How To Write Fiction Archives - Page 9 of 16 - Trisha Sugarek, Author, Playwright & Poet

Cheets Heads for Trouble…..Book #5 in the Kids’ Series, The Fabled Forest

Book #5 in the Fabled Forest series. CHEETS HEADS for TROUBLEsville

Cheets is looking for an adventure! The elf has heard about ‘town’. Emma and her mother go there all the time but no one from the fabled forest has ever been there. Cheets is certain it is a magical place and perfect for him. He decides that he must head for Troublesville. He stows away in the car one day and, at the end of the trip, finds
him-self in busy, noisy streets all alone. He begins his adven-ture by befriend-ing two cats who live in a house with two humans. Then because of his undying curiosity and his obsession with carrots, he is captured in a trap and that’s when his adventure is no longer any fun. How can his friends back in the Fabled Forest help him when they don’t even know he’s in Trouble?

Don’t miss Cheets’ escapade and ultimate rescue!

Beautiful full color illustrations by Jefferson O’Neal.Click here to Purchase
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary.
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A Book Review and a Writing Lesson

1 out of 5 quills

Second Chance Grill could have been an engaging, charming and entertaining read but….the writing was clunky and author, Christine Nolfi, did a lot of ‘telling’ instead of ‘showing’. Where she could have put a character’s challenge into the hands of the characters in her book to solve, she elected to get out a small soap box and preach about the issue (real time). It was very distracting.

I will digress from this review and begin a writing lesson. One of the first tenants of writing well is wherever possible, to ‘show don’t tell’. (Example) The employees of the Second Chance Grill need health insurance. This writer tells all about the challenges of a small business owner trying to find an affordable plan for employees. She almost crosses the line and leaves fiction for non-fiction. The author could have easily ‘shown’ the challenge of procuring health insurance by creating a chapter/scene where she meets with some insurance agents. Or she reports back to her employees, Finny and Delia, about her failure to find insurance. But that she isn’t giving up and will continue to pursue it. Maybe Finny reacts with cynicism and disbelief. Maybe Delia has special pre-existing conditions that she’s worried about.

Same for Blossom’s leukemia. Nolfi writes a couple of pages about leukemia in teens, percentages of poor diagnoses, bone marrow transplants. That’s ‘telling’. It would have been a better story if she’d let her characters show the grim percentages of death, tell of Blossom’s struggle with the side effects of chemotherapy.

And then Nolfi barrels into a fund drive to raise money for the transplant. This is where the writing gets particularly clunky and chopped up, and frankly, unbelievable. The rhythm of the writing goes off the rails so, sadly, I can’t give it a good review.

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BOOKS BY TRISHA SUGAREK

Murder Mystery Series by Trisha Sugarek

It is time to remind my fans and readers about the murder mystery series that I have been writing over the past years. I am currently working on Book #11 .
It’s an exciting series (even if I do say so myself) with two fascinating homicide detectives working the murder beat in New York City.

Here’s the first three synopsis in the series but there are 10 in all. Very story line driven so best read in sequence.

Brush with Murder, Book #1

Ben is a struggling, unknown artist, living in a loft in Soho. From his third floor walk up, he watches his beautiful neighbor as she comes and goes. Too shy and reclusive to ask her out, he paints her again and again. Suddenly the police are at his door. His goddess, his dream woman is dead
and the police like him for the crime.

Dance of Murder Book #2

‘Strippers have been found with their throats cut and their dead eyes filled with glitter and the killer’s rage is escalating. To make things worse, Homicide Detectives, O’Roarke and Garcia have several dozen potential suspects all with a reason to murder these girls.’
Now the press has gotten hold of the story dubbing the murderer, ‘The Glitter Slasher’. City Hall is breathing down the necks of the Homicide Squad and insisting that they ‘get this
thing solved!’ Before there are more dead bodies. Finally the two murder cops make an arrest.
But, do they have the right person in custody?

Act of Murder Book #3

O’Roarke and Garcia are called when a famous Broadway director dies. It appears that everyone hated this man, making the murder cops’ job just that much harder. They have their pick of suspects as everyone within a five mile radius of Broadway had a reason to want this guy dead. From the jealous stage manager, to the resentful actors, to a disappointed and hurt lover.
From a scorned understudy, to his ex-wives, any one of them could have cheerfully done him in. This mystery takes the reader back stage into the tumultuous, gossip ridden, passionate world of the theatre.

