Interview with Simon Gervais, writing for Robert Ludlum (part 2)

Q. What first inspired you to write?

SG. I’ve always been a reader. I used to read at least thirty books per year. When I started writing in 2014, there weren’t many authors with a background like mine. I sometimes felt that the action scenes written by some of these authors—although fun to read—weren’t realistic. I naively believed that I could easily do better. It didn’t take long for me to realize how difficult it was to write a novel…

Q. What comes first to you? The Characters or the Situation?

SG. Usually, the plot comes to me first. Then the characters.

Q. Do you ‘get lost’ in your writing?

SG. Not really…But I can lose track of time when I write. I often write for 16 to 18 hours in a row in the weeks before my deadline.

Q. What compelled you to choose and settle on the genre you now write in?

With his writing buddy, Louna

SG. This is what I know. This is what I used to do for a living. I’d have a hard time writing science fiction or romance novels.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

SG. I’m presently working on THE LAST GUARDIAN, which will be published in October 2023, and then I’ll start on BLACKBRIAR #2, the second book I’m writing for the Robert Ludlum estate.

Q. When did you begin to write seriously?

SG. When I left the RCMP.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

SG. Absolutely not!

Q. What makes a writer great?

SG. Somebody who, while I’m reading his/her book, can give me a solid 6 to 8 hours of pure entertainment.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

SG. My process is to first write a 4,000- to 5,000-word outline. The outline can take me months to write. This is usually when I’ll go on a research trip or two. Then I write the book, which can take me between 45 and 90 days to do. I then submit the manuscript to my editor—rarely with no more than five minutes to spare before my deadline!! We then go through a few rounds of developmental and copy edits before the book moves to the publicity and marketing departments. I then start the outline for my next book on contract.

Q. How have your life experiences influenced your writing?

SG. Yes, they certainly did. I think my life experiences are my most important assets as a writer. Having served in the military as an infantry officer and then as a federal agent, my work experience gives me the necessary credibility to write in this genre.

Fairmont Le Manoir Richelieu in Charlevoix. on the St Lawrence River.

Q. What’s your downtime look like?

SG. We spend most of our weekends during the school year at our cottage in Mont-Tremblant. I enjoy skiing, mountain biking and hiking with my family. We travel a lot, too. We’ll spend several weeks in the Bahamas, but we’ll also go to Europe at least once or twice for a couple of weeks. Our family also enjoys yachting.

Q. Have you or do you want to write in another genre?

SG. No, and I don’t think I could pull it off.

Q. Note to Self: (a life lesson you’ve learned.)

SG. Failure and adversity are the greatest teachers.
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Gawd! I Love Words!

Not a day goes by that I’m not presented with a word that I don’t know the definition of. I think it’s because I read so much and that exposes me to other authors’ vocabularies.  

During my professional career, the standard and most used term when seeking employment and presenting one’s qualifications and experience was the “resume.” Probably because I lived in the United States, I hadn’t given much thought to the definition of ‘resume.’ I just knew it was a list of my skills and work history. And, of course, I wanted it to represent me in the most favorable light as it often arrived before I did in person.  

For the past several years, I have heard a newer (to me) term, ‘CV‘ (mainly on a couple of my fav television programs based in and around Europe). And given what was happening in the TV story and the paper being looked at, I could easily surmise that it was someone’s resume. 

But what did CV stand for? An acronym, but what was the definition? 

Curriculum Vitae (CV) is Latin for “course of life.”

How beautiful: ‘course of life.’  So apropos. Course…of…Life. I loved the words on my tongue.

Whereas in contrast, a ‘resume’ is French for a “summary.” Boring, a list, clinical…. no romance there!
Can you tell what joy new words bring to me?
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BOOKS BY TRISHA SUGAREK

 

Interview with NY Times Best Selling author, Simon Gervais

Simon Gervais is a former infantry officer and federal agent. He spent twenty years in the military and in law enforcement, specializing in protective operations and counterterrorism. His assignments took him all over Europe and the Middle East. He left the RCMP in 2014 to pursue writing full-time.
Several of his books are listed on the New York Times Best Seller List (Hunt Them Down, Trained To Hunt, and Time To Hunt) and he is Amazon’s #1 bestselling author. His new Clayton White series was published in November 2021. (The Last Protector). Quickly followed by The Last Sentinel and The Last Guardian.
“I had the immense honor to be chosen by G.P. Putnam’s Sons and the estate of Robert Ludlum to write a new series within the illustrious Jason Bourne universe.” The first book in the series Robert Ludlum’s The Blackbriar Genesis will be released next month. A sequel is planned for next year.
Simon lives in Ottawa, Canada with his wife and two children He is an avid skier, diver, and boating enthusiast.

