What is a story arc, you ask. The dictionary defines a story arc as ‘(in a novel, play, or movie) the development or resolution of the narrative or principal theme’. Story arcs are the overall shape of rising and falling tension or emotion in a story. This rise and fall is created via plot and character development.
A strong storytelling arc follows this principle. It shows rise and fall, cause and effect, in a way that makes sense. An example is from one of my stage plays, Women Outside the Walls. Right before intermission, my antagonist, Charlie (an inmate) took the entire visiting room hostage, with a knife. Who wouldn’t want to come back (after intermission) to see what happens next?
It is my belief that the story’s arc, in a stage play, should happen right before the intermission. More people than you can guess will leave at the intermission. So my theory is to ‘hook’ them and make your audience want to come back in and sit down.
‘A whole should have a beginning, middle and an end… A well constructed plot … must neither begin nor end at haphazard.’ Aristotle
MY BLOG features INTERVIEWS with best-selling AUTHORS! December: Jayne Ann Krentz (Amanda Quick) January: Molly Gloss. February: Rick Lenz, March: Patrick Canning and April: Poet, Joe Albanese To receive my posts sign up for my On the home page, enter your email address. Thanks!
How to Improve Your Creative Writing Skills by Adam Durnham
Creative pieces are usually meant to entertain, but since readers often want more than mere entertainment, they expect literary pieces to challenge the mind and tickle the imagination. For some, writing or reading literary pieces could also be a form of art therapy.
Though these standards are quite simple, they may put more pressure on writers. The more advanced readers are, the higher the standards they set for the authors’ literary pieces.
Here are four tips that can help people improve their creative writing skills:
Do not underestimate your readers’ ability to understand and imagine
Leave room for your readers to imagine the back story, the motivation of the characters, and the exposition (the elements that explain the story). You don’t have to reveal all of these in graphic detail all at once. You can give clues or foreshadow some events in the story, but be careful about revealing every element at the start of the piece. Let your readers use their imaginations and formulate theories.
Identify the key points of your story, specifically taking note of the following:
i. What is the main goal of your protagonist? Try to create a protagonist who is interesting or unique in some way.
ii. What are the relevant actions your protagonist takes towards the completion of his or her goal? The protagonist of the story could make conscious decisions that drive and direct the entirety of the story.
iii. What are some unexpected outcomes of the protagonist’s decision(s)?
iv. What are some details related to the literary piece’s setting, tone, and dialogue that can help you reveal the story to the readers?
v. What is the climax of the story?
vi. Will readers find any morals from the story?
vii. How will the story end?
Pay attention to character development
To create realistic, multifaceted characters, it is important to understand and describe characters. To help you develop your characters, consider examining one or more of the following details:
● Name
● Age
● Appearance
● Family and relationships
● Ethnicity
● Drinking habits
● Likes and dislikes
● Strengths and faults
● Illnesses
● Hobbies
● Pets
● Phobias
● Religion
● Job
● Residence
● Sleep patterns
● Nervous gestures
● Secrets
● Memories
● Temperament
Including such details can make it easier to define your characters. They can help you mold your characters, build storylines, and create dialogue. You might want to consider
● Appearance: Create a visual understanding for your readers so that they can vividly imagine what the characters look like.
● Action: Instead of simply listing adjectives to define characters, describe the characters’ actions to tell your readers what the characters do and what they’re like.
● Speech: Don’t kill the story’s momentum by explaining the plot in great detail. Instead, try to reveal the plot through your characters and their dialogue.
● Thought: Show your readers how your characters think. Show them the characters’ hopes, fears, and memories.
Create a great plot
A story plot tells us what happens in the story. Writers establish situations, identify the story’s turning points, and determine the fate of each character.
Plots are the sequence of events arranged by the writer that reveal the story’s emotional, thematic, and dramatic significance. To create a great plot, it is important to understand the following elements of the story:
● Hook: The stirring or gripping problem or event that catches readers’ attention.