New Release ~ Creative Writers’ Journal and “How To”

Bigger and better. Revision 2021 newly released Journal/Handbook.

How To Begin To Write
How to Create interesting Characters
How To Write Fiction
How To Write a Stage Play
How To Write Poetry
How To Write Haiku Poetry

275+ lined, blank pages for your writings. Each page with an inspiring famous quote from actors, authors, playwrights, poets.

Review: Midwest Book Review

“Creative Writers’ Journal and Handbook begins where so many writer’s guides should: with the basics of how to pursue a dream job as a writer. The problem with most writers’ guides is that they assume some prior degree of excellence or experience; but this handbook poses something different: the opportunity to begin with no prior skill level or experience. All that’s needed is the desire and passion to be a writer, and everything flows from there.
So if you ‘scribble’, if you like words, if your stories ‘find’ you, and if you aspire to be something more (say, a published blogger); then here’s the next step in the process. From how ideas begin to how they are nurtured and written down, there to be refined until they see the light of day (i.e. other readers), this journal offers support, insight, and ideas for jump-starting the creative process and linking it to action.

White, lined journal pages offer a workbook approach that augments white space with inspirational quotes on the process from other, successful writers. So while you’re staring at the usual journal blank pages, inspiration can spark from others’ experiences and insights.
This isn’t just about prose, either: Sugarek includes sections on different formats, from Haiku Poetry to writing a stage play. Each section offers inspirational insights into format, structure, and writing challenges – then uses the journal/quote format to encourage readers to put something down on paper.
So if it’s nuggets of information spiced with the encouragement of fresh lined, white space that is needed, Creative Writers’ Journal and Handbook offers a success formula beginners can easily absorb, all packaged in a survey that assumes no prior familiarity with writing.”
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry and October: Life Coach, shaman, author, Jennifer Monahan.
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Book Review ~~ Miss Delectable by Grace Burrowes

5 out of 5 quills

When you pick up a book written by Grace Burrowes you are one hundred percent certain you are in store for a good story. Filled with interesting characters and an fascinating plot. Full stop!

Grace Burrowes has begun a new series, Mischief in Mayfair. Miss Delectable is Book One, and it’s delicious! Rag-a-muffin rapscallions abound with a hero who rescues them and the damsel in distress. Book Two, Miss Delightful, is to be released shortly.
Burrowes is very prolific in this genre and what is amazing is how FRESH her plot lines remain. She is constantly thinking of new story lines that have not been done before.

Miss Pearson has dedicated years to learning the exacting science of the culinary arts. She will never hold the title of ‘chef’ as that is strictly reserved for men. She will always be a ‘cook’, no matter how talented and creative she is. It is, after all, only the 19th century.
Colonel Sir Orion Goddard is Miss Pearson’s employer’s brother by marriage. They are slightly acquainted and really have no reason to meet each other. Persistent, vague scandal and rumors have haunted Goddard and being a recluse solves many of his problems. That is, until his young protégé needs placement and only his brother-in-law’s kitchens will do.

Burrowes gives her readers a good tale, characters that are deeply drawn, a little intrigue and a sweet love story. Recurring individuals keep her fans very happy.

Available Soon! Miss Delightful (9/14/21)

Did you miss my Interview with Grace Burrowes?

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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, August: Veronica Henry.
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What does it look like? From ‘no book’ to ‘finished book’?

A fellow writer and friend asked me this question: “What does the process of going from “no book” to “finished book” look like?” After years of writing my blog and interviewing other authors, it seemed to be each featured author’s favorite question. Having also completed several novels I’d like to add my two cents:

When writing my first novel, (Women Outside the Walls) I did not have a deadline and it probably would have really helped. I was my own deadline setter and that didn’t work out so well. On the other hand, I think having a publisher breathing down my neck would have stifled my creative flow. When life got in the way I wouldn’t work on it for weeks but then I would get inspired and work on it for days, weeks, non-stop, sometimes 10-14 hours a day. So I guess it all evened out. Whatever you do, don’t beat yourself up if you don’t write for a few days….you’ll make up for it with better, more relaxed creative writing.

Because I inherently ‘rush’, I found that I had to watch-dog myself and be careful not to leave out important roads of the story. I was in early proofing of the final product of my novel and realized (in a countless re-read) that I had never described my female negotiator’s physical appearance. (Yikes!). Again, (if the writer tends to rush) go back and re-read your work to see where you need to flesh out a chapter or a character.

