Interview with author, playwright Jay Hartlove (part 3)

San Francisco Literary Speakeasy events at Martuni’s bar

Q. Are you working on something now or have a new release coming up? If so tell us about it. 

JH. I am working on a couple of things. I collect ideas over time and fit them into projects as appropriate. I always have a couple of projects simmering on back burners. My big love right now is a High Fantasy called The Dove and the Crow. My first novel, the learning exercise that shall never see the light of day, was a High Fantasy. I love those when they are done right, with genuinely original world building and dramatic situations. I have been collecting bits for this one for a couple of years and I am now up to a 25 page outline. I am also breathing new life back into a musical show I wrote but then abandoned. The rewrite is going slow but I love the piece too much to let it die.

Q. When did you begin to write seriously?

JH. For years I wrote because I had ideas I wanted to explore and share. In my mid-thirties I realized that if I as going to spend years of my free time writing a book, then it really ought to be about something. Big themes became important to me. Goddess Chosen is about Revenge and Redemption. Goddess Daughter is about Loss and Forgiveness. Goddess Rising is about Justice. Mermaid Steel is about Cultural Erasure. The Insane God is about Accepting Change. I spent a while exploring the nature of evil. Lately I am exploring why people fall in love.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

JH. No. Maybe down the road, when technology is wet-wired into us and we can experience books in a virtual space. But eReaders are not going to replace paper books. eReaders are really convenient, and can store many books at a time. But anyone who grew up holding a book in their hands will always get a more fulfilling experience with a paper volume. The cover holding the pages just makes such a satisfying package. At least that’s my admittedly old person view.

Q. What makes a writer great?

JH. You have to love writing to get good at it. You have to see tens of thousands of your own words before you can hear your voice on paper. You have to be willing to admit your mistakes and shortcomings and to go back and learn and try again. A great writer is like any great artist. If you can say what you wanted to say, and have no second thoughts, no regrets, no further edits, in other words, convey completely what you were trying to say, then you have created what you set out to create. If you have developed the skills to convey your message, then you are an artist. The audience may love it or hate it, but if you gave them what you meant to give them, then you have done your job.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

 

Best in Show at the 1985 San Diego ComicCon

JH. I write in iterative drafts. I will get an idea and jot it down in a three-page synopsis. If it resonates with me, I will add to it and start to fill in details. This will grow to a ten-page synopsis. If that catches fire, I will structure it into a sequence of events and really start engineering my characters. By the time it is a 20-page outline, I am usually excited enough to start writing prose. That’s where I am now with The Dove and the Crow. It is also around this time I figure out what the book is really about and why I am excited to write it. This becomes the book blurb and the touchstone I will use to get through writer’s block and procrastination. Although I follow my outline so as to tell a cohesive story, I allow my characters to take me on alternate paths if that’s what’s right for them. So I am not a strict outliner and I am not a seat-of-the-pants writer, I am somewhere on a spectrum. I will often stop just before the final conflict

Jay as Dr. Anton Phibes from the “Abominable Dr. Phibes” winning Best Recreation at CostumeCon 8 in 1990

resolution and look back at what has transpired so far. I want to make sure I’ve wrapped up all my loose ends and that I am headed toward a resolution that will satisfy what the reader expects based on the trajectory of the story. Once I finish the draft, I will put it down for a week or more before tackling Round Two. Neil Gaiman put it brilliantly. “The second draft is where you make it look like you knew what you were trying to say all along.” Round Three is where I put in all the new details I’ve thought of since I started the project. At that point I ask myself if I have said everything I ever wanted to say in this story. If the answer is Yes, then I am done.

Did you miss Part 1 and 2 of this excellent interview? Click here

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Interview with Writer, Jay Hartlove (part 2)

Jay.Rabbit.Cat

TS. While an entertaining interview, this one is also instructional, without being ‘preachy’.  Jay is a writer’s writer.  This is such a worthwhile read for other writers! 

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

JH. When I started writing in the 1980s before laptop computers, I hand wrote everything in spiral bound notebooks on commuter trains and lunch hours. Then I would edit as I typed the text into my computer at home. I wrote two novels that way. The first was an embarrassing lesson in how not to write a book. The second one eventually became my highly successful Goddess Chosen thriller. I still carry a small notebook whenever I think I might have downtime to jot ideas. I do most of my productive work at home late at night, so I just type directly.