● Conflict: A clash between characters and their internal selves, or between different characters, or even between characters and external forces.
● Exposition: The back story or background information about the characters and how this background information relates to the rest of the story.
● Complication: A problem or set of challenges that the characters face that make it difficult to accomplish their goals.
● Transition: Dialogue, symbols, or images that link one part of the story to another.
● Flashback: Something that occurs in the past, before the current events of the story.
● Climax: The peak of the story.
● Denouement: The story’s falling action or the release of the action that occurs after the climax.
● Resolution: The solution of the external or internal conflict.
Writing can be challenging if you don’t know the techniques. It can be a form of art or art therapy if you come to master it. Techniques and tips can help you build the literary skill you need. Practicing them can give you the experience to produce creative, well-crafted work.
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MY BLOG features INTERVIEWS with best-selling AUTHORS! December: Jayne Ann Krentz (Amanda Quick) January: Molly Gloss. February: Rick Lenz, March: Patrick Canning and April: Poet, Joe Albanese To receive my posts sign up for my On the home page, enter your email address. Thanks!
I recently saw an interview (too short) with John McWhorter, linguist, teacher and author. He spoke of our euphemism treadmill and how it relates to our everyday speech and language. I was fascinated!
If you follow me, with any regularity, you know that not only is my chief craft writing, but I am also fascinated with words, their origins, our slang, our euphemisms, and colloquialisms. If we step off the euphemism treadmill, or never get on in the first place, we are quickly unplugged by what people around us are saying. I give you an example: I recently wrote another play for teens and I thought, ‘opps, I’d better check teen euphemisms/slang just in case it’s changed since I last used such words as: ridiculous, sick, cool, etc.’ Yep! They’d left me in the dust…none of these words were ‘cool’ anymore.
Teen Slang 2018
Woke – as being aware, and “knowing what’s going on in the community.” It also mentions its specific ties to racism and social injustice.
Bruh–A casual nickname for “bro”
Idts.–I don’t think so
Ngl– not gonna lie
Fam–Their closest friends
GOAT–Acronym for “Greatest of all time!”
TBH–Acronym for “To be honest”
It’s lit–Short for “It’s cool or awesome!”
I’m weak–Short for “That was funny!”
Hundo P–Short for 100% sure or certain
Gucci–Something is good or cool
Squad–Term for their friend group
Bae–Short for “baby.” It’s used as a term of endearment for a significant other such as a girlfriend or boyfriend. As an acronym, it stands for “Before Anyone Else.”
Curve–To reject someone romantically
Low Key–A warning that what they’re saying isn’t something they want everyone to know
Salty–To be bitter about something or someone
Skurt–To go away or leave
Throw shade–To give someone a nasty look or say something unpleasant about them.
Straight fire–Something is hot or trendy
Sip tea–To mind your own business
Thirsty–Being desperate for something
Writers: Be judicious and thoughtful when you use slang or euphemisms in y our writing. It can quickly turn into lazy writing.
My blog is filled with word craft, origins of words, slang, and euphemisms. My least favorite euphemism is ‘Snap!‘ = a concise, or biting remark was just delivered. And ‘no problem‘ that has replaced ‘you’re welcome’ as the universal response to ‘thank you’. Hate it!
My favorite will always be the post about Mr. Crapper, the plumber.
MY BLOG features INTERVIEWS with best-selling AUTHORS! October: Alretha Thomas. November: Joe English. December: Jayne Ann Krentz (Amanda Quick) January: Molly Gloss and February: Patrick Canning. To receive my posts sign up for my On the home page, enter your email address. Thanks!
‘Delete’ Clever ~~ Make Room for Honesty ~~ by Rick Lenz, author
When I was a young writer, I made my living as an actor. During the first half of my acting career things went well. I tried to be as honest as I could in my work, but when I was offstage or off-camera, it seemed to me the best thing I could do was to be “cool.”
