May 7, 2012, I wrote my first posting for my new blog. I was very resistant, at first, stating that I wanted to do real writing, not waste my time on some silly little blog! Now nine years later, I realize that I have had a lot to write about. Most of it relevant, I hope. Faithfully, I have posted weekly without fail. The jewel in my blogging crown is definitely my monthly interviews with other authors, some pretty famous best selling authors!
I used to have to ‘chase’ books to review. But I kept at it and now in the last few years ARCs (advance readers’ copy) arrive in the mail with a request that I review the new book. I can barely keep up with the demand but I try to read and review every book I receive.
I would not have believed back in 2012 that I would have enough to say to fill nine years, every week. I’m not being immodest when I say that it has taken some creative thinking on my part to create different venues like author interviews. I’m careful to find (at least) something good about any book that I review. My blog has remained positive and, I hope, a safe place for ALL writers.
And to my supporters, (dare I say) fans, and subscribers, a GREAT BIG THANK YOU!
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! December: Lauren Willig, January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy To receive my weekly posts sign up for my
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After reading Susan Elia MacNeal’s Mr. Churchill’s Secretary I was inspired to write a short play about Winston Churchill and his cat, Nelson. Ms. MacNeal referred, in passing, to Mr. Churchill’s pets being allowed free rein to wander the war rooms at #10 Downing Street during Churchill’s time in office. I could clearly see the rotund, shambling figure of the Prime Minister with two pugs yapping at his heels while Admiral Nelson, the cat, sat high atop a side table. Silently observing his human and the general hysteria of the dogs.
Churchill was a master not only in crafting the English sentence but also in the coinage of words. His tongue-in-cheek comment: “A fanatic is one who won’t change his mind and won’t change the subject.” is a favorite of mine. In a World War I speech, (1914) Churchill, then First Lord of the Admiralty coined the phase ‘business as usual’. Saying the maxim of the British people is “business as usual.” Churchill gave the world the phrase: “Iron Curtain” in his speech in Missouri in 1946 when he said, “…..an iron curtain has descended across the continent.”
Having grown up during the post-war years, I knew something of Mr. Churchill. A historic figure that was a great statesman, orator and leader. But I really knew nothing of the man. And once again, (as I have mentioned before) I began a project and then started my research.
Mr. Churchill’s Secretary, (which I highly recommend) is fiction but based in fact. Ms. MacNeal was fortunate enough to have several interviews with Churchill’s private secretary before her death. The book is about a ‘typist’ who was relegated to a menial job because of her gender. She was actually educated in mathematics and cryptology and could easily have fitted in with MI-Five (British CIA) but for her being a woman. The novel’s heroine, Maggie, saves the Prime Minister from certain death by breaking a Nazi code. And this brings me to the fashion advert that actually ran in the London Times and was full of Nazi messages. All the stitching (around sleeves and hem) was Morse code for attacks at #10 Downing and St. Paul’s cathedral.
“German spies hid secret messages in drawings of models wearing the latest fashions in an attempt to outwit Allied censors during World War Two, according to British security service files. Nazi agents relayed sensitive military information using the dots and dashes of Morse code incorporated in the drawings. They posted the letters to their handlers, hoping that counter-espionage experts would be fooled by the seemingly innocent pictures. But British secret service officials were aware of the ruse and issued censors with a code-breaking guide to intercept them.” (actual advert from the London Times).
If not for my love of reading, my passion for writing, and the need for research, I would never have delved into Churchill’s life and his time in office. (my interests don’t generally take that path). It’s an unexpected delight to learn more about this amazing statesman. He was quirky, irritable, brilliant, and very funny.
And all because I had begun writing a short play about Mr. Churchill and his cat! I love when that happens!!
(Originally published 2013)
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan To receive my weekly posts sign up for my
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Recently a fellow writer and friend asked me this question: “What does the process of going from “no book” to “finished book” look like?”
My first novel, Women Outside the Walls began as a full length play. I used my play script my book outline/treatment. As the scenario was so current (because it was a play), I found that flashbacks were a great way to flesh out each woman’s story and it served me well.
It took me a year and four months to write it, format it and edit it. That equals 72,000 words.
I did not have a deadline and it probably would have really helped. I was my own deadline setter and that didn’t work out so well. On the other hand, I think having a publisher breathing down my neck would have stifled my creative flow. When life got in the way I wouldn’t work on it for weeks but then I would get inspired and work on it for days, weeks, non-stop, sometimes 10-14 hours a day. So I guess it all evened out. Whatever you do, don’t beat yourself up if you don’t write for a few days….you’ll make up for it with better, more relaxed creative writing.
