A story of unconditional love and bottomless generosity of spirit.
The characters are so richly drawn that writers of lesser talent or experience have cause to weep.
This reviewer flirts with being bombastic, I know. But I know with each book, [like the last], I crack open to the first page of the story, and I am lost in Catherine Ryan Hyde’s world be it runaways, old crotchety men, strangers coming together in unlikely, but totally believable situations, or in this case a “wild thing”.
My readers know I abhor giving a synopsis of the story [ruining it for everyone] and I will refrain once again. I will say this, ‘Just a Regular Boy’ will uplift you and make you happy that this author created these characters and you got to meet them!
This book is a must on your ‘books to read’ list.
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A much-awaited novel by Kathleen Grissom, who is well known and touted for her two previous books, The Kitchen House and Glory Over Everything. While she never mis-stepped when writing the latter and, as far as I could tell, got it mostly, if not entirely right, there were a few things that made me itch to correct her while reading Crow Mary. Maybe I’m overly sensitive as I myself lived on tribal lands (Makah Nation) as a young woman for over two years in Neah Bay, Washington. (Pacific NW.)
I had a problem with several nation lineage issues regarding Crow Mary’s knowledge of her own people. Wouldn’t Mary mention that the Crow People were originally a minor subset of the Sioux Nation and now were at war? The Crow had migrated from the Great Lakes area to the Dakotas and Montana. Know that in spite of the fact that the Sioux were now an enemy of the Crow People?
Secondly, Nakoda is spelled in the book with a ‘D’ when the correct spelling and the most commonly used name is Nakota with an ‘t’.
Mary is a proud Crow woman who really doesn’t take any guff off of any man, native or white. Yet she refers to herself and to her tribe as “Indians”, a derogatory term invented by the white man. I don’t know of any written history of where the People in question thought or spoke of themselves as “Indian”. I think the author also missed an opportunity to weave in Mary’s nation’s full name that the white man bastardized it to simply, “Crow”.
Please don’t misunderstand, this is a really, really good story, and maybe the average reader wouldn’t pick up on any of the things that bothered me but be that as it may…..I could not give the book the resounding 5 stars that I had anticipated doing.
Spoiler Alert: Don’t read the prologue. It’s a clear indication of how the book ends. (or one of the endings) Within the book itself once I read of the practice of the ‘wolfers’ using strychnine when trapping, I thought I knew how the book would end and that spoiled it for me somewhat.
Did you miss my interview with Kathleen Grissom?
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To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION April: Author, H.W. ‘Buzz’ Bernard May: Victoria Costello. June: Laila Ibrahim
Q. Are you working on something now or have a new release coming up?
VC. My new book comes out on June 13, 2023, and I couldn’t be more excited to bring it to readers. As mentioned, it evolved from the true story of my tragedy-plagued Irish American family I told in A Lethal Inheritance, but with me giving myself permission to ask, What if? What if the youngest family members dared to confront and reverse this legacy of violence and madness? The result is Orchid Child, a mix of history and fantasy inspired by Celtic folklore, along with science, and bits of mystery and romance. It’s a story told in three voices, one per generation, over a century.
Teague is the novel’s orchid child, who hears voices and talks to trees, but rarely people. Bullied back home in New York, he finds validation when his Aunt Kate takes him to West Ireland, where neo-Druids identify his strange perceptions as the gift of second sight, putting Teague at odds with Kate who sees his mental differences as a medical problem to be fixed.
Kate is the family success story, whose rising star in neuroscience has crashed in a sex scandal. She vows to salvage her career by taking on a study on the epigenetics of family mental illness in a rural Irish county. Only to discover she’s unknowingly come to her ancestral homeland, meaning she’s studying her own genes. As Kate’s research is blocked by hostile locals, Teague drifts further into his pagan fellowship, pushing Kate to confront the limits of science and the power of ancestral ties. Ellen is the apothecary’s daughter who will become Kate’s grandmother. Forced to flee Ireland for New York City after her beloved, also a holder of second sight, is accused of betrayal in the 1920 Irish Rebellion, Ellen lives to her eighties as the matriarch who struggles with the burden she’s accepted to keep the gift alive—until the family wound, past and present, can be healed.
I’m feeling gratified by the early positive reviews, the feeling that the story you’ve slaved over for ten years, is touching people, making them think and have hope when times are tough.
Q. When did you begin to write seriously?
VC. A weird thing about me is that even as a kid, when I kept a diary, or scribbled poems, I always took my writing seriously. It probably has to do with the fact that I’m a Scorpio and writing has always been my secret life. And that’s probably why it took until this year, when I’ve just turned seventy, to share my most secret story with actual readers around the world.