Between jobs, I worked hard on my notion of who I was and wanted to be. Without knowing that’s what I was doing, I convinced myself I had an image to build and protect. Like many young professionals, I thought it was important to be clever. If I said a cynical thing and got an appreciative laugh that was the kind of thing I wanted to learn to say more often. I was “hip.” On the surface anyway, there were very few things cooler than being hip.
The word isn’t used much anymore, but I desperately wanted to be and stay hip. When you’re young, people often seem to react positively when something cutting, or biting, or just plain mean is said at someone else’s expense. Often, I’m afraid, that’s a fair definition of what “hip” was at the time and “cool” often is now.
Those things wear thin very fast. A constant onslaught of clever soon gets to be something you want to turn away from. Clever too often turns out to be cruel.
Meanwhile, my writing, which became more and more important to me, suffered from the fact that I’d spent much of my adult life trying to invent my cool and clever self, the artificial me. It turned out that persona—for me—was not only an uncomfortable place to live, it was an alienating way to be a writer—and a writer cannot afford to alienate his reader. For years my writing suffered from that voice.
If you’re cruel, cruelty is what will come back to you. The wisest voices of the ages have not said, “Judge not lest God will judge you.” They’ve said, “Judge not that you be not judged.”
It’s not some outer power that’s going to come after you, seeking retribution. It’s you yourself, who will unconsciously (in most cases) know for sure that payback is coming your way. And it will get you and it will pay you back. In kind.
It took me far too long to learn that the most important thing I could do toward becoming a good writer was to be Don Quixote “In search of honor.” One of the synonyms my dictionary gives for “honor” is “mark of respect.”
It’s a wonderful thing to give your reader a “mark of respect.”
That does not mean that you can’t be witty or funny or even clever when that’s called for. But underneath whatever it is, readers deserve one thing from us beyond our professional due diligence: our respect.
MY BLOG features INTERVIEWS with best-selling AUTHORS! October: Alretha Thomas. November: Joe English. December: Jayne Ann Krentz (Amanda Quick) January: Molly Gloss and February: Patrick Canning. To receive my posts sign up for my On the home page, enter your email address. Thanks!
Q: How has your life experiences influenced your writing?
A: Before I got this cool writing gig I did time in the corporate and academic worlds so I often use elements from those experiences in my plots. I’m convinced that every writer has a core story. We spend our careers exploring it. My core story is romantic suspense—a murder mystery entwined with a passionate relationship. I love that combination. The love story raises the stakes in the suspense and the danger raises the stakes in the romance. When I plot I try to make sure that every twist in the suspense affects the relationship and vice versa. This is true across the three time zones in which I set my stories: historicals, contemporaries and futuristics.
When I was growing up my formative books included Nancy Drew and Andre Norton. But it wasn’t until I graduated from college that I came across the book that changed my life: Anne McCaffrey’s RESTOREE. Looking back, I think it’s clear that she pretty much invented the futuristic romantic suspense novel with that one book.
Q: Have you or do you want to write in another genre?
A: There has always been plenty of room for my stories in the romance genre. In my opinion it is the least confining of all the genres. The others all seem to have rather strict conventions and expectations—writers violate them at their peril. But there is plenty of scope for storytelling within romance. The settings can be historical, contemporary, futuristic or paranormal. The sexuality can be sweet or intense. The suspense can be anything from a serial killer thriller to a cozy plot. Romance writers are free to deal with almost any social issue. No limits, really. All that is expected is a romantic relationship and the HEA. Works for me.
Q. What’s your down time look like?
JAK. I was recently introduced to boxing as a workout and fell in love with it. Which is a good thing because I love to cook AND eat and, therefore, I need the workout!
Q. Do you think we will see, in our lifetime, the total demise of paper books?
JAK. Nope. As has been noted, the paper book is still the simplest and best way to preserve information and stories because it can survive hundreds of years. Our technology, on the other hand, evolves so fast that anything preserved in that format will probably be impossible to read even a hundred years from now.