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?
If yes, tell us about it.

JH. I wrote, produced, and directed my original musical sequel to Snow White in 2018. The Mirror’s Revenge ran for three weeks in the San Francisco Bay Area and got rave reviews. I loved the collaboration with the composers, the musicians, and mostly the actors. When they occupied the characters, they started seeing things I had missed, even though I had worked on the script for ten years. I try to write from inside the characters’ heads, but myactors brought a whole new level of insight. They really brought the story to life. I loved that so much, I am working on another show. I learned my lesson of not trying to do everything myself, but I will definitely be putting on another show.

Q. What’s your best advice to other writers for overcoming procrastination?

JH. Remember what got you excited about writing your story in the first place. Try to write a sentence that captures that spark, that thing that makes this story different and special. Such a phrase often makes an excellent cover blurb. Blurbs should not tell the plot, but rather tell why this story is exceptional. Your original inspiration was strong enough to make you drop everything else and write this story. Keep that inspiration at hand throughout the writing.

Q. Where/when do you first discover your characters? What comes first to you? The Characters or the Situation?

JH. I write largely in science fiction and fantasy, so I almost always start with the “What if?” proposition. That means I know what will happen in the story first. As soon as I see that much, I move to ask who would be the best person to tell this story, or for this story to happen to. I do a lot of reverse engineering to design characters who have the right background, the right opinions, the right fears and motivations to tell this story. No matter what you do with a character, their actions and reactions must seem completely in character to the reader. Otherwise the reader sees the heavy hand of the author moving things into place. The only way to ensure that believability is to engineer the characters to have all the qualities they will need as the story unfolds.

Q. What first inspired you to write?

JH. I was lucky enough to have grade school teachers who fed my imagination. I grew up on books like “A Wrinkle in Time” and the Danny Dunn mysteries. Star Trek was just coming on the air when I was nine years old. Middle school was Frank Herbert and C.S. Lewis. High school was Heinlein and Clarke. I became a huge science fiction movie fan. I skipped my older brother’s high school graduation to see “The Andromeda Strain.” I scored off the charts for language aptitude. My parents pushed me into a science education, but as soon as I was out of college I started writing science fiction. In 1980 I self-produced Supergame, one of the first table-top role playing games to use comic book superheroes. By 1985 I had finished the first draft of a sword-and-sandal fantasy novel. And the rest is history.

Q. Do you ‘get lost’ in your writing?

JH. I joke that my muse is called “Eleven.” After I finish the evening’s affairs, and my family have all retreated to their own corners to wind down, I sit down to write, usually around eleven o’clock. If she doesn’t show up, and I can’t get into the flow, then I go to bed and get some sleep. If Eleven does show up, and I get into the zone, I will write obliviously until I pass out on the keyboard around 2 or 3 am. So if I have a good night writing, I have a bad day at work the next day.
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Join us next week for part 3 of this wonderful Interview.

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Interview with Fantasy/Thriller author, Jay Hartlove

Jay Hartlove is the multiple award-winning author of the urban fantasy Goddess Rising Trilogy (Goddess Chosen, Goddess Daughter, Goddess Rising), the fantasy romance Mermaid Steel, and the science fiction thriller The Insane God. He is also the playwright, director and producer of The Mirror’s Revenge, the musical sequel to the Snow White fable, which had its theatrical run in the San Francisco Bay Area In August 2018 to rave reviews.
“I love to take stories where the reader does not expect, with sympathetic villains, heroes with very dark pasts, and lots of plot twists.  I turn victims into heroes.”

He is often compared by critics to Michael Crichton. Goddess Chosen (under its original title The Chosen) was endorsed by horror master John Shirley. The Insane God was endorsed by science fiction master David Brin. Jay was selected as one of the “50 Authors You Should Be Reading” by The Authors Show. He is a former competitive costumer, having won Best in Show at both San Diego ComicCon and WorldCon. You can read more about Jay’s creative adventures, including much of the research he put into his books, at www.jaywrites.com.

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? Or tell us about your ‘dream’ work space.