I am not structured at all, if ‘structured’ means writing an outline, a story plot and character descriptions. I write a new project in my head for days, weeks and then when my brain is about to burst I begin putting it down on paper (or in my case, sitting at the keyboard). I also write out of sequence and I think that’s okay. My novel’s last chapter was completed months before the middle was written.

Some writers have actually written whole books while blogging; they found it less daunting by writing in segments. At the end they had a book and then they published. If you need a deadline the days that you commit to writing a blog would serve. For me this wouldn’t work; I would feel too exposed having my rough draft out there for the world to see as I am a writer who slams it down the first time around and then edit, edit, delete, edit. Did I mention that the lettering is worn off my ‘delete’ key?

Frequently I will begin a story that has inspired me, not knowing much about the subject. It has sometimes stopped me dead in my tracks while I researched (example: hostage negotiations for Women Outside the Walls). I had 8 pages of a new play about Winston Churchill written and had to stop to do research on his life during WW II. I find that it can be done while I am writing and that is what I prefer. It’s more fun and keeps me interested. I don’t think I would do well having my research all done before I put my story down. I find that the research itself inspires my story line.

And then there is that unseen, unheard phenomenon where, with any luck, the characters take over and you become the typist. Your muse begins to tell you the story. This has happened to me time and again, and while I resisted at first (being a control-freak) I now embrace and welcome it. In Women Outside the Walls my character Alma, at sixteen, is abandoned by her promiscuous mother. Alma is befriended by the ex-girl friend of the man Alma had a teen crush on. They end up being room mates. I could never have dreamed that one up; but my characters got together and decided that this was what they would to do.

I don’t think that there is a right or wrong way to go through the process. Each writer should be unique in how they work. Instead of thinking of it as a project/deadline ‘thing’; think of it as a work of art, created just for you and by you. Where possible, let the characters lead you. They will never steer you wrong!

well, there you have it…the process such as it is and how it works for me. (First posted January, 2013)
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, July: Veronica Henry.
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Don Bentley writing for Tom Clancy~Interview (part 3)

Q. Do you ‘get lost’ in your writing?

DB. There are times when the words seem to fly from my keyboard onto the screen, but if I’m being honest, these instances are few and far between. Writing is work. Hard work. And while I enjoy writing, there are certainly aspects of it that I detest. First drafts are especially hard and, and are most often the times when I berate myself for not choosing an easier profession. Like rocket science! But writing also has some magical phases like writing the second draft. For me, that’s when the story comes alive as you untangle the narrative, build on themes you didn’t even realize you were there, and give that secondary character the starring role they deserve. This is when writing becomes fun, but to get there, you have to slog through the tediousness of the first draft.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

DB. Yes to both! TARGET ACQUIRED, my first entry in the Tom Clancy Jack Ryan, Junior series comes out on 8 June 2021. I read my first Tom Clancy book when I was thirteen or fourteen, and he was my introduction to the military thriller genre. The notion that, thirty years later, I get to write in the universe he created really is incredible. In addition to my Tom Clancy book, I have my own thriller series starring Defense Intelligence Agency case officer, Matt Drake. I’m currently writing HOSTILE INTENT which is the third book in this series. It will be released in May 2022.

Q. When did you begin to write seriously?

DB. I decided to take my writing seriously in late 2001 when I signed up for a series of online classes from Writer’s Digest Magazine. These classes helped provide a foundational understanding of the process of crafting a novel which I was sorely lacking. I then went on to write two more novels, each of which was strong enough to garner an agent, but not good enough to sell to a publisher. I then decided I must still have more to learn about my craft before I could be commercially successful, so I enrolled in the Seton Hill MFA program. This is a low residency program unabashedly geared toward writers who want to sell commercially viable genre fiction. I wrote my third novel as part of this program, but this one didn’t sell either. About this time, I was starting to wonder whether or not I was ever going to make it as a writer. Thankfully, I had the great fortune to meet Nick Petrie, author of the Peter Ash series, at the ThrillerFest writing conference in New York. Nick was kind enough to listen to my tale of woe, but he did more than listen. After sharing that he also wrote three books that didn’t sell before writing his fourth that did, he told me to go home, quit sulking, and write my fourth book. So I did. That book became WITHOUT SANCTION which my agent, Barbara Poelle, sold in a two book deal in 2018. Fast forward three years, and I’m now writing my third book in that series as well as poking around in the Tom Clancy Universe. To quote Nick, I guess the moral of the story is quit sulking and write your book!