Q. What makes a writer great?
JAK. Voice. It’s impossible to define but in the end it is the only thing that really matters. If the writer’s voice is not compelling readers will not finish the book. But here’s the sticky part — no two readers respond to a book in the exact same way. Everyone brings something different to a book and everyone takes something different away. Readers will fall in love with a lot of different voices over the years.
Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?
A. One scene at a time.
Note to Self: (a life lesson you’ve learned.)
A: Figure out your core story early on. Every writer in every genre has one. It has nothing to do with a particular fictional landscape. It is all about the emotions and themes and values that compel you as a writer. Once you truly understand your core story you will realize that you can take it into any genre.
Did you miss Part I of this wonderful Interview? Click here
Untouchable will be on sale January 8, 2019
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MY BLOG features INTERVIEWS with best-selling AUTHORS! October: Alretha Thomas. November: Joe English. December: Jayne Ann Krentz (Amanda Quick) January: Molly Gloss and February: Patrick Canning. To receive my posts sign up for my On the home page, enter your email address. Thanks!
…and put out a new ‘edition’. I wrote Book #1 of my true crime series, Art of Murder, back in 2011. Circumstances (I fired my publisher) led me to review and rewrite this book. Adding a new dynamic cover, new title (Brush with Murder) and added 6000 new words. A love interest walked into Ben’s life and I pulled that thread.
Most indie publishing platforms allow you to change the ‘interior files’ post-publish and change the cover when you’ve rewritten the book. In my case, since I was also changing the title, I issued the book as a new ‘revised’ edition. The new cover, by my illustrator, David White, is sexy and hot! He does such terrific work for me.
I recommend to all writers to review things you’ve written and even published. Only good things can happen!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Coming Soon in Audio-Books: (Beneath the) Bridge of Murder Video of Murder Shadow of Murder
MY BLOG features INTERVIEWS with best-selling AUTHORS! August: Mega best selling author, Susan Mallery. September: Jonathan Rabb. October: Alretha Thomas. November: Joe English. December: Molly Gloss. Coming this winter: Jayne Ann Krentz (Amanda Quick) and Patrick Canning. To receive my posts sign up for my On the home page, enter your email address. Thanks!
There is one thing that delights me above all else and that is to discover a writer who can write. One who weaves words with charm and skill. Patrick Canning does this in spades! I have been reading for 55+ years and I have never come across a Fantasy/Adventure such as this. It really doesn’t fall into any particular genre. You could read it with your kids (with a tiny bit redacted) or adults can read it. Like Spearmint gum, Double your pleasure, Double your fun!
My favorite character in The Colonel and the Bee is the ‘Ox’. The Oxford Starladder (so aptly named) is a kind of hot air balloon. But where we picture a simple woven basket large enough to hold two or three people, the ‘Ox’ is a four story wicker house that has a kitchen, staircases, bedrooms, library, and nursery (plants). In fact the Colonel grows rattan bamboo that ends up growing into the structure of the house as a constant form of repair. Genius!
There is a well known epigram: ‘it’s not the destination, it’s the journey.” For me this book is ALL about the journey. The Colonel and his new-found friend, Beatrix flying above the earth in the ‘Ox’ picking up and dropping off people, having adventures along the way. I don’t know if spending all that time up there is why the Colonel has such a lovely perspective on life and people but I wish I were one of his friends.
My readers know me well. I don’t write spoilers or story synopses in my reviews. In my case, it’s always a review of the writing. The writing in this case is superb. “The tick of the clock still speaks our pace.” Word magic abounds in this book.
I loved the characters, the locations, and the story. Whimsical, captivating, and bewitching. The story could happen. It could be true and if it isn’t the reader so wants it to be possible. I read the end of this story twice when Bee arrives at the Hearth. It was a surprise and left the door cracked for a sequel. From my lips to God’s ear.