JH. I do most of my writing in my home office, surrounded by my favorite bits of inspiration. There are awards, sculptures, paintings, and theatrical props. My window faces my back deck and garden, which is very green and calming. I collect ideas all the time, so I often have a notebook with me. I am a firm believer that thinking about your writing is writing. You write what you know, and any decisions you make about a story adds to the knowledge you will draw from to write the story.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

JH. I don’t have any rituals other than getting back into my characters’ headspace. If I have done my job, I the writer disappear when the reader reads the words. It really is the characters’ story. It’s told through their eyes, their emotions, their reactions. I know where I want the story to go, but to put words to paper, I need to let the characters speak. I know I’m in the zone to keep building the story once I can hear them. In theatrical terms, I Method Act. I get inside their heads and let them speak.

Q. Could you tell us something about yourself that we might not already know?

JH. I was a big time coplayer thirty years ago, before it was called Cosplay. I spent most of my creativity in my twenties building costumes, mostly for shows at conventions. I was part of different teams that won Best in Show at both San Diego Comic Con, and at the World Science Fiction Convention. I taught myself sculpture and fabrication, with which I built a lot of costume armor. I still use those DIY skills to repair and build things. To promote my fantasy romance Mermaid Steel, I scratch built a life-sized model of my heroine mermaid Chielle Mmava (waist up) which I set up in a chair behind signing tables. The model is accurate to the description of her dolphin people in the book. She is my “booth babe” at shows now.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

JH. When I started writing in the 1980s before laptop computers, I hand wrote everything in spiral bound notebooks on commuter trains and lunch hours…..

Join us next week for Part II of this fascinating Interview.
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Book Review ~ Revenge Tour

3 out of 5 stars     

 

Revenge Tour by Mike Lupica. This critic/reader prefers it when the (antagonist) villain in the story has a tiny bit of redemption.  A cutting edge sense of humor, a good brother, or a slice of empathy. When the victim (so-called) has not an ounce of  redemption that does not bode well.  In the case of Revenge Tour, please somebody just shoot Melanie Joan Hall immediately. Or shoot me and end my misery. 

I could have cared less if Sunny Randall and her helpers kept the famous author safe.  She was a miserable human being.  But, other than that I always enjoy Sunny’s escapades. Many of the old gang is back in this one…which readers always appreciate.  The dialogue is cutting edge, very Robert B. Parker. 

Special Note:  I hadn’t realized that it literally takes a village to keep producing Robert B. Parker novels.  I read the ‘Acknowledgments’ (page 321) which lists the team who is involved, with the author, to create another story.  David and Daniel Parker (sons? grandsons?), a senior editor, Lupica’s editor, and the curator of the RBP’s collection, Esther Newberg; all keep Parker’s stories alive.

Did you miss my Interview with Mike Lupica? 
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Coming soon!  August: Author, Jay Hartlove

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Interview with UK author, Donna Ashcroft (part 2)

My walking pal, Jules

Q. Where/when do you first discover your characters?

DA. I need to know my characters before I start writing. I start by working out who they are and what their internal issues are, i.e. what is their wound? What needs to happen in the novel for that wound to be overcome or healed. I then spend time finding pictures of my characters on Google and adding in details like eye colour, hair colour, age, upbringing. While I discover my characters as I write, I need a fair amount of detail before I get started so they can become real in my mind. Sometimes news stories, novels or movies will help to inspire a character, especially if I admire or identify with particular personality traits.

Q. What first inspired you to write?

DA. I was a huge reader when I was younger and started writing books when I was around twelve. I don’t know what originally inspired me, but I was good at writing and enjoyed escaping into stories and creating my own worlds.

Q. What comes first to you? The Characters or the Situation?

DA. For me characters usually come first.

Q. Do you ‘get lost’ in your writing?

DA. When things are going well, I get completely lost. I often feel like the words are coming out of my fingers rather than my brain – that’s when my subconscious takes over and almost writes for me. I love those moments but it’s not always like that!

New books are born here. “Book Planning Books”.

Q. Are you working on something now or have a new release coming up? If so tell us about it.

DA. I’m working on my summer book for 2023 at the moment and I’m about 30K words in so I’ve a way to go yet. Recently my 2022 summer novel The
Little Cornish House was published and my first novel Summer at the Castle Café was published by Sphere into paperback. My pitch for The Little Cornish House is it’s The Great Pottery Thrown Down meets The Murder Club (only without any murders).

