When Writing is HOT!

Dear Readers/Writers,
Since my last posting on Jan. 4th, I’ve rarely left my keyboard, each day, from 9 a.m. to sometimes as late as 6 p.m. I’ve rounded the bend with 62,000 words to date and still writing. It would be more accurate to say I am taking dictation from all the characters in my new story. 
A Senior reviewer, D. Donovan, at Midwest Book Review, whom I’ve known for years, was willing to review the new book in a raw, very rough first draft so that I could glean a couple of ‘blurbs’ for the book’s cover. 
 I’m certainly happy I asked. Well, all I can say is Wow!

Mother Mac’s Boarding House is an exquisite read....”  and

Additionally, the political and social milieu of the times, which passed many restrictive rules on African Americans, comes to life in the light of personal experience. This is a far more intimate, compelling manner of absorbing civil rights and American history than any nonfiction text could achieve, immersing readers in the life of Marty’s journey….”

You’ve often ‘heard’ me describe the event where I write in my head ’till it needs to spill out (no more room) and that my characters take over their own stories and I become merely the typist. 

No, it doesn’t happen every time but when it does happen, I consider it the proverbial, “gift horse” and I’m not about to ignore it. 

As this is a prequel to Ain’t Nuthin’ Gonna Separate Us, I’ve had to work backwards weaving the dates of that book with this one while being true to the dates of documented American history. I’ve found it to be a challenge.

Just remember, your emerging characters can tell the story far better than you, the Author, can. 
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Writing a prequel: Mother Mac’s Boarding House

I don’t know how an idea comes to other writers, but for this writer a prequel fell into my lap (brain) and I have been typing as fast as I can to get it all down. After friends and fans read Ain’t Nuthin’ Gonna Separate Us, most of them demanded a sequel, NOW!  

But, Marty’s (Mother Mac) ‘back story’ came rushing into my head, down through my fingers, and onto the keyboard. 
What drove her out of her home in Alabama?
Why Laurel, Mississippi?
How did she become a landlady and owner of a
boarding house.
Who are all these characters that have appeared to rent a room from Marty?
How do the Jim Crow laws impact her life every day?
Will the children return?

The research has been particularly fascinating.
Where did colored truck drivers eat? 
Could they get mail from home on the road?
What happens when Marty is up against two white building/health inspectors?
How can she care for a war veteran with PTSD? 
Back in 1950s we certainly didn’t have a name for PTSD. We just thought our brothers, sons and husbands came back home crazy and violent. 

I’ve never written a prequel before and it soon became apparent that I had to tie up threads hanging from the first book. So much fun!
Gotta go! My new book calls! 
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Interview with Tracy Sumner (part 2)

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?  If yes, tell us about it.

TS. I enjoy writing shorter romance (novellas) a lot! I think I’m pretty good at capturing a full story in shorter form.

Q. What’s your best advice to other writers for overcoming procrastination?

TS. The only time I’ve had any success in this business was when I just pushed aside everything else and WROTE. Write, keep writing, network with other writers or at least, subscribe to their newsletter and see what they’re doing. Reach out to readers. Be accessible. Enjoy the process! And don’t try to do someone’s else process – yours is great!

Q. Where/when do you first discover your characters?

TS. I have the hero in mind, always, before I start. But characters surprise you on the page. I truly find them while writing.

Tudor Dress up

Q. What first inspired you to write?

TS. Reading “The Outsiders” was a big inspiration for me. Stephen King for sure, although I don’t write in that genre. Then, I stumbled upon Vows, by LyVyrle Spencer, and I was done!

Q. What comes first to you? The Characters or the Situation?

TS. CHARACTERS!

Q. Do you ‘get lost’ in your writing?

TS. Yes, I think I do, if things are really rolling. But some days, it’s hard. Generally, writing is hard work. I love my pages, I hate my pages. LOL

Q. What compelled you to choose and settle on the genre you now write in?

TS. That first romance I read in college, that was it for me. I ended up reading about 1,000 romances, then figured, I can write one of these. I was a journalism major, and I started writing in high school, so…

Q. Are you working on something now or have a new release coming up? If so tell us about it.

TS. I have a new release coming in May, THREE SINS AND A SCOUNDREL. It’s the final (#6 full length book) in the Duchess Society series. It’s been a really great series for me and readers seem to love the heroes!

Q. When did you begin to write seriously?

TS. I was first published in 2002 with Kensington Publishing. But I also had a career in marketing, so I dallied. Then, in 2017 following a breast cancer diagnosis, I figured I should start writing in earnest. And here we are!