Because I inherently ‘rush’, I found that I had to watch-dog myself and be careful not to leave out important roads of the story. I was in early proofing of the final product of my novel and realized (in a countless re-read) that I had never described my female negotiator’s physical appearance. (Yikes!). Again, (if the writer tends to rush) go back and re-read your work to see where you need to flesh out a chapter or a character.
I am not structured at all. I write a new project in my head for days, weeks and then when my brain is about to burst I begin putting it down on paper. I also write out of sequence and I think that’s okay. My novel’s last chapter was completed months before the middle was written.
Some writers have actually written whole books while blogging; they found it less daunting by writing in segments. At the end they had a book. If you need a deadline the days that you commit to writing a blog would serve. For me this wouldn’t work; I would feel too exposed having my rough draft out there for the world to see as I am a writer who slams it down the first time around and then edit, edit, delete, edit. Did I mention that the lettering ‘D’ is worn off my ‘delete’ key?
Frequently I will begin a story that has inspired me, not knowing much about the subject. It has sometimes stopped me dead in my tracks while I researched (example: hostage negotiations). I had 8 pages of a new play, about Winston Churchill, written and had to stop to do research. I find that it can be done while I am writing and that is what I prefer. It’s more fun and keeps me interested. I don’t think I would do well having my research all done before I put my story down. I find that the research itself inspires my story line.
And then there is that unseen, unheard phenomenon where, with any luck, the characters take over and you become the typist. This has happened to me time and again, and while I resisted at first (being a control-freak) I now embrace and welcome it. In Women Outside the Walls my character Alma, at sixteen, is abandoned by her promiscuous mother. Alma is befriended by the ex-girl friend of the man Alma had a teen crush on. They end up being room mates. I could never have dreamed that one up; but my characters got together and decided that this was what they would to do.
I don’t think that there is a right or wrong way to go through the process. Each writer should be unique in how they work. Instead of thinking of it as a project/deadline ‘thing’; think of it as a work of art, created just for you and by you. Where possible, let the characters lead you. They will never steer you wrong!
well, there you have it…the process such as it is and how it works for me.
My weekly BLOG features INTERVIEWS with best-selling AUTHORS! December: Lauren Willig, January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan To receive my weekly posts sign up for my
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Back in 2006, The Artist’s Way, by Julia Cameron was published. I had just begun my journey as a dabbler in watercolors and( since 1998), had been writing stage plays. In that same year, I still considered myself a dabbler in watercolors and a junior level playwright….learning as you go. I certainly would never have called myself an ‘artist‘ in those early days. This was a workbook that I treasure to this day.
Now Ms. Cameron has written another lovely, insightful, encouraging book, The Listening Path. A successful communicator’s first skill is LISTENING. A successful artist and human being should be listening; not just to other people but listening to their surroundings, and even listening to silence. Much can be learned.
This book is not only instructional but filled with tasks to practice your listening and become a better communicator.
I highly recommend this book to my readers who are interested in furthering their self-awareness and their world around them.
My weekly BLOG features INTERVIEWS with best-selling AUTHORS! December: Lauren Willig, January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan To receive my weekly posts sign up for my
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I was sitting, late one night, at a ferry landing, waiting and watching the boats ferry back and forth until it was my turn to board. Fog horns, misty fog, reflections on the black water, the screech of the gulls, and the silent hunting of the pelicans.
The wet air, the silence, the sound of a lone fog horn warning vessels of danger. The fog smearing everything I looked at… I was inspired to write poetry. But the scene could have inspired a murder mystery writer to write about a body, weighted down, being slipped into the water; or it could have inspired a romance writer to write about two lovers parting as the boat docked. Never to be together again. For me, it was poetry. Here is an excerpt of what came out of that black night……..
I raced home as I had nothing to write with in the car. Opening my front door, I dropped my keys and purse onto a chair, tore off my coat as I sped down the hall to my studio. Waking up my computer, my fingers flew across the key board, lest I forget the words that were born in the night.
To read more click here for the books, Butterflies and Bullets and Moths and Machetes
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! December: Lauren Willig, January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg To receive my weekly posts sign up for my
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Author, Jodi Thomas, never lets her readers down. This sequel to the Honey Creek series is a satisfying read, re-visiting Someday Valley and the strong characters that Jodi Thomas has drawn. Pecos and Brand being my favorites in this new one.
The readers get to return to Honey Creek and Someday Valley, two small towns in Texas. While set in current times, there’s still a flavor of the old west and small town closeness and politics that you cannot escape from to this day. The story is rich in twists and turns with vibrant, quirky characters.
I highly recommend it to my readers.
Did you miss the wonderful interview we did with this author?