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? (please provide a photo of you at work in your shed, room, closet, barn, or houseboat….) Or tell us about your ‘dream’ workspace.

SG. Although I can write pretty much anywhere when I’m facing a deadline, there are indeed a few special places where it feels good to

write. This is at our ski cottage in Mont-Tremblant. The main living room, with its two-story high stone fireplace and humongous windows with direct views on the mountains, is grandiose. It’s by far my favorite room in the house. It just feels right. And that’s especially true during the fall and winter season. The second is on the terrace of our beach house in the Bahamas. There’s something very special about writing a novel while enjoying the ocean breeze.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)

SG. I do! To the absolute delight of my wife, there’s no way I can start writing before the kitchen is perfectly clean and the dishwasher is emptied out. I don’t know why … But that’s the way it is!

Q. Could you tell us something about yourself that we might not already know?

In the waters off the Virgin Islands

SG. I’m a certified open water diver. I love the freedom it gives me. I did my certification in Saint John, USVI, while researching my upcoming book THE LAST GUARDIAN, the 3rd book in my Clayton White series. For those of my readers that don’t know what an open water diver is….  it means that we’re allowed to pan and to execute dives anywhere in the world up to a depth of 60 feet—though we can go deeper with a certified instructor. My personal deepest dive was at a depth of 80 ft in the USVI. Diving is similar to driving a car or piloting a plane, you must receive training and get certified in order to be allowed to do it. An Open Water Certification involves approximately 15 to 20 hours of theory, a written exam, a swim test, 5 confined water dive, and 4 open water dives with an instructor. 

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

SG. I only use my laptop. I do take a few notes on my phone if I have an idea for a plot twist while I’m away from my computer, but that’s pretty much it.

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?
If yes, tell us about it.

SG. I don’t. Now that I’m writing two books per year—one for the Robert Ludlum estate at Putnam and another for Thomas & Mercer—I simply don’t have the time to do anything else when it comes to writing.

Q. What’s your best advice to other writers for overcoming procrastination?

SG. Be on contract to write two books per year! You’ll have very little time to procrastinate…

The conclusion next week. Don’t miss it!
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Watch for more interviews with authors.  September: Culley Holderfield. October: Simon Gervais for ROBERT LUDLUM, November: Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY

BOOKS BY TRISHA SUGAREK

 

 

 

More Interview with Culley Holderfield (Conclusion)

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you? (cont.)

CH. I work at it until I can stand it no more. Then, I share the entire manuscript with readers I trust to give me honest feedback and step away from it while they read. If I’m lucky, it will take them a while, and I can gain some distance from the project. Once I have their comments, I’ll reread it myself, then revise it all over again. Sometimes it may take only a draft or two after that. Other times, as with Hemlock Hollow, it may take an entirely new draft and then eight more passes to get to the point where I feel the novel is where I want it. Then I start submitting it. If I’m lucky, it will get picked up by an agent or an editor, at which point I get to go through the process all over again.

Q. How have your life experiences influenced your writing?

CH. Tremendously. As I mentioned, my writing was influenced heavily by the cabin my parents bought right after I was born. Growing up, I learned to love storytelling on the front porch of that cabin when my grandmother would tell tales of her childhood and adults would share the goings on of their worlds. My fiction is often about the importance and

Anything that’s out-of-doors, Culley’s there

impermanence of place over time, how we can be nurtured and haunted by the places that make us who we are. And that comes directly from my own past of falling in love with places that change because all places change. Much of my writing is an effort to come to grips with that truth.

Q. What’s your downtime look like?

CH. What’s downtime? Just kidding. Sometimes it does feel like I don’t have much downtime. I have a demanding job that I love, and writing takes up most of what would otherwise be my free time. But I do manage to spend quite a bit of time in nature. I hike and paddle and camp when I can. Travel is one of my favorite things to do, and I read a lot and watch a lot of movies.

Q. Have you or do you want to write in another genre?

CH. That first novel I set aside was a spy thriller set in Ecuador, and at some point, hopefully not too far down the line, I have a pre-historical fantasy novel I’d like to write.