Q. Do you think we will see, in our lifetime, the total demise of paper books?

TS. No, I really don’t. I still love reading print. However, one great thing about Kindle is the backlighting. When your vision gets wonky after 40, backlighting is awesome! But I still love holding a book in my hand #1 above everything. And I still sell print copies – of course, nothing compared to ebooks.

Q. What makes a writer great?

TS. Be courageous enough to be themselves – which allows their voice to shine.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

TS. The daily grind. Butt to chair. It’s not sexy and it’s not easy. As I said before, some days I hate the pages. Then the next day, they seem not so bad. Day after day, then somewhere along the way, we have a book!

Q. What’s your downtime look like?

TS. I like to read (of course!) and I love yoga. My son is 16, so my days are filled with mom things, too. I walk a lot in the city, too. I love museums and movies, although since Covid, I haven’t been to the theatre as much.

Q. Have you or do you want to write in another genre?

TS. I have written a contemporary series and someday soon may publish those. I’m really all about the characters, not the time period. (I think.)

Q. Note to Self: (a life lesson you’ve learned.)

TS. I asked Nora Roberts this once at a conference and she said: PATIENCE. I didn’t get what she meant then, but I do now. Take your time, exhale, breath in love, breath out love. And write. Or read! I think reading is the best, actually.

Did you miss Part 1?
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Interview with Author, Tracy Sumner

USA Today Bestselling author Tracy Sumner’s storytelling career began when she picked up a historical romance on a college beach trip, and she fondly blames LaVyrle Spencer for her obsession with the genre. When she’s not writing sizzling love stories about feisty heroines and their temperamental-but-entirely-lovable heroes, Tracy enjoys reading, snowboarding, college football (Go Tigers!), yoga, and travel.

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? (please provide a photo of you at work in your shed, room, closet, barn, or houseboat….) Or tell us about your ‘dream’ workspace.

TS. I write wherever I can. In Stephen King’s book On Writing, he has thoughts about not setting yourself into a habit where you can only write in one, perfect place. Or when you feel like the muse is sitting on your shoulder. 🙂 That said, I have a writing area in my bedroom. LOL, I live in NYC and we don’t have extra space to give for offices typically. It’s cute, though, and has my writing awards and personal thing, books and swag! My dream would, of course, be to have a room that looked like a Regency library! With shelves and shelves of books!

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)

TS. I like to write with gentle music on, no lyrics. I can’t have television or anything distracting on. I usually read the first two pages (or so) of the previous day’s work to get into the rhythm. I also edit these pages at this time, so in the end, working this way, my manuscripts are fairly clean.

Q. Could you tell us something about yourself that we might not already know?

TS. I’ve lived in Europe and Asia – and my son is adopted from Vietnam! I live in NYC, but I’m a native South Carolinian and still have a place in Beaufort, SC, too that I’ll retire to.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

TS. I’m a right to keyboard writer! 😉

Q. Do you have pets? Tell us about them and their names. 

TS. Before Covid, I fostered kittens a lot (harder to do in NYC due to space limitations) and I adopted one of my fosters, Banksy. He’s about 8 now and is a love bug! You’ll see he has one eye. He was spray-painted as a kitten by a homeless man and rescued by the police. It damaged his eye, which was removed, and I named him Banksy, after the graffiti artist!

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?
If yes, tell us about it.

Join us next Friday for part 2 of this Interview
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Book Review ~ The Physics of Relationships

 

2 out of 5 stars  ~~  Book Review

Even though this narration was supposed to be from the Mom, the author’s masculine voice frequently leaked through.    I can’t quite put my finger on the whys or hows but there is a definite masculinity to her/his ‘dry’, analytical tone. And  I never discovered her name.  

The narrator is the Mom figure in the story. Unfortunately, she is just that. A talking head. Her deeper feelings aren’t explored. The narrator talks at the reader with conclusions rather than a true exploration.  Is Chas guilty of ‘man-splaining’?  

Early on the family unit fell into being a clique.  Two husbands, one divorce, 1 male child, 1 female child, 1 best friend. 

Speaking of the BFF. Amy  moves in with Mom for awhile. She also is having troubles in her marriage.   They end up sharing the same bedroom and bed and eventually Amy makes tentative sexual ovatures to her good friend.  (This is an 8  on the ‘ick’ scale.) First of all, middle-aged BFFs would not share a bed. Except at a hotel, on holiday, and there was only one room/1 bed available and they were desperate for lodging.  (Guilty!)
Why do most men think that if two women are very close friends, they must have lesbian tendencies just under the surface of the friendship? 

