive my weekly posts sign up for my

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Interview with author, Susanne O’Leary (conclusion)

Pebbles is a rescue dog, golden retriever/collie mix

Q. Do you ‘get lost’ in your writing?

SO. Often. I can sit at an airport with my laptop and write, lost in the story—aka ‘the zone.’ Very irritating for anyone who tries to talk to me.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

SO. I am currently working on part 10 in the Sandy Cove series, or maybe I should call it part 4 in the Starlight Cottages series, which is a series within a series,

set in a coastguard station just outside the fictional village of Sandy Cove. The Lost Promise of Ireland, book 9 (Starlight Cottage #3) will be published in mid-December this year.

Q. When did you begin to write seriously?

SO. When I started writing fiction.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

SO. No. I think we’ll always have both. A lot of readers love to hold a ‘real’ book in their hand.

Q. What makes a writer great?

SO. A great writer is someone who can pull the reader into the story from the very first page and hold his/her attention right through to the end.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

SO. It’s quite a long, complicated process. First, I write the first draft from start to finish, then I go over it and chop and change quite a bit before I send it to my editor. After that there are four different rounds of edits: structural, line edit, copy edit and proofreading. The final stage is checking through the different formats, Kindle, e-book and PDF (for paperback). In all, three different editors work on the book. All this can take up to two months before publication.

Q. How has your life experiences influenced your writing?

SO. Mostly in the settings (I have lived in quite a few different countries and travelled a lot) and things that have happened to me through my life that have touched my heart and my emotions. Love, tragedies, illness and so on.

Q. What’s your down time look like?

SO. If you mean what I do to relax, it’s mostly about the outdoors. I love hiking in the beautiful mountains of Ireland, or walking on the beaches. I also like yoga or any other kind of workout.

Q. Have you or do you want to write in another genre`?

SO. I have co-written four detective stories and also written two historical novels based on the lives of my great-aunt and her daughter who had fascinating lives.

Q. Note to Self: (a life lesson you’ve learned.)

SO. Count your blessings. And carpe diem.

Did you miss Part 1 of this fascinating Interview?

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My weekly BLOG features INTERVIEWS with best-selling AUTHORS! May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary, December: Mimi Mathews
To receive my weekly posts sign up for my

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Storyteller In Any Language

The storyteller was the most respected (and looked forward to) person second only to the Shaman since the time where we scratched images into cave walls. Since time immemorial the storyteller has kept alive the tribe’s history and traditions. The name/word, Storyteller, is alive in most languages today.

We writers keep this age-old tradition alive with our stories, whether we seek the past, write about the present, explore unknown worlds, suggest a fairytale, write our personal (tribe’s) history. In whatever language we choose, we tell a story hoping someone out there will read it and be moved by it.

Irish: Seanachais — storytellers
French: le conteur — storyteller, taleteller, romancer
German: der Erzähler — teller, narrator, storyteller, narrative writer
Spanish: Cuentista — storyteller
Italian: Narratore — storyteller
Hawaiian: Mea haʻi moʻolelo — teller of tales
Icelandic: Sagnhafi — Storyteller
Chinese: Shuō gùshì de rén — storyteller
Russian: сказочник — storyteller, fabler
Scottish: Sgeulaiche — (Gaelic) Tale teller
Swahili: Msimuliaji hadithi — Spinner of yarns
Swedish: Berättare — Storyteller
Vietnamese: Người kể chuyện — Taleteller, teller of stories

Our ‘oral’ storytelling and the passing down of tribe’s history and heroics is becoming obsolete. When I was a girl my mother rarely read me a story. Rather she would tell stories of herself, growing up with 12 siblings in the backwoods of Washington state. There were countless stories of thirteen brothers and sisters and their adventures and misdeeds. I believe it was this story telling by my mother that made me the Seanachais that I am today.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My weekly BLOG features INTERVIEWS with best-selling AUTHORS! May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary.
To receive my weekly posts sign up for my

On the home page, enter your email address. Thanks!

BOOKS BY TRISHA SUGAREK

Storyteller In Any Language

We writers keep this age-old tradition alive with our stories, whether we seek the past, write about the present, explore

unknown worlds, suggest a fairytale, write our personal (tribe’s) history. In whatever language we choose, we tell a story hoping someone out there will read it and be moved by it.

Our ‘oral’ storytelling and the passing down of tribe’s history and heroics is becoming passé. When I was a girl my mother rarely read me a story. Rather she would tell the stories of growing up with 12 siblings in the backwoods of Washington state. These were countless stories of thirteen brothers and sisters and their adventures and misdeeds. I believe it was this story telling by my mother that made me the story teller I am today.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My weekly BLOG features INTERVIEWS with best-selling AUTHORS! May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary.
To receive my weekly posts sign up for my

On the home page, enter your email address. Thanks!

BOOKS BY TRISHA SUGAREK

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