Cooking in Tuscany

Q. Note to Self: (a life lesson you’ve learned.)

CH. Step one, if you want to be a writer, is to read widely. Step two is to write often. Step three is to find your place in a community of writers and engage with them.

You don’t have to do it all yourself; in fact, you can’t. When I was just starting out as a young writer, I thought all it took was sitting down and writing. Writing a novel is hard work, but it turns out that just writing well is not enough to succeed in this business. In addition to grit and persistence, you really need to find community. That’s hard for writers. Most of us are introverts, after all. But for me, finding other writers with similar goals and similar levels of commitment has made all the difference in my writing life. My twenty-five year-old self wouldn’t believe me if I told him this.

Cabin that inspired book

He would shrug me off and shoulder on alone, but no writer has ever succeeded in that way. Take advantage of writers’ groups and associations. Go to conferences. Meet other writers. Be willing to share your work and to have others share their work with you. In North Carolina, we have the North Carolina Writers’ Network, which has really been important to my growth as a writer. Other states may have similar organizations, so seek them out.

 

Did you miss the start of this wonderful interview?
    Look for my review of this book December 2nd. 
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Watch for more interviews with authors.  September: Culley Holderfield. October: Simon Gervais for ROBERT LUDLUM, November: Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY

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Interview with author, Culley Holderfield (part 3)

Q. Are you working on something now or have a new release coming up? If so tell us about it.

CH. My debut novel, Hemlock Hollow, is forthcoming from Regal House Publishing on December 6 of this year. It’s a historical, Appalachian novel about a college professor who inherits a cabin and with it the ghost who haunted her childhood. In the process of renovating the cabin, she uncovers a journal written by Carson Quinn a hundred years before, and she can’t square the boy’s voice in the journal with the murderer he became. 

One of Culley’s writing spaces. Albemarle Sound in eastern NC

My work in progress is a historical novel set in Western North Carolina during the Civil War. It involves the Red String Order, also called the Heroes of America, which was a secret organization in North Carolina that opposed secession.

Q. When did you begin to write seriously?

CH. I started to write seriously in college. I crafted my college career around becoming a novelist. I started at Wake Forest, then transferred to UNC-Chapel Hill. At UNC, I completed the undergraduate creative writing program, studying with Bland Simpson and Doris Betts. I finished my first novel shortly after graduating college. It was okay for a first novel, but it was a first novel, and needed a lot of work. I rewrote it seven times over fifteen years, all the while marketing it to agents. Despite some close calls, no one ever picked it up, so I set it aside. When that didn’t sell right off the bat, I realized that my path to success wasn’t going to be Garp’s path to success. I tried freelancing. Interestingly enough, freelancing wasn’t great for my fiction. I changed tactics and found a good, meaningful day job that has left enough time for me to continue to write. Five years or so ago, I was fortunate to find Writeaways, which is a unique writing workshop model run by Mimi Herman and John Yewell. They are great mentors and pals. Being immersed in a community of like-minded and supportive writers has made a huge difference in both the quality and volume of my work.

Carl Sandburg Home in Flat Rock, NC, ‘ a place that never fails to inspire me.”

Q. Do you think we will see, in our lifetime, the total demise of paper books?

CH. No. Not in our lifetime. I think we’ve seen and will continue to see a resurgence in paper books as people realize how much damage staring at screens does to our emotional and mental health, and how utterly addictive the virtual world is. Maybe this is wishful thinking on my part. I may be the only serious reader remaining who doesn’t own an e-reader.
I do think eventually, if we figure out how to survive climate change intact, we will eventually wind up reading entirely on Star Trek-like tablets. While we clearly have the technology to do that now, I think it won’t be ubiquitous until long after we’re gone.

Q. What makes a writer great?

CH. I think there are a lot of different ways for writers to be great. Ernest Hemingway is great differently than Margaret Atwood is great. But the kind of great writing that moves me and that I aspire to write is work that creates an authentic narrative experience for the reader. In The Art of Fiction, John Gardner describes the fictive dream that readers enter into when reading good fiction. The writer can get away with pretty much anything as long as she or he doesn’t wake the reader from that dream state. So, I think at a minimum, a great writer entrances the reader into this fictive dream state. There are writers who can do that by spinning a great yarn and others who do it by turn of phrase, but the best writers do both well without one overwhelming the other on the page.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

CH. It starts with an inkling, a voice calling out, begging to enter this world, then a blank page that in its blankness contains infinite possibility. Each word inscribed on that page constrains those possibilities exponentially. Eventually, with enough words comprising enough sentences composing enough paragraphs, a story emerges. If I’m successful, that story holds me for the year or more it takes to build a first draft. Once the draft is complete, the work begins. Now I have the clay with which I can mold my novel into something coherent.