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MY BLOG features INTERVIEWS with best-selling AUTHORS! August: Mega best selling author, Susan Mallery. September: Jonathan Rabb. October: Alretha Thomas. November: Joe English. December: Molly Gloss. Coming this winter: Jayne Ann Krentz (Amanda Quick)
To receive my posts sign up for my On the home page, enter your email address. Thanks!
Q. Do you have a new book coming out soon? If so tell us about it.
JR. The paperback of my last one came out a few months ago, and I’m at work on two very different projects right now. One is contemporary in Mexico; the other is 1606 Venice. I’ve never written two at once, but it’s proving to be exciting, even if it is more challenging. We’ll see how it works out.
Q. When did you begin to write seriously?
JR. I was 28 or 29. I decided that political theory wasn’t for me, and I got the idea for that first book, The Overseer. There was no pressure, so I don’t know if I really thought about it as “serious” writing (there’s the old chestnut: you have a lifetime to write your first book, about a year to write your second). But somewhere in there I began to think, “Maybe this is what I’m meant to do.” I got lucky and have been allowed to do it ever since.
Q. How long after that were you published?
JR. I started The Overseer in late 1993 or early 1994. I finished the first draft (a very economical 750 pages) in July of 1996. By happenstance, I was working a translating job and someone else on the job heard I’d written a manuscript and said he had a friend in Lectures at William Morris. He said he’d be happy to show the first chapter to the woman at WM. I sent it to him, he sent it to her, and three days later, the woman called and said she had sent it on to someone in Literary. Three days later, the agent in Literary called and said he needed to see the rest of the manuscript. I sent it over and, two weeks later, I signed with WM. My agent had been an editor, so he helped me trim the manuscript down to 525 pages. We sent it out, got rejected, sent it out again, and then Holt, Crown and Harpers all came in with offers. We went with Crown in June of 1997, and the hardcover came out in June of 1998.
Q. What makes a writer great?
JR. I don’t know. I think you have to find whatever it is that makes writing a need for you, and that’s purely idiosyncratic. And then commit yourself to it. Writing a novel is like any long-term relationship. There’s the infatuation at the beginning, but then the feelings mature. And it can be hard. But it’s the best kind of hard you’ll ever experience if you keep your focus.
I also think taste plays a large role in any of the arts. I suppose we can all look at a select group and say, Yes, those are great writers, but even then, I don’t know. I’d be hard-pressed not to include Graham Greene on that list or Ivo Andric or Joan Didion, and some folks can’t stand any of them. Is there something that ties all the greats together? Maybe it’s that, if they ever wavered, they never gave up entirely. Even Kafka. If Kafka (by my lights in the top three of all time) could muscle through it, then anyone can.
Part 3 of this Interview will return on September 28th.
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MY BLOG features INTERVIEWS with best-selling AUTHORS! August: Mega best selling author, Susan Mallery. September: Jonathan Rabb. October: Alretha Thomas. November: Joe English. December: Molly Gloss. Coming this winter: Jayne Ann Krentz (Amanda Quick)
To receive my posts sign up for my On the home page, enter your email address. Thanks!
TS. I stumbled upon Jonathan Rabb, a local, fellow author and transplant, quite by accident. I found his take on writing fascinating and asked that he share it with my readers.
Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? Or tell us about your ‘dream’ work space.
JR. I have a study in the house, which many of my old friends say uncannily resembles my old one-room apartment back in New York before I got married. It’s bookcases everywhere, maps, and an entire shelf devoted to my kids’ artwork. When the writing is going well, it’s hard to find a path from the door to the desk. I like to keep the blinds drawn, with a single overhead soft light. And the desk is an architect’s desk – a flat space with no drawers.
As it turns out, it is my dream workspace.
Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)
JR. My ritual (now) starts with the kids getting up, breakfast, the dog out for walk, carpool (on my days), and then a mug of hot water at the side of my computer, which I refill throughout the day. I usually dive in at about 8:30 and, if I remember to eat lunch, a break at 1, then on again until about 3. And then the kids come home. If I’m deep into a book, then I’m in the study at all hours. Those last three weeks are tough on everyone.
Q. Could you tell us something about yourself that we might not already know?
The Whiffenpoofs
JR. I sang in a group called the Whiffenpoofs in college (the oldest cappella singing group in the country). I also soloed with the NY Pops at Carnegie Hall.
Q. Do you have a set time each day (or night) to write?
JR. As I said, usually in at 8:30, out at around 3. But that shifts the closer I get to the end of a book. That’s when I need to be with the characters, and I need to know how the whole thing will find its way to a conclusion. Not necessarily a resolution but a stopping point. I can’t step away from it for too long when I’m at that point.
Q. What’s your best advice to other writers for overcoming procrastination?
JR. Writing is all about making choices. They don’t have to be big ones (or at least appear to be big ones at the moment), so make one. Writer’s block and procrastination are really just about being overwhelmed by the infinite number of choices you could make. That can freeze you. So choose. It might be the wrong choice, but at least you’ll be writing. And nothing is ever completely wrong.
It’s the old NY Lottery motto: you have to be in it to win it.
Q. Where/when do you first discover your characters?
JR. For me, place is always a central character, so I usually start there. Then I have to find the people to interact with that character, and that’s when idiosyncrasies and cadences begin to make themselves known. But the best part of creating characters is when they surprise you. That’s when you know you’ve created someone real.
Q. What first inspired you to write?
JR. I was an academic at Columbia in political theory, and I needed an escape. So I came up with an idea for a thriller, in which the main character is a young academic at Columbia in political theory….who saves the world. That was great for my ego and sent me to the computer every day to see how the character would make good on that promise. It turned out to be my first novel, The Overseer.
Q. What comes first to you? The Characters or the Situation?
JR. Hard to say. I think both are crucial – at least according to Stephen King – but I’m not sure I can distinguish them from one another as completely as I’d need to in order to prioritize one over the other. The characters reflect the demands of their situation; the situation shifts to meet the needs of the characters. I suppose the answer shifts from situation to situation and character to character.
Q. Do you ‘get lost’ in your writing?
JR. Yes. My wife often has to call me to remind me to have lunch. Those are the great days.
My interview with Jonathan continues September 21st. Don’t miss it!
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MY BLOG features INTERVIEWS with best-selling AUTHORS! August: Mega best selling author, Susan Mallery. September: Jonathan Rabb. October: Alretha Thomas. November: Joe English. December: Molly Gloss. Coming this winter: Jayne Ann Krentz (Amanda Quick)
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Stating the obvious. You must let go of all the little distractions that keep you from writing. That doesn’t mean you quit your day job or ignore your family.
But, for example, I woke up this morning with my new chapter rattling around in my head. I quickly made coffee (a must), fed my dogs, (a must) and came in here to get that chapter down. But here I am answering emails and writing a post for my blog. Important yes, but the latest book is more important and I have a chapter screaming to be let out.
What am I doing?….here…talking to you?
“And now that you don’t have to be perfect, you can be good.” — John Steinbeck
“It is impossible to live without failing at something, unless you live so cautiously that you might as well not have lived at all – in which case, you fail by default.” — J.K. Rowling
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MY BLOG features INTERVIEWS with best-selling AUTHORS! July K.M. Ecke. August: Mega best selling author, Susan Mallery. September: Jonathan Rabb. Nov.: Joe English Coming this winter: Jayne Ann Krentz (Amanda Quick)
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What is a story arc, you ask. The dictionary defines a story arc as ‘(in a novel, play, or movie) the development or resolution of the narrative or principal theme’. Story arcs are the overall shape of rising and falling tension or emotion in a story. This rise and fall is created via plot and character development.
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