Creative Writing Archives - Page 14 of 57 - Trisha Sugarek, Author, Playwright & Poet

Interview with writer, Veronica Henry (conclusion)

Q. Do you think we will see, in our lifetime, the total demise of paper books?

VH. I sure hope not! I think books make a home, and are a big part of us. You can tell a person by the books they have on their shelves. They make wonderful gifts too. My books are my most treasured possessions. I don’t feel so emotional about my Kindle!

Q. What makes a writer great?

VH. If they can make you laugh and cry. And if you recognize the characters in the book, even if they are from two hundred years ago.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

VH. I write a book a year, so ideally it would be two months brainstorming and researching, six months for a first draft, two months for a second draft and then the rest of the time finessing. But it’s quite a fluid process. The most intense period is the second draft -that’s when the book really falls into place but it’s emotionally draining and you need to really concentrate to get the most out of your material.

Q. What’s your down time look like?

VH. I live by the sea, so I spend a lot of time at the beach. Either walking the dog, or swimming (I swam all the way through winter without a wetsuit!) or hanging out with my friends with a picnic and a bottle of wine as the sun goes down. I love to cook, so I love to have the time to make a really special dinner. We have a great fishmonger near us, so right now it’s all about the crab and the lobster. I’ve just made a white chocolate and raspberry cake – it’s in the oven!

Q. Have you or do you want to write in another genre`?

VH. I’ve spent a long time building up a career in my genre so it would be crazy to just switch – although I know a lot of authors who have gone over to crime or thrillers recently. I like people to feel good when they finish reading my books, so I’m going to stick with it!!

Q. Note to Self: (a life lesson you’ve learned.)

VH. Everything comes back into fashion eventually!

Did you miss Part 1?
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry and October: Life Coach, shaman, author, Jennifer Monohan.
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Interview with Author, Veronica Henry (part 2)

Q. Where/when do you first discover your characters?

VH. It’s a bit like going to a party. You meet the host, and then they introduce you to all their friends. You see someone on the sidelines and think ‘Oooh they look interesting’, and then go over and have a chat. Quite often the people who seem interesting to start with turn out to be rather dull, and the quiet ones are the ones with hidden depths.

Q. What first inspired you to write?

VH. I was a total bookworm, as my father was in the army so we moved every two years, and books were my constant. And my favourite character was Jo March from Little Women. So I always loved creative writing at school. But working on the Archers was the first time I realized that everyone needs an escape in their life, to get away from reality, and that made me fall in love with storytelling and view it as a career.

Q. What comes first to you? The Characters or the Situation?

VH. Usually the characters in a particular setting – I love to set my books somewhere my reader would like to be – and then I start asking myself where they are in their life. What dilemmas do they have? What would they like to change about their lives? What has just happened to them that has upset the apple cart and what are the consequences? And I ask myself where I’d like them to be – metaphorically – by the end of the book.

Q. Do you ‘get lost’ in your writing?

VH. It goes in phases, but quite often I act out what I am imagining to myself, much to my children’s amusement. Or walking along the beach muttering away to myself, like The French Lieutenant’s Woman. I just need a black cape with a hood!

Q. Are you working on something now or have a new release coming up? If so tell us about it.

VH. My next book is called The Impulse Purchase about a 70 year old woman who buys the pub in the village she grew up in, on impulse. Her daughter and granddaughter join her to run it, and they turn it around – and change their lives in the process. It was such fun to write, especially the family dynamics. And the food!

Q. When did you begin to write seriously?

VH. When I became a TV script editor. I often had to rewrite parts of the scripts – often for logistical reasons – and wrote the storylines too. TV is a very hungry beast and uses up a lot of material so you have to be prolific.
*********

The conclusion August 27th
Did you miss the beginning segments of this wonderful Interview?
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Rewrites Are Fun and Creative!

Don’t Be shy about about editing some of your older work. For example, Next! A Hollywood tale. This stage play is from 2009. Full length drama, for adults. What inspired me to look at it again was a little flurry of book sales for this play.

