TS. Susan Wiggs’s life is all about family, friends…and fiction. She lives at the water’s edge on an island in Puget Sound, and in good weather, she commutes to her writers’ group in a 21-foot motorboat. She’s been featured in the national media, including NPR, and has given programs for the US Embassies in Buenos Aires and Montevideo. She is a popular speaker locally, nationally, internationally, and on the high seas.
The author is a middle child, a library enthusiast, a former teacher, a Harvard graduate, an avid hiker, an amateur photographer, a good skier and terrible golfer, yet her favorite form of exercise is curling up with a good book. She lives on an island in Puget Sound, where she divides her time between sleeping and waking.
Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? (your shed, room, closet, barn, houseboat….) Or tell us about
your ‘dream’ work space.
SW. I write all over the place and always have. On the patio, on the sofa, on the ferry, on planes and boats…pretty much everywhere. I write when I travel. A good portion of The Oysterville Sewing Circle was written during storm season in Ilwaco, WA, close to the historic town of Oysterville. I learned early on that I can write anywhere. For me, the place is not as important as a good span of time to focus.
Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)
SW. Oh, where do I begin? Clairefontaine grid-ruled notebook—check. Sheaffer fine point fountain pen with peacock blue ink—check. Mariage Freres French blue Earl Grey tea—check. Lenny (spirit animal)—check. After my first handwritten draft, I read the copy into WordPerfect. then edit on screen. And then print off that draft and edit by hand. It’s a messy process, but I’ve been at it for 30+ years and it seems to be working. The actual writing never gets easier, though. Every book is its own unique challenge.
Q. Could you tell us something about yourself that we might not already know?
SW. I’m left-handed, a middle child, I speak French, I have several art pieces by Dr. Seuss, and I’m working on an unauthorized screenplay about his life.
Q. Do you have a set time each day (or night) to write?
SW. I try to do the “heavy lifting” (composition, revision) first thing in the morning before the internet wakes up to distract me.
Emerging writers often lament that they don’t have time to write. I’m not having it. You make time for what’s important to you. There was a time when I was a full-time teacher with a small child, a house, dogs, etc. And yet I still wrote 2 books per year. My writing session began at 9pm after a full day. I’m grateful that I don’t need to do that these days, but the point is, it can be done. It’s all in the motivation.
Q. What’s your best advice to other writers for overcoming procrastination?
SW. Do as I say, not as I do! Minimize distractions and set realistic goals for the day. Decide you’ll write a scene, or a minimum number of pages (3 or more is good). Try not to get lost in your own process, “plotting it out” shou
ld not take six months.
Q. Where/when do you first discover your characters?
SW. It varies from book to book. In The Oysterville Sewing Circle I discovered Caroline in bed next to me. My husband Jerry is an apparel designer, and I wanted to write about his world. The story took a dark turn, however, as I interviewed women in the industry who dealt with workplace harassment and worse. Their stories fueled one of the most heartfelt novels I’ve written—the explosive issues around domestic violence and the drama and healing that can result when women come together.
Q. What first inspired you to write?
Part 2 of my interview with Susan ~~ August 23rd.
Book Review for The Oysterville Sewing Circle ~ click here
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MY BLOG features INTERVIEWS with best-selling AUTHORS! May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde. August: My interview with Susan Wiggs and September: Alan Foster (Sci-fi)
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Don’t be shy about looking at something you wrote a few years ago and rewriting and revising it. Most reputable publishing platforms will allow you to change the interior files and upload a revised, improved edition. I reviewed this children’s play of mine and in doing so found some editing and new writing. 