This might have been a better book if the author had written in his own voice (as narrator) and told the story from the three men’s point of view. Greg, Lawrence, and Phil.
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News Flash! Writer Goes to Prison

From stage play to novel was an incredible journey for me as a playwright turned novelist. In playwriting, you must tell your story in 100 pages or less, definitely in less than two hours and everything you want to relate to the audience must be conveyed through the dialogue.  In the theatre world, there’s a term: “method acting” which means you get as close to your character as you can.  If the character you are going to portray is a prostitute, you follow and talk to whores. (been there, done that. Honolulu, 1992 ) If your character is a woman who’s husband has been in prison for the past 13 years, you get inside her head or better yet visit him in prison.

I’m a ‘method’ writer, (every chance I get.)

In 1999 I had reason to visit a men’s DOC facility. (prison).  I was visiting a confessed murderer as research for one of my earlier scripts.  My writing has taken me to some unexpected places to say the least.  On a Sunday morning I found myself sitting in the reception area with three dozen other women.  Wives, sisters, mothers, daughters of convicted felons.  As I waited, I wondered how long they had been coming to visit; how long would a woman wait for her man behind bars; and what a terrible impact this must have on the children, visiting their fathers in this place.  Sitting there I was suddenly compelled to write their stories.  I tried to interview as many women as I could and this was no easy task.

Their closed society is cloaked in guilt and shame. But they finally let me in and I discovered, for the most part, incredibly brave and strong women.  They would tell their friends and neighbors, “my husband travels with his work” to explain the man’s absence.  Always appearing cheerful and strong while visiting their men, the women I spoke with, had a pull off down the highway where they would congregate (after leaving the prison) where they could cry, scream, and moan and be comforted.  Where they could share, with other women who understood, what their lives were really like outside the walls.  Away from the eyes of their men and the prison officials.

For someone who was so comfortable writing in the genre of ‘scripts’ this was a scary prospect. Yikes! I thought, a novel was at the very least 70,000 words and over 300 pages long. What could I possibly have to say?  One year and four months later I had a 335 page novel in my hands. Evidently my characters had plenty to say!  At times I was surprised and delighted with my women and their stories. At other times appalled. As many writers will tell you, at some point, the characters sort’a….no…they definitely take over and you become simply the typist.

I am hoping that my readers enjoy this journey and find some empathy for those women doing hard time outside the walls.
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A Good Writer is a Good Observer

A good writer is always observing and watching other people and their interpersonal relationships with others. Relationships are complex and rarely resemble yours. And of course…listening.  Everyone speaks differently, with a different word choice and a varied cadence to their speech.  This can translate to your writing and add another layer of ‘flavor’ to your dialogue.  

I also recommend watching movies or series to learn dialogue writing.  But, not just the ‘bad’ movies, poorly written, poorly directed, and poorly acted.  Watch the good ones too…ones you liked. 

I recently was binge-watching an older series, “Six Feet Under“.  One which I had loved when it was new and couldn’t wait for each episode to air.  I began watching for the simple pleasure of re-watching it.  But three or four episodes in, I began to critique it.  Especially the character of Ruth; the mother of the Fisher family.  She had a hot temper and I am certain that was ‘written’ in for the character.  However, the actor, (Frances Conroy) went from 0 to 10 when the script called for  temper.  There was no layering.  At first I blamed the writing…then the director.  My final analysis was that the

 writing (without seeing the script) was hardly at fault. Or maybe a little bit not having enough blocking written in. Don’t forget, emotion can be written as part of the blocking. 

Then I laid some blame at the director’s feet for not noticing that his actor had only two levels; calm and yelling. And the yelling came out of the blue and was all the same.  Why didn’t the director catch this?  Well, he did have a huge cast to direct and watch over. So mostly the responsibility lay with the lazy actor. An actor who wants to get as much as possible out of a part would look for those layers, subtle though they may be. Ed O’Ross (Nikolai, the fiery Russian florist) was excellent at layering his character’s emotions.  

No script or production is perfect. You can watch ANYTHING and learn from it.  Same with reading. I’ll give you an example; when I noticed a couple of authors using the same word or phase over and over in their work of fiction, I realized I might suffer from the same curse. My nemeses is the word ‘just‘.  My guard dog is the feature (in any word processing platform) ‘find’ or ‘replace’ and I use it to root out the 300 times I used ‘just’. (hahaha)

If you’re a screen writer, visuals are more important than diaglogue.  Your blocking can include the silent dialogue. Write in the non-verbal speech of an actor.  In ‘Six Feet Under‘, actor, Lauren Ambrose (Claire) and Jeremy Sisto (Billy) were superb with their non-verbal dialogue, using facial and eye expressions and body language. This credit I give to the director and the excellent actors.  