So I pulled it out, dusted it off and read it again. And found some interesting spots to make it better. In this latest revision I added a whole new scene, which was overlooked the first go around. I couldn’t believe that I had neglected to tie up a loose thread, which the new scene did nicely.
I have a philosophy; That is that no story is ever finished and I’ve never been shy about looking back and seeing if something needs a good polish or a rewrite.
This story is about ‘cattle calls’. Auditions that are open to the public; to anyone with a resume and a headshot. Grueling, harsh, and often cruel, the casting directors are ruthless and go through starving actors like a threshing machine.

Synopsis: Four young, brash actors come to Hollywood to live out their dreams of making it big in tinsel town. They are convinced that hard work and honed skills will bring them everything that they ever dreamed of. They discover that hard work and talent have very little to do with success.

This full length play tells the story of the unflagging optimism of these four actors. They never give up in spite of the daily exploitation and frustration. This comedic drama portrays the real story behind the auditions, the type casting, the ruthlessness and hidden agendas of the movie industry. How the beautiful people, with virtually no acting talent, become stars overnight while trained, talented actors work for years in menial jobs while pursuing a career in film and theatre. The four characters are representational of all the fine, new actors that Hollywood lures into its machination of heartbreak. The author purposely uses only first names as a symbol of how dispensable these young people are.

A surprising and shocking ending will keep the audience on the edge of their seats.

3f. 3m.
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry. October: Susanne O’Neal
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Poetry Soup Honors this Writer with Front Page

Dear Trisha,

Congratulations, this is just a quick notice to let you know that your poem Rain is one of the poems being featured on the PoetrySoup home page this week. Poems are rotated each day in groups of 14-16 to give each poem an equal opportunity to be displayed.

Thanks again and congratulations.

Sincerely,

PoetrySoup

Rain ©

The great Serengeti’s broad
face lies in the African sun,
dry, weathered, cracked,
thirsty for the season’s tears

Storm clouds gather on her
brow like an old lady’s curls
Promises, promising
An empty promise

The rains are too late
The children of the Serengeti
lie down on her dusty bosom,
never to rise again
A desperate waiting fills the
air

At last, a single drop of rain
falls on the delicate skin of
the vast plain, then another
and another…

More
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, July: Veronica Henry.
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BOOKS of POETRY BY TRISHA SUGAREK

Interview with British Author, Veronica Henry

As an army child, Veronica went to eight different schools, including the Royal School Bath, where she learnt Latin, how to make rock buns and how to take her bra off without getting undressed. She went on to study Classics at Bristol University, followed by a bi-lingual secretarial course – a surprisingly useful combination. Veronica started her career as a secretary on The Archers, a long running radio drama, typing scripts, then moved on to television and became a script writer. When she had her first child she jumped over the fence and became a script writer, then turned to writing novels in 2002, “as books were always my first love.”

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? Or tell us about your ‘dream’ work space.

VH. Now two of my children have left home I’m lucky enough to have a dedicated office space. I have a huge desk to spread out all my papers and research and the books I’m reading. There are inevitably piles of paperwork and proofs to read and one day I will sort it all out so it is calm and organized! It has a sea view, which is great, and is very light and airy. I have to work in silence – no music, even though music is a big part of my life.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

VH. The most important thing is to make sure my hair is tied up – with anything!! I can’t stand it falling into my face while I work. I have my

dog, Zelda, named after Zelda Fitzgerald, on a sheepskin rug under the desk.

Q. Could you tell us something about yourself that we might not already know?

VH. I went to school in the States for three years and had the accent to prove it! It’s faded now but I still say ‘gas’ and ‘trash’ instead of ‘petrol’ and ‘rubbish’

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

VH. I love making notes with a black pen and a narrow feint notebook at the beginning of the process – somehow it makes me think more creatively. But then I work straight into the computer. I don’t use a special app but have recently discovered the navigation pane which really helps knowing where I am in the document.