Q. Do you think we will see, in our lifetime, the total demise of paper books?
VC. I, for one, love paper books, especially hard cover, fine paper books, but I read e-books and listen to audiobooks more often
for practical reasons. I imagine I’m typical that way. So until we run out of trees, that will probably stay the norm.
Q. What makes a writer great?
VC. Oooh, hard one. Maybe the courage to bare their soul, regardless of what anyone thinks or says. The ability to find the right, and the fewest, words to express the ineffable.
Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?
VC. It all comes down to perseverance. Orchid Child took ten years from beginning to end. You have to want it more than anything else in your life during that time of writing, revising, querying, and promoting. There may not be room in your life while you have young kids to raise. That’s why I think a lot of women publish later. But I believe our books are richer for it.
Q. How have your life experiences influenced your writing?
VC. It’s all there in my writing.
Q. What’s your downtime look like?
VC. Walks with friends in our wonderful downtown Ashland, Lithia Park. Hikes in the hills. Cat play. I really don’t have what you would call hobbies. I eat but I’m not a cook. I read and watch endless Scandinavian and British mysteries, from Shetland to Inspector Morse, I find are the perfect diversion when my mental energies need a rest.
Q. Have you or do you want to write in another genre?
VC. Being new to fiction, I’ll stick with it for the time being as my main creative output. I’ve also been writing essays on craft and theory of fiction and especially autofiction.
Q. Note to Self: (a life lesson you’ve learned.)
VC. I’m good enough. Pretty enough. Smart enough. Why, oh why, did I, like most women, take so long to learn this? Being enough is wonderful. Try it!
Did you miss the beginning of this interview?
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To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. April: Author, H.W. ‘Buzz’ Bernard, May: Victoria Costello. June: Laila Ibrahim
Q. What’s your best advice to other writers for overcoming procrastination?
HWB. Little elves are not going to come in the dark of night and write your book for you. So: BUTT IN CHAIR, FINGERS ON KEYBOARD.
Q. Where/when do you first discover your characters?
HWB. I don’t have a magic formula for that. Since I write historical fiction, some of the characters I run with are real. Many others that I create and plop into historical situations are an amalgam of traits and backgrounds drawn from friends, family, and coworkers I’ve known over the years . . . many years. And a few are just flat out made up.
Q. What first inspired you to write?
HWB. I’m not sure. I always enjoyed reading. Then in high school I discovered I could write pretty well, too, and received some recognition for that. I was also sports editor for the high school newspaper. At the University of Washington, even though I was a physical science major, I took some courses in creative writing and managed to hold my own.
Q. What comes first to you? The Characters or the Situation?
HWB. Usually the situation, although I often develop the characters in tandem with the plot. In the end, it’s the characters that carry a story. If you don’t have 3D, believable people in your tale, nobody’s going to care about it.
Q. Do you ‘get lost’ in your writing?
HWB. Not really. But I hate to leave a scene unfinished, so I’ll keep plowing through one until it’s complete, or until I find a logical break in it. It’s then I may discover it’s 4:30 in the afternoon, not 3 p.m. like I thought.
Q. What compelled you to choose and settle on the genre you now write in?
HWB. The history of WWII is packed with stunning tales that totally fascinate me. They are stories filled with facts and statistics, and strategies and timelines. But I want to bring these things alive. I want readers to realize that real people, just like them or their friends, lived these dramas. I want folks to pick up my novels and not just read about history, but experience it, live it. I want them to sit beside a pilot on a bombing raid, to experience the mind-numbing shock of discovering a Nazi death camp, to become lost in a Burmese jungle crawling with enemy troops, native headhunters, and blood-sucking leeches. I want my readers to keep turning the pages in my books long after they should have turned off the lights and fallen asleep. Or I want them to tear up because a character they were rooting for didn’t make it . . . or had something surprisingly good happen when all seemed lost.
Q. Are you working on something now or have a new release coming up? If so tell us about it.
HWB. DOWN A DARK ROAD will be released May 9th. It’s a “gut punch of a novel” based on the WWII exploits of a prominent Oregonian, Jim Thayer. You’re side-by-side with Jim when, as a young infantry lieutenant, he and his platoon stumble into the very heart of darkness near the end of the war. The scenes are chilling and unforgettable, and Jim refused to discuss what he had witnessed for decades after. When he finally did, my wife—who had worked for Jim when she was a young girl—was one of the people he talked to. After that, she kept a scrapbook of write-ups about Jim. She showed it to me after our recent marriage (and after Jim’s passing) and insisted there was a great story there. I was reluctant to agree initially, but after further research and getting support from Jim’s family, I saw the light, and DOWN A DARK ROAD was born.