Coming Soon! (Oct. 2021, Book 3 Honey Creek series)
My weekly BLOG features INTERVIEWS with best-selling AUTHORS! December: Lauren Willig, January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg To receive my weekly posts sign up for my
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Recently I was invited to read and review a new collection of three plays. There was so much WRONG with the formatting and the lack of knowledge by the playwright that I couldn’t review it without tearing it all down and asking the playwright to begin anew. But there evolved a constructive critique that might help other new writers.
Back cover should not be blank with a graphic design. Don’t waste this space.
1. Use this space as an opportunity to grab the buyer/director. List titles and short synopses of your plays. Count gender and following synopsis type this: 1m. 4f. (indicating one male and four females.
2. One line tags
3. A short bio of you
Pg1. First page: Title of play/s
Pg.2: Copyright notice
Pg 3: list of play titles and Pg # they start on.
In the first few pages you should have a Contents (list) with the tile of each play and the page number it begins. Make it as easy as you can for the director to find the play and the list of characters Because this dictates whether the director can use your play or not depending on age of character and gender. Always keep in mind that men are harder to cast.
On whatever page a new play starts it should begin with the title and the list of characters.
Be certain, you as the playwright, understand what constitutes a full length play. a One Act play, and a Ten Minute Play. If your plays are preachy and esoteric it will be a hard sell to a director.
The end of a play is indicated with one word, centered: CURTAIN
‘Black out‘ and ‘End of Scene‘ are no longer used. The director will understand when a new scene begins. The next page demonstrates to the reader that a new scene is beginning. ‘Act’ and ‘Scene’ should be centered.
CHARACTERS names and blocking should be centered on page; NO underline.
If you find yourself writing a soliloquy or a monologue in a scene, break it up by having other characters insert dialogue in your speech. It then becomes less preachy and more dynamic.
Be certain YOU know the difference between a Ten Minute Play, a Full Length play (with two acts) and a One Act Play. The first act in a full length play is longer than the second act. Full length plays are about 100 pages/minutes. And no one ever uses an Act III unless your plays is over two hours or closer to 3 hours long. Also, a no-no. Remember the rule of thumb is one minute per page. This varies based on how ‘busy’ the blocking is as that takes time too. It is permissible that a 10 minute play might go over but never more than 18 to 20 minutes.
The first few pages of the book should be simple and convey the correct information. Keep it simple. The title of your book should be on the 1st page of your book. The next page [on the left] should be your copyright page. On the right should be your table of contents (centered)
Title with page numbers. (justified left)
On the page number of the play, the title should be on the 1st page. (odd numbered page, right side) the next page (odd numbered) should be the list of characters. The blocking and description of how the play should be produced does not need to be too detailed. Remember this is the job of the director to interpret the playwright’s Play.
When the formatting is not industry-standard, I have seen more than one director throw the book/script into the ’round file’.
Look at other scripts on line for guidance.
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! November: Ella Quinn, December: Lauren Willig,
January: Madeline Hunter, February: Mike Lupica March: Lee Matthew Goldberg To receive my weekly posts sign up for my
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This is an exceptional, sweeping saga about a group of women, all alumni of Smith College, who volunteered to go to Europe to assist the ravaged French villages during World War I. What is extraordinary is, if an event happened in this book, it happened in real life. Based on old documents and letters, the new Smith College Relief Unit, composed of women from all walks of life, signed up for six months to try and assist villagers who were devastated by the war raging across Europe. They were later to be affectionately known as ‘the Smithies’.
Their careers in social work, medicine, teaching couldn’t prepare them for the conditions they found when they disembarked from a train from Paris onto the muddy track leading to the village, Gricourt. The village existed hand in glove with an always changing ‘front line’ of battle between the Allied Forces and the German juggernaut.
Each woman’s life is showcased with beautiful writing from this author, Lauren Willig. Sometimes novels that are based heavily on actual historical events slip into being dry and dusty reading. It never happened in this novel, I am happy to report.
A real page turner to the end. A beautiful book of prose and an exciting, action-filled, story.
Released March 21st
Did you miss my INTERVIEW with Lauren Willig?
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! November: Ella Quinn, December: Lauren Willig,
January: Madeline Hunter, February: Mike Lupica March: Lee Matthew Goldberg To receive my weekly posts sign up for my
On the home page, enter your email address. Thanks!
LMG. Talent, obviously, but dedication is really important too. And always striving to get better and build your craft. Be your harshest critic and learn from your rejections. There will be a ton of rejection, but it’s all there to make you better.
Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?
LMG. It’s all over the place, depending on the book. Some books have taken me a decade to finish, some two months. Orange City, for example, took many years of putting it down and picking it back up. It was originally a short s
tory I wrote in college, then a screenplay, then a different short story, and finally a novel. Science fiction is the hardest to write, at least for me, because you are creating an entirely new world. It took that many years to build up that world.