Q. Do you have a set time each day (or night) to write?

VH. I’m a lark and prefer to get straight on with writing first thing, after I’ve walked the dog. My energy dips after lunch, so that’s when I go over what I’ve already written or do some light reading! I cannot work in the evening to save my life.

Q. What’s your best advice to other writers for overcoming procrastination?

VH. Just grasp the nettle, I’m afraid. The fear is worse than the reality. We all do it, but I can’t afford to procrastinate too much. I view writing as a business. Most other professions don’t have the luxury of procrastination. Imagine your dentist faffing about before getting on with your check up!

Q. Where/when do you first discover your characters?

Join Us For Part 2 of this Wonderful Interview
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Life….in A Nutshell (2)

Windstill ©

Subtle silence
Windstill
trees await the next
message on the air

Windstill
not a whisper of birdsong
not a leaf-rustle intrudes
it falls fluttering to the ground, silent

The wind has departed
beyond the next hill
leaving in its wake
Windstill

Will it return? The breeze
dancing amongst the leaves
to the tune of the forest

Shall the still wind haunt
amongst the trees?
or come roaring back, shrieking?
Windstill

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, July: Veronica Henry.
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What does it look like? From ‘no book’ to ‘finished book’?

A fellow writer and friend asked me this question: “What does the process of going from “no book” to “finished book” look like?” After years of writing my blog and interviewing other authors, it seemed to be each featured author’s favorite question. Having also completed several novels I’d like to add my two cents:

When writing my first novel, (Women Outside the Walls) I did not have a deadline and it probably would have really helped. I was my own deadline setter and that didn’t work out so well. On the other hand, I think having a publisher breathing down my neck would have stifled my creative flow. When life got in the way I wouldn’t work on it for weeks but then I would get inspired and work on it for days, weeks, non-stop, sometimes 10-14 hours a day. So I guess it all evened out. Whatever you do, don’t beat yourself up if you don’t write for a few days….you’ll make up for it with better, more relaxed creative writing.

Because I inherently ‘rush’, I found that I had to watch-dog myself and be careful not to leave out important roads of the story. I was in early proofing of the final product of my novel and realized (in a countless re-read) that I had never described my female negotiator’s physical appearance. (Yikes!). Again, (if the writer tends to rush) go back and re-read your work to see where you need to flesh out a chapter or a character.

I am not structured at all, if ‘structured’ means writing an outline, a story plot and character descriptions. I write a new project in my head for days, weeks and then when my brain is about to burst I begin putting it down on paper (or in my case, sitting at the keyboard). I also write out of sequence and I think that’s okay. My novel’s last chapter was completed months before the middle was written.

Some writers have actually written whole books while blogging; they found it less daunting by writing in segments. At the end they had a book and then they published. If you need a deadline the days that you commit to writing a blog would serve. For me this wouldn’t work; I would feel too exposed having my rough draft out there for the world to see as I am a writer who slams it down the first time around and then edit, edit, delete, edit. Did I mention that the lettering is worn off my ‘delete’ key?

Frequently I will begin a story that has inspired me, not knowing much about the subject. It has sometimes stopped me dead in my tracks while I researched (example: hostage negotiations for Women Outside the Walls). I had 8 pages of a new play about Winston Churchill written and had to stop to do research on his life during WW II. I find that it can be done while I am writing and that is what I prefer. It’s more fun and keeps me interested. I don’t think I would do well having my research all done before I put my story down. I find that the research itself inspires my story line.

And then there is that unseen, unheard phenomenon where, with any luck, the characters take over and you become the typist. Your muse begins to tell you the story. This has happened to me time and again, and while I resisted at first (being a control-freak) I now embrace and welcome it. In Women Outside the Walls my character Alma, at sixteen, is abandoned by her promiscuous mother. Alma is befriended by the ex-girl friend of the man Alma had a teen crush on. They end up being room mates. I could never have dreamed that one up; but my characters got together and decided that this was what they would to do.