Q. Do you think we will see, in our lifetime, the total demise of paper books?

DB. I don’t. I think there’s something tactile about paper books that people love.

Did you miss Part 1 or Part 2 of our Interview with Don?
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, July: Veronica Henry.
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BOOKS BY TRISHA SUGAREK

Interview with author, Don Bentley, writing for Tom Clancy (part 2)

Q. What’s your best advice to other writers for overcoming procrastination?

DB. Writing a book on spec is incredibly intimidating, especially when you have no idea whether or not it’s going to sell. This combined with the fact that writing progress on a book can seem so incremental as compared to say a short story can make it really easy to procrastinate. After all, if no one’s clamoring for your book, and it takes forever to write, it’s easy to come up with a thousand better ways to spend your time. With that in mind, I’ve found it helpful to give myself a deadline and then make a plan to meet it. For me, that works best if I put my engineering skills to use by mapping out a word count strategy and then tracking it in excel. Every week I compare the word count I was supposed to hit with what I actually wrote, and I also plot the cumulative progress on a line graph so I have a visual representation of where I am versus where I’m supposed to be. I’ve found that the terror that accompanies knowing that you’re exactly 4,326 words behind schedule is a great anecdote for procrastination!

Q. Where/when do you first discover your characters?

A. That’s a great question! I write more organically, so many of my secondary characters come out in the first draft when I get to a scene and realize that I need another character for one reason or another. Often times a character I think will only have a cameo ends up showing up again in later scenes. After I finish my first draft, I further flesh out my characters during revisions and this is when they become real. I think the treatment of secondary characters is one of the things that separates good writers from great ones. For instance, if you pick up a Daniel Silva book, you’ll find that he doesn’t have any “throw away” characters. Even if they only share the stage for a single scene, each one of his characters is elaborately and realistically drawn.

Q. What first inspired you to write?

DB. I’ve been telling myself stories for as long as I can remember. Some of my earliest memories were of listening to my mom read me a book, or watching a tv show or movie, and thinking how the story could have ended differently. When I was in fourth or fifth grade, I started writing what would now be known as “fan fiction” for Star Trek. Writing was always my favorite subject in school, and I attempted to write my first novel in high school. It didn’t go very far, and I think this was because like most amateur writers, I didn’t yet understand the a novel’s structure. I could write a scene, but figuring out what to do next confounded me. In my late twenties I finally got serious about writing and took some excellent online classes from Writer’s Digest. These gave me a foundational understanding that allowed me to finish my first novel sometime in my early thirties. This novel didn’t sell, and neither did the two that came after it, but each book that didn’t sell taught me something different about the writing process. I guess to answer your question, I never really felt inspired to write. The desire to tell stories is just part of who I am.

Q. What comes first to you? The Characters or the Situation?

DB. Secondary character usually come as I’m writing, but primary characters always come first ,even before the situation. New York Times Best Selling author Brad Taylor is one of my friends, and I pick his brain for writing advice every chance I get. He once told me that characters are what bring readers back from book to book, and I believe that’s true. You can have the most unique story idea in the world, but without a cast of characters that a reader enjoys enough to spend three hundred plus pages and hours of their lives getting to know, you won’t have a successful book. As I mentioned before, Daniel Silva does a superb job with characterization, so much so that reading his books feel like coming home. He’s one of the few authors that I will reread time and time again because I miss hanging out with the people he’s created. That’s how I want readers to feel about my books.

Did you miss part 1 of our Interview with Don?

Check out part 3 of this fascinating interview with Don Bentley, July 2nd
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, July: Veronica Henry.
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BOOKS BY TRISHA SUGAREK

Adapting your Stage Play into a Novella or Storybook

Many of my stage plays have ended up being the story outline (or more) in creating a children’s story book, or a short story, or a novella, or the bones of a novel. I thought that I would share, with my readers and fellow playwrights my process in converting these plays/stories.
The demand really began with my friends and fans insisting on more of the story they’d read or seen in a play. It wasn’t enough. Satisfyingly, they wanted to know what happened after the play ended, or they wanted to know how my characters got to where they were in the play’s timeframe.
Currently I am adapting my latest children’s play in to a story book. A chapter book with colored illustrations.

