‘Ah, well, thereby hangs a tale. I’ve just bought the village pub. Rather on impulse.’ And what a tale it is! The only trouble with author, Veronica Henry’s books is, we (readers) never want the tale to end.
Stock-in-trade is Henry’s excellent writing. Deeply developed characters that we love (or hate), that we fall in love with or wish they were our kids. Believable and likeable and human. A delicious read. The exact perfect balance of descriptive writing and dialogue. One of this reviewer’s pet peeves.
I don’t write synopses of the books I review. That’s not a reviewer’s job. Just know that you will miss out on a terrific ‘tale’ if you don’t read this book.
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Did you miss my interview with Veronica Henry?
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Odd, loveable, quirky characters are sprinkled throughout this story. From the first page they seduce and beguile the reader.
Stewie, a 10 year old boy (when we first meet him) is passively neglected by his overly taxed, older sister. His Gam has recently died and as a way to stay connected to his much beloved grandmother, he adopts and takes over the care of her chickens. During his ‘egg route’ he meets Marilyn, another grandma-type with the same rough edge as his Gam.
And that’s where I’ll leave the spoiler alert. The writing is done with the same brilliance we have come to expect from Catherine Ryan Hyde. Her turn of phrase is unapparelled. Her balance of descriptive text and dialogue is near-perfect. And my readers know how too little dialogue irks me! This will never happen in a Hyde book. The characters are well thought out and deeply written. Hyde ‘shows’ you her characters; never tells you who and what they are. And who else could get a beautiful story out of a young boy and his chickens?
I highly recommend this book to my readers. If you loved Allie and Bea (and I did!) you will certainly love Dreaming of Flight.
Sigh. Another delicious, wonderful story from Boo Walker. Perfecto! Magnífico! We all know him for his fabulous series, Red Mountain. Plopping his readers down amongst the vines in northern California. Introducing us to wonderfully drawn characters that we could savor through the series.
With A Spanish Sunrise, he takes us on a journey of loss, grief, fear and love. A Dad and his little girl, each seeking peace in their own way. And then a surprising and shocking email arrives one day. Enough said, I try not to write spoilers.
A little while ago I wrote a “teaching” book review about the writer who ‘tells’ the story instead of ‘showing’ the story with the actions and dialogue of his characters. This book is a perfect example of ‘showing’ the story. Through the characters’ voices I could smell the loam in the olive tree orchards. Feel the hot sun on my shoulder, taste the pungent, spicy oil on my tongue. Because Walker showed me, through his characters’ actions and dialogue. He didn’t tell me “the oil was good.”
I’ve read most of Walker’s books; maybe all of them. A Spanish Sunrise is my all time favorite from this wonderful writer…..so far. It would be divine if this was book 1 of a new series. Boo, are you listening?
This could have been a great story, a fascinating, enjoyable family saga spanning several generations.
Instead, the writer, Bill Kitson, chose to tell his readers the story, instead of showing them. Chapters of telling, telling, telling. Then a half page of dialogue and ‘showing’. For example, the rift between patriarch, Albert, and his son, James. Albert’s decline into dementia would have been an interesting sub-plot if the writer had shown it; not told it. Jesse’s arduous journey from war-torn Europe back home to England. The First World War (section) was reduced to a few chapters of ‘telling’. Ugh. Leaving this reader not caring about Kitson’s characters much at all.
The characters that this writer created were interesting, predictable in places, but on the whole pretty good. But, with the storytelling style of ‘telling’ rather than showing who these people were they were not deeply drawn. Dialogue enriches not only the story but the characters. Telling rather than showing is, to my mind, a lazy way of writing.
for the story. For the writing.
The formatting was distracting. The pages were not titled with the traditional title and author’s name. In the front or back, there was no list of Kitson’s other books; a missed marketing opportunity. There was no author biography.
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Several years ago a friend asked me, “when are you going to create audio-books? Your kids’ books would do great. Anyone under the age of 25 is ‘listening’ to books not reading.” This friend even found www.acx.com (Audiobook Creation Exchange) for me so I had no more excuses as to why I wasn’t putting my books on audio. Since acx.com was an Amazon company, I knew there would be quality there and a great distribution plan in place.
It’s a pretty easy web site to use and they have a very large ‘stable’ of narrators to choose from. As the author, you are in control every step of the way. You start by posting an audition excerpt from your book. Professional narrators then send you their audition. I have always received 8-15 auditions for each book, so I had many to choose from. You can pay them outright from a sliding scale (which is my preference) or give them a percentage of the book sales. It took me two tries to find the ideal narrator, Carin Gilfry, for my children’s books. She is open and friendly and extremely patient making any changes I want, no matter how small.