When writing stage plays the playwright should keep ‘action’ simple. Write some emotional blocking in but always remember the director is going to have their own thoughts about how the scene should go.  Be careful not to do the director’s job for them.  It won’t be appreciated.  

If you are a screenwriter or writing fiction you probably think you have no interest in theatre.  One of your best sourses to learn about writing dialogue is the theatre.  Live stage plays are the Mecca of good or bad dialogue.  Go there, observe and learn! 

Another link on the subject of over-usage of words.
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Interview with author, Donna Everhart (conclusion)

 

DE.  I was going through chemo again in 2019. My hair had grown back in, [at least I had hair at the moment]. but I was about to lose it for a second time – and within two months of this photo, I had none.  I just got home from receiving a heavy dose of chemo at the hospital. 

Q. Are you working on something now or have a new release coming up? If so tell us about it.

DE. I’m always working on a new book, and my next novel, When the Jessamine Grows, releases January 23, 2024. It’s a different story from my others because I’ve stepped back further in time to the Civil War era. This is a morally complex story about the McBride family, subsistence farmers whose principles are brought to the foreground after their eldest son runs off to join the Confederacy after being influenced by his staunch Confederate grandfather. The father, Ennis, goes after his son, leaving his wife, Joetta, (my main character) to look after their younger son, and the farm. What follows is a harrowing time for her, and the rest of the family as she is bound to stand by their beliefs, and by doing so, becomes a pariah in the community.

Q. When did you begin to write seriously?

DE. In 2008, when the company where I’d been working for twenty-five years went bankrupt. I’ve often wondered if they hadn’t, whether or not I would’ve started. It was the shove I guess I needed, because I’d thought I would retire from there. I’m so happy they folded. (haha)

Q. Do you think we will see, in our lifetime, the total demise of paper books?

DE. No – at least I hope not. (You do have wonder about all that paper, and the trees, and the pulp industry) But, I think this was already sort of proven when there was those few years when it seemed e-books might surpass sales of paper books. I haven’t looked it up lately to see if e-books are overtaking sales, but I think we’d hear it from the industry if that were to happen. Speaking from my own personal experience, paper book sales for my work is always higher than e-books.

Q. What makes a writer great?

DE. Speaking personally, what makes a writer great for me is when I look forward to getting back to the book, when they teach me something I didn’t know, or when they write about a concept, or topic that’s never been written about before. It’s when their way with words makes me re-read their sentences. Some writers hit all of these marks, some hit maybe one or two, but some aspect of these things, or all, are what I think make for a really brilliant writer.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

DE. It looks . . . never-ending. It looks impossible. It looks like a fever dream. Chaotic. Messy. Dumb. I’m usually at a loss at the start. There are days/weeks of staring at nothing. Days/weeks of thinking, thinking, thinking. Trying to write, tossing it out, trying something else. It’s endless discussions with other writer friends. Eventually, a foundation, an inkling of THE idea comes. Then, it’s brick by brick through the first sentences, to the first paragraphs, and first pages. It’s getting through those 1,000 words a day goals. It’s self-editing, killing words, and birthing better ideas. Then comes the moment of angst when someone else reads it. Then the agent reads, and then the editor. There’s praying involved during the “others are reading it” phase. Lots of it. Then comes the polishing, (copy edits) honing, (first pass pages) and then, voila. Book!

Q. How have your life experiences influenced your writing?

A. I’m a Stage IV cancer survivor, and at one time, I was a single mother, and all along, I’ve been known to be stubborn (hard-headed???) so, this is something I draw on when writing my stories. I gravitate toward writing about characters with fortitude, and mental strength. Physical strength is important, too, but, writing about characters overcoming the odds because of their convictions – whatever those might be – is compelling. I love writing about people who were doing just fine until something comes along and knocks their world topsy-turvy, and now they have to figure out how to straighten it up. I’ve been there, we’ve all been there, and it’s rewarding to overcome obstacles.

Q. What’s your downtime look like?

 

DE. Well. Downtime for me is getting away from my computer. I used to run, but since I can’t do that anymore due to all the radiation I’ve had, I like to walk

 (sometimes with weights) or go on a long bike ride. I also love to go to the movies, or watch a movie on TV, or a good series. We got caught up in Yellowstone, but then it started getting over the top. We gravitated toward the origin stories (1883 and 1923) and enjoyed those more. I love to go to the Blue Ridge mountains, and to sometimes take day trips – like I just took my grandkids to the zoo this past week.