First I pull up the full script. I re-read it in sections to get immerse, once more, in the story. The blocking will be my guide on describing the ‘action’. I will be certain to describe each character as they appear in the story. Something you can’t do writing a stage play. After I read this section of the play, I begin to describe the characters, the environment, the emotions within the scene. Remember, playwrights, you are now free to write as much description as you want. (But don’t be redundant or boring, please.) I copy and paste the section of the play script into my new manuscript. Then I write above the scene in the play. I am able to use almost all of the dialogue that I have created in the play. After I have written the new work I delete the play script and go on to the next. Here’s a sample:

Chapter 1 ©

Agnes and Annie, sister Aardvarks, stepped off the path into the forest clearing. Except for the occasional rustle in the underbrush and bird song it was a quiet, sun-filled idyllic setting. The smells of forest; tree sap, damp moss, rotting tree trunks, and hidden flowers filled their busy noses. It was worlds away from the dusty deserts in their homeland of Africa. They both looked around fearfully. The fanciful hats atop their heads bobbled in the breeze.
“I think we’re lost, dear sister.” Agnes moaned.
“This doesn’t look anything like the pictures of Australia in our book.”
“Oh, dear, I’m quite afraid,” Annie whispered.
“Whooo?” Something said from high atop a tree.
Annie rushed closer to her sister, “Ekk. What was that?”
Annie had always been the shy Aardvark. Her sister, Agnes had always been the bold one, leading the way and protecting her younger sister.
“Who?” Came the cry again.
“What?” Agnes demanded, looking up into the tree where she thought the sound was coming from. “There are so many trees, all mashed together, I can’t tell where the creature is, Annie.”
“Who?”
“That.” Annie cried.
“What?” Agnes demanded.
“I can’t see anything.” Annie said. “What do you suppose it is?”
“Not certain,” Agnes replied. “But keep a look out anyway.”
“I don’t like this place, Agnes.”

ACT I © (The section we are adapting.)
Scene 1

At Rise: Morning in the fabled forest. Pale sunlight filters through the trees.

(ANNIE and AGNES enter. THEY cross into a clearing, looking all around. THEY are wearing ridiculous hats and are carrying suitcases and a book entitled Australia. The WOODLAND CREATURES scatter into the underbrush.)

AGNES
(Gazing up into the trees, HER nose switching as fast as possible.)
I think we’re lost, dear sister. This doesn’t look anything like the pictures of Australia in our book.
ANNIE
(Frowning.)
Oh, dear, I’m quite afraid.

STARE

Whooo?
ANNIE
(ANNIE runs over to AGNES.)

Ekk. What was that?

STARE
Who?

AGNES
What?

STARE

Who?

ANNIE
That.

AGNES

Not certain. But keep a look out anyway.

ANNIE
I don’t like this place, Agnes.

AGNES

You’re such a scaredy-cat, Annie. It’s a simple forest, much like the jungles of home.

(DONALD, a fairie, enters whistling a merry tune. HE sees the Aardvarks. AGNES and ANNIE turn to run.)

DONALD

Don’t go. I mean you no harm.

STARE
Who? Who?

PATSY
(Knitting her web very fast.)

Eye–eee! Por favor, who are these ugly newcomers? Dios mío, ¿se comerán mis insectos? The bugs are for me and me alone!

You have your character list to refer to so you don’t forget or leave out a character from your play. In the story books, I always use an illustrator to bring the story alive with their wonderful color drawings based upon the scene I chosen. I try, as much as possible, to give the artist full rein; hoping that they will be inspired by the writing. That approach has been very successful for me. Here’s another sample of adapting a section of my play:

