TS. Kristina was inspired to write by the newspaper photo shown below. I was inspired by the beautiful cover of Sold on a Monday to buy the book and subsequently interview her. Kristina McMorris is an acclaimed author of two novellas and five historical novels, including Sold on a Monday, which is now celebrating five months on the New York Times and USA Today bestsellers lists. Initially inspired by her grandparents’ WWII courtship letters, her works of fiction have garnered more than twenty national literary awards. Prior to her writing career, she owned a wedding- and event-planning company until she had far surpassed her limit of YMCA- and chicken dances. She lives in Oregon with her husband and their two sons, ages thirteen and fifteen going on forty.
Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? Or tell us about your ‘dream’ work space.
KM. Something that’s probably unique about my writing space is that, although it’s always located somewhere in my house, the specific spot changes with every book I write. By the time I spend a year or more working on a manuscript, I’m so tired of sitting in the same place day after day (my rocking chair, office desk, kitchen table, living room couch, etc) that I have to switch it up for the next book. I often joke that after a few more books, we’ll have to move to a new house because I’ll have run out of fresh spots for writing!
Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite
pajamas, etc.)
KM. As a recovering event planner, I still absolutely have to have a clean work space. A large tumbler of decaf tea is a must (admittedly with an embarrassing amount of vanilla creamer) and fuzzy socks are the norm.
Q. Could you tell us something about yourself that we might not already know?
KM. I was fortunate enough to spend an entire college year living in Florence, Italy, an incredible experience that taught me an enormous amount about pasta and wine and, best of all, tiramisu. Ha. Seriously, though, I learned so many important life lessons there, and now even enjoy weaving Italian characters into my stories.
Q. Do you have a set time each day (or night) to write?
KM. That’s an easy one to answer: school hours. The clock starts when the kids get on the bus and stops when they come charging back through the door full of stories from their day!
Q. What’s your best advice to other writers for overcoming procrastination?
KM. Unplug from the Internet. (It’s hard, I know!) Take a walk, think about where the story is going, write the next scene by hand if needed (in other words, change things up), and sit down in the chair and just write.
Q. Where/when do you first discover your characters?
KM. A nugget of a premise always comes to me first, then I start to imagine who landed in that situation. I figure out how they got there by backtracking and digging deeper into their lives until I finally understand who the characters are at their core.
Q. What first inspired you to write?
KM. About a dozen years ago, I was creating a homemade cookbook featuring my grandmother’s recipes, meant as a Christmas gift for the grandkids. When I interviewed her for the biographical section, she shared that she and my late grandfather had dated only twice during WWII, fell in love through an ongoing letter exchange, and were married for fifty years until he passed away. Then she said, “Would you like to see the letters?” After spending an afternoon poring over those beautiful wrinkled pages, I envisioned a Cyrano de Bergerac-type story set during WWII, which ultimately became my debut novel, Letters from Home—and the course of my career at that point completely changed.
Q. Do you ‘get lost’ in your writing?
Review of Sold on a Monday
Don’t miss Part II of this Interview next week.
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MY BLOG features INTERVIEWS with best-selling AUTHORS! July — Catherine Ryan Hyde. August: My interview with Susan Wiggs September: Alan Foster (sci-fi) and October: Kristina McMorris
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Blue Hollow Falls. I prefer that authors leave me to imagine what my favorite characters look like. This cover tells me that there is a single woman, probably in conflict. She appears to be discovering this conservatory or greenhouse for the first time. Her dress and the wild flowers tell me the season. I’m curious. I give this a 
Only until after I read this fantastic story did I understand the cover. That’s a bad thing. I had never heard of the author. Something about the title made me purchase this book. But nothing about the image attracted me.