I don’t think that there is a right or wrong way to go through the process. Each writer should be unique in how they work. Instead of thinking of it as a project/deadline ‘thing’; think of it as a work of art, created just for you and by you. Where possible, let the characters lead you. They will never steer you wrong!

well, there you have it…the process such as it is and how it works for me. (First posted January, 2013)
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, July: Veronica Henry.
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Life…In a Nutshell

Scent of Life ©

Cool rain drumming on blistering asphalt,
the scent streams into nostrils.
Uncertain why it pleases.

Fresh popcorn drenched in butter,
childhood memories of
dark, musty movie houses when
Tom Mix raced across the screen.

Rich, peaty earth turned over under an autumn sky,
a primal sense of conclusion with the
larder full at harvest time.

Wrapped in strong arms, nose pressed to warm skin.
Drinking in the heat and smell of the man, your man,
beloved man, the partner in life.

Sweet puppy breath. Pure doggy conviction
that you will love him as much as he loves you.

Soft curls and sweet skin of the new babe,
powdery newness, innocence,
and trust.

Candles and incense in the great cathedral,
eons of faith, hope, belief and expectation.

Briny, sharp tang of a northern sea,
Balmy, yielding, salty essence under
the southern Cross.

Sultry air twines itself through the Vieux Carre.
Crushed sugar, wet pavement,
warm beer, praline sweet, heady grape.
Old water from a great river.

Metallic, bitter, smell of blood, be it from battle field,
hospital, butcher shop or birthing room.
Cloying In the nostrils, sticking in the throat.

Manure, pink sugary sweet, sawdust,
roasted peanuts, old canvas, the Big Top!
Childhood rushes back.

New trees, old petroleum, pine sol,
stale baloney, truck exhaust, tired clothes.
Drive on down the highway.

Quaking aspen, pitchy sap, crackling’ fire,
snowy air assaults the senses and warms
the heart.
The loon sings.

Available in Moths and Machetes, Book of Poetry
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, July: Veronica Henry.
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Don Bentley writing for Tom Clancy~Interview (part 3)

Q. Do you ‘get lost’ in your writing?

DB. There are times when the words seem to fly from my keyboard onto the screen, but if I’m being honest, these instances are few and far between. Writing is work. Hard work. And while I enjoy writing, there are certainly aspects of it that I detest. First drafts are especially hard and, and are most often the times when I berate myself for not choosing an easier profession. Like rocket science! But writing also has some magical phases like writing the second draft. For me, that’s when the story comes alive as you untangle the narrative, build on themes you didn’t even realize you were there, and give that secondary character the starring role they deserve. This is when writing becomes fun, but to get there, you have to slog through the tediousness of the first draft.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

DB. Yes to both! TARGET ACQUIRED, my first entry in the Tom Clancy Jack Ryan, Junior series comes out on 8 June 2021. I read my first Tom Clancy book when I was thirteen or fourteen, and he was my introduction to the military thriller genre. The notion that, thirty years later, I get to write in the universe he created really is incredible. In addition to my Tom Clancy book, I have my own thriller series starring Defense Intelligence Agency case officer, Matt Drake. I’m currently writing HOSTILE INTENT which is the third book in this series. It will be released in May 2022.

Q. When did you begin to write seriously?

DB. I decided to take my writing seriously in late 2001 when I signed up for a series of online classes from Writer’s Digest Magazine. These classes helped provide a foundational understanding of the process of crafting a novel which I was sorely lacking. I then went on to write two more novels, each of which was strong enough to garner an agent, but not good enough to sell to a publisher. I then decided I must still have more to learn about my craft before I could be commercially successful, so I enrolled in the Seton Hill MFA program. This is a low residency program unabashedly geared toward writers who want to sell commercially viable genre fiction. I wrote my third novel as part of this program, but this one didn’t sell either. About this time, I was starting to wonder whether or not I was ever going to make it as a writer. Thankfully, I had the great fortune to meet Nick Petrie, author of the Peter Ash series, at the ThrillerFest writing conference in New York. Nick was kind enough to listen to my tale of woe, but he did more than listen. After sharing that he also wrote three books that didn’t sell before writing his fourth that did, he told me to go home, quit sulking, and write my fourth book. So I did. That book became WITHOUT SANCTION which my agent, Barbara Poelle, sold in a two book deal in 2018. Fast forward three years, and I’m now writing my third book in that series as well as poking around in the Tom Clancy Universe. To quote Nick, I guess the moral of the story is quit sulking and write your book!