Watch for the conclusion to this wonderful interview next week.

Did you miss part of it? Click here
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My chat with author, Culley Holderfield (part 2)

Q. Where/when do you first discover your characters?

CH. They come from all over. Since I write mostly historical fiction, many of my characters emanate from my research. I might pattern them on actual historical figures, or sometimes I just take the historical figures and put them whole hog into the book. You have to be careful with that, though. If you include real people in your novel, you need to make sure you’re describing them accurately and not having them do anything that runs counter to their known history. I also have characters arrive when I’m walking or in the shower or while driving. They show up, and it may just be their voice at first. Or it may be something else, like an image or an expression. Sometimes I might dream them, and every once in a while they are ghosts.

Q. What first inspired you to write?

CH. I’ve always made up stories. My mother has the evidence in the form of little handwritten books I did as early as first grade. But I distinctly remember being in the 8th grade and having an assignment to write a short story for English class. I remember sitting down at the dining room table with a clutch of blank pages, and starting with the sentence, “It was a serene, brisk day, great for hiking.” It wound up being a ghost story, and the teacher loved it. From that encouragement came the desire to write more and write better. Then, my senior year of high school, I read The World According to Garp. In Garp, John Irving peeled back the curtain on the writing life for me. It taught me that one might actually become a writer as Garp did. Before that I hadn’t really thought about writing as a possible career choice. Once I realized it could be that, it became something I couldn’t shake, so I set my sights on becoming a novelist.

Q. What comes first to you? The Characters or the Situation?

CH. Almost always characters create the situation with the decisions they make. Good fiction puts characters into the position of having to make choices, and the

Hickory Nut Gorge where story takes place

choices that they make result in outcomes that lead to them having to make new choices. The engine for all of this is desire, the characters trying to get what they want. I’m not a good enough planner to map out ahead of time what situations my characters will get themselves into. So I typically leave it up to them, hoping that I’ve put enough work into understanding them that I understand their motivations and can authentically render that onto the page.

Q. Do you ‘get lost’ in your writing?

Hiking in the Hollow where story takes place

CH. Yes. If I allow myself sufficient time, I’ll easily get lost in the narrative. The characters in my work-in-progress are fascinating to me. The more time I spend with them, the more fully formed they become. When I understand them really well, even the minor characters, the story can just take off in unexpected, though fully logical, directions. I may find myself hours later emerging from this state of consciousness that leaves me almost dizzy and pleasantly numb, like I’ve been in an almost meditative state for all that time.

Q. What compelled you to choose and settle on the genre you now write in?

CH. I’ve always been interested in history. In college, I double-majored in History and Comparative Literature. But what inspired 

 me to write the particular series of books that I’m working on now, including Hemlock Hollow, was the cabin my parents own in the mountains of Western North Carolina. I grew up, like Caroline, the main character of the novel, spending my summers and weekends there. One summer, my father was cleaning out an attic we didn’t know we had, and he uncovered a box full of old photos. They were from the 1930s and before. Presumably, they were the people who had built the cabin and lived there. I was fascinated by those black and white images of these men and women who lived in that same place where I spent so much time yet had such different lives from mine. Later I would turn my historical research skills onto those families and the entire Hickory Nut Gorge region. Eventually, I made up a fictional family, the Quinns, and their fictional lives intertwined with real history, which became the fodder for this book.

Watch for part 3 next week.

Did you miss the beginning of this Interview? Click here.

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Interview with author, Culley Holderfield

Writing my next book

TS.   Culley Holderfield is a writer from Durham, NC. He is a graduate of the University of North Carolina at Chapel Hill, where he completed the undergraduate creative writing program. He primarily writes fiction but has been known to dabble in poetry and essays. His work has appeared in a variety of publications, including Dime Show Review, Amarillo Bay, Yellow Mama, Scarlet Leaf, Kakalak 2016, Kakalak 2020, and Floyd County Moonshine. Hemlock Hollow, his debut novel, is forthcoming from Regal House Publishing in December 2022 in their Sour Mash Southern literature series.

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? Or tell us about your ‘dream’ workspace.