Q. How has your life experiences influenced your writing?
A. Always. You bring reality into your work, but I tend to write really out there things, so a lot is fiction. I try not to put people I know into my work, but sometimes it happens. I’m influenced a lot from other books and films, art and music, so the amount of influences that go into each novel are hard to pinpoint.
Q. What’s your down time look like?
LMG. Like I said, I travel, go out to eat, movies, concerts, museums, sports.
Q. Have you or do you want to write in another genre`?
LMG. Yup. I’m a thriller writer first, but have a Sci-Fi and a YA series out this year so I’m always pushing myself to try something different. But all of my books have some type of thriller elements to them because thrillers are all about moving the plot forward and that’s important in all genres.
Q. Note to Self: (a life lesson you’ve learned.)
A. Rejection is necessary and only makes you a better writer. Learn to take in, shrug it off, and not let it get you down. Every great writer has been rejected plenty, it’s par for the course.
Did you miss the first part of this exciting interview?
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! November: Ella Quinn, December: Lauren Willig,
January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg To receive my weekly posts sign up for my
On the home page, enter your email address. Thanks!
LMG. When I went for my MFA at the New School. It was the first time I really starting thinking of it as a career. I had written a few books before that still needed a lot of work, and even sent one out to a few agents, but I didn’t really know what I was doing. My MFA program really helped shape me as a writer, and then afterwards when I got an agent, he was a great mentor in honing my craft. About a dozen years later, he’s still my agent.
Q. Do you think we will see, in our lifetime, the total demise of paper books?
LMG. Nope, never. People will always want physical copies, but there will definitely be less. Personally, I’ll read on Kindle but I prefer a book a lot more. I can read e-books on like a plane, that’s about it. Physical books have a smell to them, you carry them with you, you make notes in the margins. I know you can do that with e-books but it’s not the same. I still have my high school copy of The Great Gatsby with all my notes from when I was teenager. It’s a treasure. That wouldn’t be possible with an e-book.
Q. Where/when do you first discover your characters?
LMG. Depends. Sometimes the character comes first, sometimes the idea. Sometimes I’ll hear a song and that inspires the book like with my last novel The Ancestor. I heard a song called “The Ancestor,” and the first line was “Go on bury me.” It was wintertime and I just pictured a man buried in ice who wakes up from it after a hundred years. The rest of the book began to unravel from that image.
Q. What first inspired you to write?
LMG. I’ve always been a writer since I was a little kid. I used to make up stories about my dog getting into crazy situations, so this was always the career I was meant to have. I think that there are people who are just born writers. When I’m not working on a project, I get a little depressed, so I have to write. It’s a part of me. And it’s always been liked that.
TS: What are the chances that two gentlemen are named Lee Goldberg, both authors, and I interviewed the first one six years ago. And they, one from L.A. and one from NYC met and became acquainted at a couple of book signings? Too weird and wonderful.
Q. What comes first to you? The Characters or the Situation?
LMG. Depends. Usually they start to emerge in tandem.
Q. Do you ‘get lost’ in your writing?
LMG. That’s when I know I’m really writing something great. I’ll leave my body for a few hours and forget what I’ve written. Then I’ll spiral back down. I’ve heard Stephen King describe a similar thing. I don’t know where I go, but I go somewhere. It’s the same when I’m reading a book I’m really into, I’ll lose time in the best way.
Q. Are you working on something now? If so tell us about it.
LMG. I’m always working on something. I have a YA series coming out, so I’m working on the idea for the third book. The first two have been written. And I have a screenplay project as well based off of my books that I’m working on with a production company. I’m very excited about that, since it’s been about three years in the making. I also have a few ideas for books I want to write. One takes place in the 1950s and would be a Jewish Mad Men. The perspective of a Jewish man breaking into the ad world then and the different kinds of anti-Semitism he faced. I was inspired after watching the HBO show The Plot Against America.
Q. I understand that you are about to release ORANGE CITY, an exciting sci-fi novel. Tell us about it.
LMG. Imagine a secret, hidden City that gives a second chance at life for those selected to come: felons, deformed outcasts, those on the fringe of the Outside World. Everyone gets a job, a place to live; but you are bound to the City forever. You can never leave. Its citizens are ruled by a monstrous figure called the “Man” who resembles a giant demented spider from the lifelike robotic limbs attached to his body. Everyone follows the Man blindly, working hard to make their Promised Land stronger, too scared to defy him and be discarded to the Empty Zones.
Don’t Miss Part 3 of this Interview ~~ June 19th
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! November: Ella Quinn, December: Lauren Willig,
January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg To receive my weekly posts sign up for my
On the home page, enter your email address. Thanks!