Book 1 in series
After you find your narrator and they accept your terms of the contract, there are very easy steps you go through as they narrate your book. You proof chapter by chapter, (on line) ask for the corrections or tweaks via acx.com email or personal email.
I then went on to launch my true crime series into audio-books. Daniel Dorse is the voice of my lead detective, Jack O’Roarke of the NYPD. His voice is right out of the Jack Webb, Dragnet era and I love it!
Tip: You should always review and edit the manuscript that you are converting to an audio book before giving it to the narrator. I find that with an audio book, I delete about 50% of the: ‘she said.’ ‘he replied.’ ‘she exclaimed.’ ‘he told her.‘ They are just not necessary because you have a voice telling the listener who is speaking.
The result is that I have a steady stream of sales every month from these books.
In one of my recent searches for new authors to read (and maybe review) I bought this one by Mark Daydy. I wasn’t
enamored of the title…too long, not very creative and certainly a spoiler alert. Why did the writer give away the plot of the whole story? I thought, ‘a much better title would been Vineyard in the Moonlight or Grapes to Glass or The Vines. I could go on and on about the wrongness of the title but instead of giving it a pass, I bought the book.
Next I’m not a fan of a man writing chick lit (fiction for women). They simply don’t have the empathy to write about women for women. I scoffed but ran my credit card anyway.
I’ve been eating crow with each page that I turned. This was an excellent story, with well drawn characters. There was a certain crispness that I don’t find with female authors, much as I luv ’em. My only critique was that Olivia was a bit ‘wishy-washy’ at times. It would have been a stronger story if she had been more decisive about (for example) leaving her job. She could have done it sooner in my opinion. But what PANACHE! when she finally did it!
I’m looking forward to reading the sequel very soon.
First page, first sentence, the reader meets McCoy and is hooked. A broke-down, wounded, homeless handsome cowboy. Who can resist? This new book is part of the “Honey Creek” series.
The other characters in this story are equally empathetic and interesting. Jam, Tucson, Pecos, Pop Sadler, to name just a few. My only criticism (if you can call it that) is I would have liked more paper and ink dedicated to McCoy’s story.
This is a story of small town, USA; Honey Creek. Infused with colorful and interesting characters that only Jodi Thomas can serve up.
The writing is supurb…it is Jodi Thomas after all.
On Sale: April 26, 2022
Did you miss my Interview with Jodi?
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What’s the secret? Why does one protagonist immediately engage the reader when another is slow to achieve this or never does? I recently read two novels, back to back, (it sounds like I read sporadically; not true, I have a book in my hand 24/7).
Anyway, back to my point…..one book (Growing Season by Melinda Foster) had a single woman, late 30’s, who’s life falls apart. Long time relationship ends suddenly, and she is found to be redundant at her job of 14 years with the same company. (Most of us can relate to some or all of this.) She is called away to her home town to help family with the business and a small farm. She was immediately empathetic due to the excellent writing and character development.
The other book, House on the Harbor by Elizabeth Bromke was not engaging. The four sisters, Kate, Amelia, Megan, and Clara came across as mealy-mouthed and victims. Yep, all four of them. Maybe if the development of the characters had been stronger. Maybe if the author had the reader spend more time with each sister. And the house on the harbor was a non-entity. The house should have been the fifth character. At first glance, they have each inherited 1/4 of the house. At first glance….
But this reader didn’t care about any of these women. I kept speaking to them: “put your big girl panties on and move forward!” I did finish the book but felt relieved when I had, not satisfied.
What’s the secret? Good writing, finely drawn characters, people the reader can relate to.
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Available NOW: How To Write a 10 Minute Play ~~ Journal and Handbook
Lots of great instruction about the art of writing a ten minute play. And over 250 blank, lined pages for your creative writing as you write your first or tenth 10 minute play.
Excerpt from back cover: ‘As you prepare to write your first 10-minute play, pretend that you have walked into a room and interrupted a conversation, mid-sentence. Or you have turned on the television and tuned into a sit-com, ten minutes into (late) a thirty-minute episode. That’s where your head space should be when you begin writing your play. Give yourself permission. Sit down and write.
This journal/workbook gives you not only the space to write down your ideas for a play but there are instructional sections to help you create your ten-minute play. Develop your story line. Create the characters. Try out different dialogue. 250+ blank, lined pages with famous quotes by actors, playwrights, and writers on each page to inspire the writer in you.’
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“Writing isn’t a calling; it’s a doing!” t. sugarek
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary, December: Mimi Mathews, February: Jennie Goutet, April: S. Brian Jones To receive my weekly posts sign up for my
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Available NOW