CH. I have a really nice desk that my in-laws gave me that I often use, but I sometimes I write in my easy chair with my feet up. I’d love to have a writing shack or hut. A few years back, I visited George Bernard Shaw’s home in Hertfordshire, England. He had a writing hut in his garden where he produced the bulk of his work. It housed his writing desk and typewriter and a day bed. The best part is that it was built on a swivel so that he could rotate it throughout the day to follow the sun. If it’s good enough for George Bernard Shaw, it’s good enough for me!

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)

CH. I try to steer clear of rituals when it comes to writing. I don’t want my creativity to become dependent on having to meet particular needs. That said, writing itself is its own ritual for me. For a while, I used to start my writing sessions by doing a few minutes of stream-of-consciousness writing to get my creative juices flowing. I don’t do that anymore, but I journal and meditate before I write, and those serve a similar purpose.

Q. Could you tell us something about yourself that we might not already know?

CH. My favorite bit of trivia about myself is that I’ve officially resided in nine different counties in North Carolina in my life, dispersed throughout the state, from the piedmont to the mountains to the coast.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

CH. I tend to do all my work on a computer. I’ve tried notebooks and legal pads and index cards, but my organizational skills are subpar, and I tend to lose track of

Debut book

them. If I keep everything in the same folder in Word, there’s a chance I won’t lose them. When starting a project, I begin with research and characters, and those usually go hand in hand. When I was beginning my current work-in-progress, I knew that it would be set in North Carolina in the 1860s and I had a good sense of two of the main characters. I then immersed myself into the era and place, and gained a lot of ideas and insights for the arc of the book that I fleshed out in different documents on my computer.

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)? If yes, tell us about it.

CH. Yes. I often write short stories and poems in between my longer projects. I have an ideas document that contains a number of ideas for short stories or poems. When I have time, I’ll work on those. Short stories and poetry are harder for me to write than novels. I was a long distance runner in my younger days, and I think I’m just built for sustained pacing over time. A short story is like running the 400, and a poem is like a 100 yard sprint. I can do them if I force myself, but it induces a lot of pain and suffering to get them right, and I’m never going to be great at them. Just like it’s good to mix in high-intensity and low-intensity modalities of exercise, I figure it’s good for me to mix in different forms of writing every once in a while.

My writing partner

Q. What’s your best advice to other writers for overcoming procrastination?

CH. There’s procrastination, and then there’s writer’s block. It’s probably good to figure which one you’re dealing with. If you know what you want to write and just aren’t able to make time for it, I think there are a number of strategies that can help. Most of them boil down to making it easy on yourself by setting small, attainable goals. My goal for any one writing session is to grow my manuscript by at least one page. Sometimes that means I don’t even have to write a full page. I can just edit my work until the manuscript grows by a page. So, if I have 35 total pages in the document when I start, I want to see that there are 36 pages when I finish. (Note: adding spaces between paragraphs doesn’t count!)

If I’m having trouble getting going, that’s more of a writer’s block issue. I may just tell myself that all I need to do is to write one word. If I can change or add a single word, I will have made progress. Also, it’s freeing to remember that whatever you write today, you’ll probably wind up changing during revision. All that really matters is that you make progress. This takes the pressure off. All of that said, once I get going it’s rare that I only add that one word. I usually wind up writing a page or so, and a page or so per day is a novel a year.

Join us next week for Part II of this wonderful interview with new author,  Culley Holderfield.
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Book Review ~~ Where The Sky Begins

4 out of five stars  ~~  Book Review

 

This stand-alone novel by serial author Rhys Bowen  (Molly Murphy series and Royal Spyness Mysteries) is well written and a remarkable story. Set in war-torn London during the Second World War air blitz, the reader crawls with Josie Banks from the rubble of her home and her life. The ‘pace’ of the story is just right, relaxed, with just the right amount of detail. So typical of this author…getting it right.  

Until the last sixty pages or so, Bowen jams years worth of story into these pages.  This reviewer found the change of pace disconcerting. Josie’s lover is pronounced officially missing and presumed killed in action. She goes to work for the government, all very top secret until Bowen winds up the whole book with one last surprise. (I am trying to avoid a spoiler alert.)  

While I enjoyed the story and appreciated the fine writing, I felt the book deserved better. I recommend this book to my readers despite the few stumbles. 

Did you catch my Interview with Rhys Bowen?
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Book Review ~~ The Boardwalk Bookshop

4 out 0f five stars  ~~ Book Review

 

No surprise here. Susan Mallery dishes up another excellent contemporary fiction for women. A great story with lots of plot twists and romance. A real page-turner. 