Q. Have you or do you want to write in another genre?

DE. I did write this one book . . . that will likely never the see the light of day. It My agent said it was a “hard crime” novel.

Q. Note to Self: (a life lesson you’ve learned.)

DE. What you worry about at night is nothing in the morning.

Did you miss the rest of this INTERVIEW?

DonnaEverhart.com.
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Interview with Author, Donna Everhart (part 2)

Donna & her grandkids

Q. What’s your best advice to other writers for overcoming procrastination?

DE. You’re “looking” at a procrastinator. I’ll come to my desk every day and have a word goal in mind (usually 1,000 words) and oftentimes do everything but start working toward that goal. What follows is GUILT as time ticks by. By the end of the day, if I haven’t made the word count because of lost time on something unrelated to my writing goal, there’s the inevitable slump in mood. My best days are when I make a concerted effort to get the word count in. Even if I don’t, and get, say, 500 words, I’m happier for it because I know the effort was honestly made. It takes discipline to not get onto social media or think of the other million ways to avoid doing what needs to be done to accomplish the end result – i.e., a finished book. What I’ve found works best, write first; everything else comes after – even laundry.

Q. Where/when do you first discover your characters?

DE.  Usually through an idea for a story. Sometimes a name comes to mind first, and I start to think about who this person would be, and what is it they want, what they’re good at, what they’re bad at, and if they have any enemies. It’s kind of all over the place. A messy, messy process.  

Q. What first inspired you to write?

Donna with hubby

DE. Reading stories that made a big impact on me were the main influence or motivator. The enjoyment I got from books where I wouldn’t stop reading for a long time, and when I finally took a break, I’d look around in a daze. I’d become so invested in that world, I think I was surprised I wasn’t “there,” instead of sitting on a couch in my living room. That kind of story made me want to create something similar. The idea of affecting a person’s mood, thought process, and emotions resonated for whatever reason.

Q. What comes first to you? The Characters or the Situation?

DE. It’s actually been both. It’s never always this, or that. For example, in my debut, The Education of Dixie Dupree, it was the character of Dixie. In The Road to Bittersweet, it was the situation – the 1940 flood in western North Carolina. It just depends. When I begin to search for a story, I’m often lookin g for a situation, but out of nowhere, a name will come to mind – and then I’m thinking, who is this? (I have to have a name before I can develop a character)

Q. Do you ‘get lost’ in your writing?

DE. Absolutely. When I’m really in that zone, hours can go by and I’ll sort of come out of it and realize, oh, wait. I haven’t eaten. I’m often shocked half the day is gone. It’s kind of scary sometimes!  

Donna with her granddaughter

Q. What compelled you to choose and settle on the genre you now write in?

Donna with daughter

DE. I love, love, love reading stories set in the South where I’m from, and so I guess it makes sense I’d want to write about my culture and the region I love. Aside from the classics out there for Southern literature, like Flannery O’Connor, William Faulkner, etc., it was reading the more contemporary writers like Kaye Gibbons (Ellen Foster) and Dorothy Allison, (Bastard Out Of Carolina) that jumpstarted my urge to pursue it. After I read their books and I was on the hunt for more stories like theirs. This was around 1987, or so, and as I began to discover these Southern stories which really resonated with me, I knew if I ever wrote anything, it would be something like this.

Did you miss the start of this interview?
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A New Mystery Series from Grace Burrowes ~ Book Review

4.5 out of 5 stars   ~~   Book Review 

Grace Burrowes is well into her new series, The Lord Julian Mysteries.  And Burrowes is the VERY BEST at writing in the 1800’s. There is no one who comes even close to her accuracy and care with the period.  She evokes the people, the places, the animals, and the activities, for her readers to ‘see’.  Her flavor never wavers. 

 

Book One, A Gentleman Fallen on Hard Times, is a mystery to the last page.  I don’t know why but this reviewer had it in her head that these would be murder mysteries.  Not so (so far as I’ve only read book 1), and the stories are richer for it.  No spoiler alerts in the form of a synopsis from this reviewer. 

I particularly love Burrowes’ rich character development.  Lord Julian and Lady Hyperia are perfect protagonists. And Lord Julian Caldicott is a welcomed addition to the list of Burrowes’ characters. 

 I am so looking forward to reading A Gentleman of Dubious Reputation soon and recommend A Gentleman Fallen on Hard Times to all of my readers. Book Three is out!!

Did you miss my interview with Grace Burrowes?
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To receive my weekly posts, sign up   On the home page. Enter your email address. Watch for more interviews with authors.  May: Victoria Costello.  June: Laila Ibrahim, August:  Donna Everhart

A few BOOKS BY TRISHA SUGAREK