© A couple of days had passed since Emma had visited the clearing in the forest. She and Donald had still not solved the problem of helping Annie and Agnes on their journey to Australia. There suddenly came some rustling of the undergrowth and Stare, the owl began to hoot.
“Who? Who? Who?”
“What’s wrong, Stare?” Emma peered up through the leaves and branches trying to see the owl.
“Whooo?”
From the path a man stumbled into the clearing. He wore work clothes, suspenders and a bow tie. A tool belt hung from his waist. He carried a large tool box. He walked to the middle of the clearing and made a courtly bow.
“Greetings from the Royal Court.”
“Oh my.” Emma murmured.
Donald stepped forward a couple of paces. “Greetings to you. Who are you, sir?”
“Who?” Asked Stare.
“Who might you be, young sir?”
“I’m Donald, a fairie of this realm.”
Taking his half-glasses off his nose he polished them with a clean, white handkerchief, “Blimey. Don’t think I’ve ever seen one before.”
“And you, sir?”
“Who?”
“Not now Stare.” Donald glanced up.
“Allow me to formally introduce myself. I’m Sir Fergus, the royal engineer. I’ve been sent here by the⸺”
Emma sighed, “The Queen.”
“Our Queen.”
“Who?” Stare asked.
“Who?” Annie asked.
“What’s a queen?” Agnes asked.
Cheets began running around the clearing, “The Queen! The Queen! The Queen Cometh!”
Sir Fergus looked around, “No. I don’t think so. It’s just me with my toolbox.”
“Why have you been sent to us, Mr. Fergus?”
“The name’s just Fergus, Miss. Or at court, Sir Fergus.”
“And you’re here because⸺?” Donald inquired.
“To repair your portal⸺time machine⸺of course. It is broken, isn’t it?”
“Our portal?”
“We have a portal? Cheets whispered in awe but having no idea what a portal was. “What is a portal, exactly?”
“And the Queen knew ours is broken?” Emma asked.
“Yes. Yes. Indubitably.” Fergus became impatient to see it, “If you’ll just show me the way, I’ll begin my work.”
“I’m afraid we have no idea where it might be in the forest.” Emma explained. “Until the sisters arrived we didn’t know anything about a portal. They arrived from Africa.”

At Rise: The clearing in the forest.

(FERGUS, the royal engineer enters from the forest path. HE wears formal clothes but with a large bow-tie and a pocket protector in his shirt pocket. HE carries a large toolbox.)

FERGUS
(Sets down toolbox and bows.)
Greetings from the Royal Court.
EMMA
Oh my.
DONALD
Greetings to you. Who are you?
STARE
Who?
FERGUS
Who might you be?
STARE
Whooo?
DONALD
I’m Donald, a fairie of this realm.
FERGUS
(Takes his half-glasses off and polishes them.)
Blimey. Don’t think I’ve ever seen one before.
DONALD
And who are you, sir?
STARE
Who?
FERGUS
Allow me to formally introduce myself. I’m Fergus, the royal engineer. I’ve been sent here by the⸺
EMMA
(Sighing.)
The Queen.
DONALD
Our Queen.
STARE
Who?

AGNES
Who?
ANNIE
What’s a queen?
CHEETS
(Jumping up and down.)

The Queen! The Queen! The Queen Cometh!

FERGUS
(Looking around.)
No. I don’t think so. It’s just me and my toolbox.
EMMA
Why have you been sent to us, Mr. Fergus?
FERGUS
It’s just Fergus, Miss. Or in more formal settings, Sir Fergus.
DONALD
And you’re here because⸺?
FERGUS
To repair your portal⸺time machine⸺of course. It is broken, isn’t it?

Your play script can grow into something much more ambitious than a novella or children’s story. I have written three full length novels using my stage play as the story outline.
Please leave your comments if you found this informative and helpful.
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy.
To receive my weekly posts sign up for my

On the home page, enter your email address. Thanks!

BOOKS BY TRISHA SUGAREK

Book Review ~~ the stepsisters by Susan Mallery

4 out of 5 quills ~~ A Book Review

Susan Mallery delivers again. This author can do no wrong.
Families are complicated on any given day and certainly even more so when dads marry again and create a brand new stepsister for their daughter. Sometimes expectations are high; amidst the ruble of a divorce, sometimes girls long for the connection of a new sibling. Sage is lovely and graceful and popular; Daisy is not. Sage didn’t have Daisy’s smarts. Threatened by this, Sage put Daisy down at every opportunity. Daisy was crushed by Sage’s hostility. So went the teenage years. Then Daisy did the unforgivable; she falls for and marries Sage’s first time love. Heartbroken, Sage can’t flee fast enough.

Almost two decades later the now-grown women are thrown together again. But they must put aside all of their history for a familial common cause.

Another great story filled with human foibles. Well drawn characters who the reader will like to hate or stand up and cheer for. I highly recommend this book to my readers.

Did you miss my interview with Susan Mallery?

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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy.
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BOOKS BY TRISHA SUGAREK

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