Q. Do you think we will see, in our lifetime, the total demise of paper books?

DB. I don’t. I think there’s something tactile about paper books that people love.

Did you miss Part 1 or Part 2 of our Interview with Don?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, July: Veronica Henry.
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Interview with author, Don Bentley, writing for Tom Clancy (part 2)

Q. What’s your best advice to other writers for overcoming procrastination?

DB. Writing a book on spec is incredibly intimidating, especially when you have no idea whether or not it’s going to sell. This combined with the fact that writing progress on a book can seem so incremental as compared to say a short story can make it really easy to procrastinate. After all, if no one’s clamoring for your book, and it takes forever to write, it’s easy to come up with a thousand better ways to spend your time. With that in mind, I’ve found it helpful to give myself a deadline and then make a plan to meet it. For me, that works best if I put my engineering skills to use by mapping out a word count strategy and then tracking it in excel. Every week I compare the word count I was supposed to hit with what I actually wrote, and I also plot the cumulative progress on a line graph so I have a visual representation of where I am versus where I’m supposed to be. I’ve found that the terror that accompanies knowing that you’re exactly 4,326 words behind schedule is a great anecdote for procrastination!

Q. Where/when do you first discover your characters?

A. That’s a great question! I write more organically, so many of my secondary characters come out in the first draft when I get to a scene and realize that I need another character for one reason or another. Often times a character I think will only have a cameo ends up showing up again in later scenes. After I finish my first draft, I further flesh out my characters during revisions and this is when they become real. I think the treatment of secondary characters is one of the things that separates good writers from great ones. For instance, if you pick up a Daniel Silva book, you’ll find that he doesn’t have any “throw away” characters. Even if they only share the stage for a single scene, each one of his characters is elaborately and realistically drawn.

Q. What first inspired you to write?

DB. I’ve been telling myself stories for as long as I can remember. Some of my earliest memories were of listening to my mom read me a book, or watching a tv show or movie, and thinking how the story could have ended differently. When I was in fourth or fifth grade, I started writing what would now be known as “fan fiction” for Star Trek. Writing was always my favorite subject in school, and I attempted to write my first novel in high school. It didn’t go very far, and I think this was because like most amateur writers, I didn’t yet understand the a novel’s structure. I could write a scene, but figuring out what to do next confounded me. In my late twenties I finally got serious about writing and took some excellent online classes from Writer’s Digest. These gave me a foundational understanding that allowed me to finish my first novel sometime in my early thirties. This novel didn’t sell, and neither did the two that came after it, but each book that didn’t sell taught me something different about the writing process. I guess to answer your question, I never really felt inspired to write. The desire to tell stories is just part of who I am.

Q. What comes first to you? The Characters or the Situation?

DB. Secondary character usually come as I’m writing, but primary characters always come first ,even before the situation. New York Times Best Selling author Brad Taylor is one of my friends, and I pick his brain for writing advice every chance I get. He once told me that characters are what bring readers back from book to book, and I believe that’s true. You can have the most unique story idea in the world, but without a cast of characters that a reader enjoys enough to spend three hundred plus pages and hours of their lives getting to know, you won’t have a successful book. As I mentioned before, Daniel Silva does a superb job with characterization, so much so that reading his books feel like coming home. He’s one of the few authors that I will reread time and time again because I miss hanging out with the people he’s created. That’s how I want readers to feel about my books.

Did you miss part 1 of our Interview with Don?

Check out part 3 of this fascinating interview with Don Bentley, July 2nd
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, July: Veronica Henry.
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On the home page, enter your email address. Thanks!

BOOKS BY TRISHA SUGAREK

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