Q. Note to Self: (a life lesson you’ve learned.)
HWB. Always have a Plan B, and maybe a C and a D. You’ll need them.
To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION April: Author, H.W. ‘Buzz’ Bernard May: Victoria Costello.
TS. “Buzz” Bernard is a best-selling, award-winning novelist. His debut novel, EYEWALL, which one reviewer called a “perfect summer beach read,” was published in May 2011 and went on to become a number-one bestseller in Amazon’s Kindle Store. In 2020, Buzz switched from writing suspense/thriller novels to WWII historical fiction.
Buzz’s fourth WWII historical fiction novel, DOWN A DARK ROAD, is scheduled to be released on May 9th.
Before becoming a novelist, Buzz worked at The Weather Channel as a senior meteorologist for thirteen years. Prior to that, he served as a weather officer in the U.S. Air Force for over three decades. He attained the rank of colonel and received, among other awards, the Legion of Merit. Although a native Oregonian, Buzz lived for 35 years in Atlanta, and now resides in Kennewick, Washington, with his wife Barbara and their fuzzy Shih Tzu, Stormy . . . who doesn’t live up to his name.
Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? Or tell us about your ‘dream’ workspace.
HWB. I have a writer’s studio that is separate from the main house. It was built just over a year ago. It’s rather large since it has to accommodate books, photos, plaques, and general “stuff” that I’ve accumulated in over 60 odd years of work.
Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)
HWB. Not really. But I do need a cup of coffee every morning to get my heart started.
Q. Could you tell us something about yourself that we might not already know?
HWB. Although I began writing short stories when I was in high school, I didn’t become serious about writing novels until I was 60 years old. My first novel, EYEWALL, was published when I was 70. So you can do the back-of-the-envelope math and figure out I’m continuing to write well into geezerhood.
Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?
HWB. I typically go right to my keyboard, although I’ll occasionally scratch notes on a writing pad if I’m doing research on the run. I love writing on a computer because I can edit as I go—trying this word or that, and experimenting with sentences of different lengths.
Q. Do you have pets? Tell us about them and their names.
HWB. I have a 12-year-old Shih-Tzu named Stormy (who is actually pretty docile). He demands that he accompany me to the studio every morning. Not that he wants to be with “Daddy,” but because he knows he’s going to get a cookie from my stash in the studio.
Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)? If yes, tell us about it.
HWB. Not really. But I started my writing avocation by selling articles to magazines and Sunday supplements (remember those?) of newspapers. I wrote five nonfiction (trade) books back in the Middle Ages, but decided that was too much work for too little monetary return. (This, you see, was waaay back when “cut and paste” meant you literally had to cut and paste . . . because you were writing on something called a typewriter.) I gave up writing for awhile after the nonfiction books, but missed it. That’s when I decided to try my hand at creating a novel. How hard can that be? I thought. Pretty damn hard, it turned out. But in the end, it turned out to be a whole lot more fun than anything else, at least for me.
Q. What’s your best advice to other writers for overcoming procrastination?
Part Two will post next week. Don’t miss it!
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To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION April: Author, H.W. ‘Buzz’ Bernard May: Victoria Costello.
Joshua Hood is an Army vet, former SWAT sniper, and “current full-time author with a beautiful wife and two wonder-kids.”
Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? Or tell us about your ‘dream’ workspace.
JH. I have a small office next to a gas station on the historic Collierville Square.
Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)
JH. Can’t think of any.
Q. How do you ‘get inside’ Robert Ludlum’s head and write for him?
JH. Besides his books, I spent time reading articles and watching interviews.
Q. Could you tell us something about yourself that we might not already know?
JH. I almost quit writing last year, but the hardware store I wanted to work at wasn’t hiring. And no, I’m not kidding.
Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?
JH. I use a white board and a legal pad for each book.
Q. Do you have pets? Tell us about them and their names.
JH. I have a Chocolate Lab named Meg.
Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)? If yes, tell us about it.
JH. I writing articles for gun magazines like Personal Defense World, Tactical Life Soldier of Fortune and Ballistic.
Q. What’s your best advice to other writers for overcoming procrastination?
JH. Creativity isn’t a vending machine; you can’t just drop in some quarters and hope to come away with a good idea. It takes time. Time to let your ideas incubate and grow. To an outsider this might look like procrastination, but in reality, it’s a process.