Thirty-year-old Ruby’s life is safe and predictable: no dramas, no complications, no men. And that’s just the way she likes it – there’s no way she wants to get her heart broken again. But her whole life is turned upside down when her grandmother calls to say she’s in danger of losing her beloved little Cornish House by the sea. She needs Ruby to come back to Cornwall and save the day…You’ll find everything in this summer romance – from a gorgeous hero and heroine, to a whole host of quirky characters, pottery, cake and real ale-

One of my favs

not to mention a mystery, twists, turns and romances crossing the generations.

Q. When did you begin to write seriously?

DA. In 2017 I was awarded the Katie Fforde Bursary. This was a huge honour, not only to be selected as one of Katie’s promising writers, but also because all of the authors up until that point had gained a publishing deal within a couple of years. I’d been writing on top of my day job for a few years by then, but having Katie’s endorsement, and knowing I didn’t want to let her down, I went down to four days a week at work and decided to treat my writing more like a proper day job. In 2018 I was offered my first publishing contract. I think I had to make the ‘decision’ to take

getting published seriously before this would happen.
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Join us next week for the conclusion of our Interview with Donna Ashcroft 

Did you miss part 1 of our chat with Donna?
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Coming soon!  August: Jay Hartlove

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Interview with author, Donna Ashcroft

Donna Ashcroft declared she would be an author at the age of twelve and used to write voraciously. During her career, Donna worked in publishing, online retail and as a freelance copywriter until she started her family.  She had two children and finally decided she’d reached her “now or never” time. She joined the Romantic Novelists Association and started to write seriously in 2016. In 2018 (after penning a number of novels) she was offered a publishing contract by Bookouture and has been with them ever since. Her debut novel, Summer in the Castle Café was shortlisted for the RNA Debut Romantic Novel of the Year Award in 2019.

She says, “I love a happy ending and am never more content than when I’m escaping into a romance novel or movie. When I’m not reading or writing I’m probably swimming, or negotiating with my OH or teenagers about who is doing the washing up.”

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? (please provide a photo of you at work in your shed, room, closet, barn, houseboat….) Or tell us about your ‘dream’ work space.

DA. I work in my spare room. It’s a small space so we had to take the bed down and I have the headboards along one wall! I’ve tried to make it into a lovely space with a heart banner, plants and pictures of my novels. When the sun is shining though I love working outside in the garden. My ‘dream’ workspace would probably involve a pool and somewhere I can shelter from the sun but take a dip whenever I wanted to.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

DA. In the mornings I have to have coffee (multiple) and can’t start work without a caffeine hit. I also always have water on the go and drink plenty as the day progresses. I have hand cream on my desk as it’s good to just take a little time out sometimes to have a mindful moment as I’m applying it.

My office

Other must haves include pens, pretty notebooks and post it notes which I make notes on all the time! I also have a ball instead of a chair for when I’m working in an attempt to look after my back.

Q. Could you tell us something about yourself that we might not already know?

DA. I’ve been training to do a 1.4km open water swim since March – the swim is this weekend and I’m terrified but I always think it’s important to try  new challenges. I’m a qualified life coach and NLP Practitioner. I don’t practice but I think the learning experience was useful to understanding behaviour in both myself and others.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

A daily walk with my friend’s dog Tiggy

DA. I usually like to make notes on a pretty notepad when I’m brainstorming but I then hop straight onto the keyboard.

Q. Do you have a set time each day (or night) to write?

DA. I’m a full-time writer so I write between 8am and 6pm on weekdays and sometimes I work in the mornings on weekends. I take regular breaks to refresh my mind and body.

Q. What’s your best advice to other writers for overcoming procrastination?

Heart banner in my office

DA. Treat writing like a profession. You can’t wait for your muse, you just have to get on with it. Often I’ve spent a day writing chapters I think are awful, but then I often discover a nugget in there that’s worth keeping. Writing is 1% inspiration and 99% perspiration with a little talent thrown in.

 

Join us next week for Part 2 of this Interview
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Coming soon! July’s author interview with Donna Ashcroft.

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Book Review ~~ Sugar and Salt by Susan Wiggs

        3 out of 5 stars  ~~  Book Review 

 

A charming story to be sure. Love finally conquers, maybe.  A breath-taking story of how the system fails sexual assault victims and the justice system turns those women into suspects when they are forced to defend themselves. Shocking, but true if you are poor, a woman, and NOT white.  Deftly told by Susan Wiggs. 