This time three women who don’t know each other share a lease on a retail space none of them can afford by themselves. They set up shop, books, muffins, and gifts, right off the sand, on the boardwalk in Santa Monica, California. Each has been wounded by love in the past, romantic or familial; it all hurts the same. 

All three main characters are equally balanced with in-depth storylines, so the reader has the opportunity to care about each one of them. Will their particular shop succeed? Will true love win out?  How many nasty turns will life serve up before the women find happiness?

I highly recommend this as your next book. But it’s no secret (by now) that I’m a huge fan of Susan Mallery myself.

Did you miss my Interview with author, Susan Mallery?
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Interview with author, playwright Jay Hartlove (part 3)

San Francisco Literary Speakeasy events at Martuni’s bar

Q. Are you working on something now or have a new release coming up? If so tell us about it. 

JH. I am working on a couple of things. I collect ideas over time and fit them into projects as appropriate. I always have a couple of projects simmering on back burners. My big love right now is a High Fantasy called The Dove and the Crow. My first novel, the learning exercise that shall never see the light of day, was a High Fantasy. I love those when they are done right, with genuinely original world building and dramatic situations. I have been collecting bits for this one for a couple of years and I am now up to a 25 page outline. I am also breathing new life back into a musical show I wrote but then abandoned. The rewrite is going slow but I love the piece too much to let it die.

Q. When did you begin to write seriously?

JH. For years I wrote because I had ideas I wanted to explore and share. In my mid-thirties I realized that if I as going to spend years of my free time writing a book, then it really ought to be about something. Big themes became important to me. Goddess Chosen is about Revenge and Redemption. Goddess Daughter is about Loss and Forgiveness. Goddess Rising is about Justice. Mermaid Steel is about Cultural Erasure. The Insane God is about Accepting Change. I spent a while exploring the nature of evil. Lately I am exploring why people fall in love.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

JH. No. Maybe down the road, when technology is wet-wired into us and we can experience books in a virtual space. But eReaders are not going to replace paper books. eReaders are really convenient, and can store many books at a time. But anyone who grew up holding a book in their hands will always get a more fulfilling experience with a paper volume. The cover holding the pages just makes such a satisfying package. At least that’s my admittedly old person view.

Q. What makes a writer great?

JH. You have to love writing to get good at it. You have to see tens of thousands of your own words before you can hear your voice on paper. You have to be willing to admit your mistakes and shortcomings and to go back and learn and try again. A great writer is like any great artist. If you can say what you wanted to say, and have no second thoughts, no regrets, no further edits, in other words, convey completely what you were trying to say, then you have created what you set out to create. If you have developed the skills to convey your message, then you are an artist. The audience may love it or hate it, but if you gave them what you meant to give them, then you have done your job.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

 

Best in Show at the 1985 San Diego ComicCon

JH. I write in iterative drafts. I will get an idea and jot it down in a three-page synopsis. If it resonates with me, I will add to it and start to fill in details. This will grow to a ten-page synopsis. If that catches fire, I will structure it into a sequence of events and really start engineering my characters. By the time it is a 20-page outline, I am usually excited enough to start writing prose. That’s where I am now with The Dove and the Crow. It is also around this time I figure out what the book is really about and why I am excited to write it. This becomes the book blurb and the touchstone I will use to get through writer’s block and procrastination. Although I follow my outline so as to tell a cohesive story, I allow my characters to take me on alternate paths if that’s what’s right for them. So I am not a strict outliner and I am not a seat-of-the-pants writer, I am somewhere on a spectrum. I will often stop just before the final conflict

Jay as Dr. Anton Phibes from the “Abominable Dr. Phibes” winning Best Recreation at CostumeCon 8 in 1990

resolution and look back at what has transpired so far. I want to make sure I’ve wrapped up all my loose ends and that I am headed toward a resolution that will satisfy what the reader expects based on the trajectory of the story. Once I finish the draft, I will put it down for a week or more before tackling Round Two. Neil Gaiman put it brilliantly. “The second draft is where you make it look like you knew what you were trying to say all along.” Round Three is where I put in all the new details I’ve thought of since I started the project. At that point I ask myself if I have said everything I ever wanted to say in this story. If the answer is Yes, then I am done.

Did you miss Part 1 and 2 of this excellent interview? Click here

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BOOKS BY TRISHA SUGAREK