Q. Where/when do you first discover your characters?
JH. They just kind of show up during the process.
Q. What first inspired you to write?
JH. The summer before junior high I was watching an old James Bond movie called Goldfinger. I remember not wanting it to end and when it did, I started my first short story to try and recapture that magic.
Q. What comes first to you? The Characters or the Situation?
JH. The situation.
Q. Do you ‘get lost’ in your writing?
A. Yes. I think all writers get lost in the flow.
Join us next week for the conclusion of this interesting interview with Josh.
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Watch for more interviews with authors. December: Marc Cameron, writing for TOM CLANCY
March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION , April: Buzz Bernard writing for Tom Clancy
Spoiler Alert: In order to write a formal review (which would include telling a little about this fascinating story), it would be riddled with “spoiler alert” warnings. So I won’t.
Instead, I want to write about this author’s uncanny talent for concepts. She writes about people, everyday people, about life, and how messy it is. It may not be a conscious thought, but somewhere inside you, you are wondering, ‘How did she come up with this concept for a story?’
In my interview with Catherine, she addresses how she comes up with her stories:
Q. Where/when do you first discover your characters?
CRH. When I have finished a novel and turned it over to my agent, I know I need a new idea. I open up to a new idea, and I meet a character. I generally see a glimpse of them, having some sort of life experience. Then I spend a few weeks in my head, with nothing down on paper yet, coaxing them to tell me more. (end quote)
That’s what I tell my writers (fans); to keep their eyes and ears open because you may get a mere glimpse of your next character. Just waiting there, in the shadows, for you, so they can tell you their story.
But I digress. If you have never read another book, be certain to read So Long Chester Wheeler. It’s a distillation of everything that’s so wonderful and horrid about the humane species. Beautifully written. Like Catherine examines each word to make sure it’s worthy to be in her story before she lays it down. And, as with most of her books, there are lots of surprises, plot twists and turns the reader never sees coming.
This author is everything we mere mortal writers should aspire to be. Sharpen your pencils!!
Q. Do you think we will see, in our lifetime, the total demise of paper books?
MC. Not in my lifetime. Too many people I know, including me, love the feel of a physical book.
Q. What makes a writer great?
MC. I wish I knew… An ear for a good story? Insatiable curiosity? Persistence, for sure. I will say, though, that there are a lot of great stories out there that still haven’t seen the light of day for one reason or another.
Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?
MC. I start with a lot of plotting talks with my wife and adult kids, bouncing ideas and scenarios off hem. I do a lot of freewriting, exploring various plot ideas. Then I take that free writing and distill it into scenes. That goes onto a computer. Then I work through those scenes, usually in order. If I’m going fishing or camping, I’ll take pencils and paper and work on a few of the scenes while I’m away. I try to get 2,000 words a day but some days I do 1,000 and others I may do 4,000. I have a large whiteboard in my office that I use to get the big picture of the plot, POVs, and to make sure I’m writing about the correct time zone when I’m jumping from one locale to another halfway around the world—IE it can’t be morning in Boston and Beijing at the same time. I’m a detailed plotter, but I still deviate from my outline all the time. It’s a guide, not law. My wife reads everything when I’m done. I submit to my editor when I get the nod from her.
Q. How have your life experiences influenced your writing?
MC. I’ve been fortunate to do some interesting things, work with some stellar people, and have some incredible adventures. The nature of work with the Marshals Service might have me in New York City working a protection detail on a Supreme Court Justice or in deep in bush Alaska tracking a fugitive through the woods. Both my sons were in law enforcement for a time. One of them still is. My eldest son is a physician in the military. My daughter and my youngest son share my love of motorcycles. I’m able to pick their brains and benefit from their experiences as well as my own. The bad, even harrowing experiences like violent fights, evil people, and horrific crime scenes can’t help but inform my writing.
Q. What’s your downtime look like?
MC. There has been a lot less of that lately. I love motorcycles, boats, all things outdoors, and I love spending time with my grandkids. Teaching my grandkids about nature and tracking is one of my favorite ways to spend time. They’re inspiring and often end up in the books in one form or another.
Q. Have you or do you want to write in another genre?
MC. As I mentioned, I spent a lot of times around horses and cowboys and a youngster, so when it came time to try and seriously write a novel, a Western vernacular came naturally to my pen. I wrote several while I was still with the Marshals Service. Some were ghostwritten for another author. TO HELL AND BEYOND, is a compendium of two of them are under my earlier pen name, Mark Henry.