I rarely comment on book covers but this cover does the story such an injustice. The beautiful cake, on the cover, suggests that a bakery is the focal point of the story. A woman with blond hair (the only part they got right) with ugly hands and an even uglier manicure.  Sure, the love interest has a bakery, but it plays such a minor role that it doesn’t even deserve a mention. 
This story is about BBQ and I would have thought (if the cover designer had read even the first few pages), a big platter of BBQ ribs would have been on the front. Always, ALWAYS use a hand model if you’re going to stage a cover with ‘hands’.   Cooks don’t have manicures (gels), nail polish (very unsanitary). They have short clean, unpolished nails and knife-nicked hands.

But I digress.  The woman in this story is sympathetic, without being a typical ‘victim‘.  There are times when all she has in the world is her BBQ and the custom sauces she has invented.  The reader likes her.  If the reader is a woman, she can relate to Margot.  No one likes a happy ending more than me, but it’s touch-and-go. 

On sale: July 26th
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Book Review ~~ The Impulse Purchase by Veronica Henry

 

5 out of 5 stars       Book Review

 

‘Ah, well, thereby hangs a tale. I’ve just bought the village pub. Rather on impulse.’  And what a tale it is! The only trouble with author, Veronica Henry’s books is, we (readers) never want the tale to end. 

Stock-in-trade is Henry’s excellent writing.  Deeply developed characters that we love (or hate), that we fall in love with or wish they were our kids.  Believable and likeable and human. A delicious read. The exact perfect balance of descriptive writing and dialogue. One of this reviewer’s pet peeves. 

I don’t write synopses of the books I review. That’s not a reviewer’s job.  Just know that you will miss out on a terrific ‘tale’ if you don’t read this book. 

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Review ~~ Dreaming of Flight by Catherine Ryan Hyde

5+ out of 5 stars  Book Review

 

Odd, loveable, quirky characters are sprinkled throughout this story. From the first page they  seduce and beguile the reader.

Stewie, a 10 year old boy (when we first meet him) is passively neglected by his overly taxed, older sister.  His Gam has recently died and as a way to stay connected to his much beloved grandmother, he adopts and takes over the care of her chickens.  During his ‘egg route’ he meets Marilyn, another grandma-type with the same rough edge as his Gam. 

And that’s where I’ll leave the spoiler alert.  The writing is done with the same brilliance we have come to expect from Catherine Ryan Hyde. Her turn of phrase is unapparelled.  Her balance of descriptive text and dialogue is near-perfect. And my readers know how too little dialogue irks me!  This will never happen in a Hyde book.  The characters are well thought out and deeply written. Hyde ‘shows’ you her characters; never tells you who and what they are. And who else could get a beautiful story out of a young boy and his chickens?

I highly recommend this book to my readers. If you loved Allie and Bea (and I did!) you will certainly love Dreaming of Flight.

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Book Review ~~ A Spanish Sunrise

 5 out of 5 stars ~~ Book Review

 

Sigh. Another delicious, wonderful story from Boo Walker.  Perfecto! Magnífico!   We all know him for his fabulous series, Red Mountain.  Plopping his readers down amongst the vines in northern California. Introducing us to wonderfully drawn characters that we could savor through the series. 

With  A Spanish Sunrise, he takes us on a journey of loss, grief, fear and love. A Dad and his little girl, each seeking peace in their own way.  And then a surprising and shocking email arrives one day.  Enough said, I try not to write spoilers. 

A little while ago I wrote a “teaching” book review about the writer who ‘tells’ the story instead of ‘showing’ the story with the actions and dialogue of his characters.  This book is a perfect example of ‘showing’ the story.  Through the characters’ voices I could smell the loam in the olive tree orchards. Feel the hot sun on my shoulder, taste the pungent, spicy oil on my tongue.  Because Walker showed me, through his characters’ actions and dialogue. He didn’t tell me “the oil was good.” 

I’ve read most of Walker’s books; maybe all of them. A Spanish Sunrise is my all time favorite from this wonderful writer…..so far.  It would be divine if this was book 1 of a new series. Boo, are you listening? 

Did you miss my Interview with Boo Walker ?
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