Q. Note to Self: (a life lesson you’ve learned.)
MC. Noticing that I wasted a great deal of time being social when I had more important things to do, my freshman college theater professor took me aside and gave me some of the best advice I’ve ever heard. “Marc,” he said. “You will never amount to your full potential unless you learn to use those little fifteen-minute segments of time that most people waste.” I took him at his word—and have written a lot of books in airports, on planes, or in waiting rooms. One of the reasons, I think, why I like to write longhand.
Did you miss the Beginning?
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Watch for more interviews with authors. October: Simon Gervais for ROBERT LUDLUM, November: Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY
Q. Do you think we will see, in our lifetime, the total demise of paper books?
KK. Nope. Paperbacks have outlasted radio, tv, cd players, Netflix, and all other forms of entertainment. I am a big fan of Kindle but I still have around a thousand paperback/hardbacks.
Q. What makes a writer great?
KK. Knowing how to entertain a reader. Every author has their own style and writes in their own genre or sub-genres. No matter what you want to write, if it doesn’t entertain the reader, they will find something better to read.
Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?
KK. Stress, worry, giving up, picking it up again. Starting multiple projects in between. Writing short stories for other anthologies when I don’t have time. Getting back to it. Finally getting to an endpoint. Formatting it. Sending it out for edits then proofreading, then publishing it.
Q. How have your life experiences influenced your writing?
KK. Writing has to feel real and I’m not one for spending hours researching things so I tend to write about stuff I know about. I may warp the experience and change it but I will be knowledgeable about it.
Q. What’s your downtime look like?
KK. Downtime? Na, I tend to chill with my wife, go out for lunch or dinner, snuggle up with my cats and watch something on Netflix. Visit my mum or take her out shopping. I live a quite life now and I like it that way.
Q. Have you or do you want to write in another genre?
KK. Pretty much Horror or Bizarro. I occasionally slip into gangster type crime with a horror element.
Q. Note to Self: (a life lesson you’ve learned.)
A. Do what works for you. The best advice might not suit you personally. Read the guidelines to wherever you are going to sub. Editors often ignore anything that falls outside of the guidelines for subs. Don’t wait on a response before starting something new. Keep working, keep sending your work out, and remember, it’s supposed to be fun. Don’t take rejections too personally. Re-sub it somewhere else. What one person doesn’t like, another may enjoy.
To receive my weekly posts, sign up for my On the home page, enter your email address.
Watch for more interviews with authors. October: Simon Gervais for ROBERT LUDLUM, November: Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY
Kevin J. Kennedy is a horror author, editor, and anthologist. He is also the owner of KJK Publishing.
He lives in the heart of Scotland with his wife and his three cats, Carlito, Ariel and Luna. He can be found on Facebook most days if you want to chat with him.
Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing?
KK. I tend to work where I can. Often on the couch or in bed. I do have a desk, but you rarely find me there.
Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)
KK. Nope. Up until recently, I done most of my writing on an old broken laptop. I recently got a new Chromebook but I am finding it difficult to get used to it. You can only use Word online which is different to Word on my old laptop.
Q. Could you tell us something about yourself that we might not already know?
KK. I only began writing about 7 years ago. Most of the time, writers always seem to have been involved in one way or another. I sort of stumbled into it after seeing an advert for stories on Facebook and deciding I’d give it a go. I feel I have been lucky in how well everything has gone in such a short space of time.
Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?
KK. Straight onto the keyboard, often with no real planning. Just an idea and see where it goes. I’m more of a fly by the seat of my pants type of guy. I rarely plan anything out and I find I work better under pressure.
Q. Do you have pets? Tell us about them and their names.
KK. Three. Carlito and Ariel are brother and sister cats. Both ten years old. Carlito is jet black. Ariel is a tabby. We also have a little Calico called Luna who is now 2 years old. They rarely leave my side.
Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)? If yes, tell us about it.
KK. I have written mainly short stories with a few novellas. I still haven’t written a novel. I’m not sure I will. I prefer reading novellas so I imagine I will stick to writing them. I have co-written a few as well. Over the last few years I have written several poems that have been picked up but it will remain a once in a while thing and I love drabbles. I’ve written loads of
drabbles (100 word stories.) I also fee that my 4 book series, 100 Word Horrors was the main instigator in the drabble craze in the horror market. I’ve stepped away from publishing that type of anthology now as I feel there is just too many coming out but I still sub to other publishers Anthos.
Watch for part 2 of this wonderful interview next week.
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To receive my weekly posts, sign up for my On the home page, enter your email address.
Watch for more interviews with authors. October: Simon Gervais for ROBERT LUDLUM, November: Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY