HATS! This morning was typical…as an indie author. Wearing many, many hats! There’s a hat for writer, blogger; one for editor, proofreader, and publisher.
Check emails for that BIG break! A Hollywood film Co. wants to make my book into a movie, a ‘big-name’ Publisher stumbled across my novels and wants to publish me. Nope! Not yet!
Next, Edit and proof the short play I’m working on….rewrites, rewrites, rewrites, rewrites,….did I say rewrites? Submit edited play to my publishing platform and wait for the proof to be approved or for more changes.
Work on my book of poetry and get it launched onto Amazon.com
Work on postings for my Blog. This is a job that doesn’t go away if you want to be considered someone with ‘viable content‘ by search engines.
and after all those chores are complete…..Do some creative writing….never neglect this! Write Every Day!! Also found time to write 10,000+ words of book #12 in a true crime series.
“I’m not saying all publishers have to be literary, but some interest in books would help.”~~ A.N. Wilson
“Contrary to what many of you may imagine, a career in letters is not without its drawbacks – chief among them the unpleasant fact that one is frequently called upon to sit down and write.”~~Fran Lebowitz
“Writing is Not a Calling. It’s a Doing!” Trisha Sugarek
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To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION April: Author, H.W. ‘Buzz’ Bernard, May: Victoria Costello.
June: Laila Ibrahim
Victoria was the kind of kid who would sit high on a tree branch for hours at a time, lost in thought. Unsurprisingly, she became a writer, beginning with reams of poems never seen by a living soul. She “also thought it would be cool to be read.” In high school, she started an underground newspaper which caused a sensation and got her suspended.
As an undergraduate, she studied journalism at American University in Washington, DC, where her career started in TV news and documentary. After raising two sons and working as a freelance TV writer/producer in LA and San Francisco, she returned to college for my MFA in writing from Mills in Oakland. She wrote what became her memoir on nights and weekends. A Lethal Inheritance was published by Prometheus Books in 2012.
Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? Or tell us about your ‘dream’ workspace.
VC. My current writing space is a cozy loft, big enough for my desk and a small bookshelf. But it gives me a gorgeous view of Southern Oregon’s Rogue Valley, at least my chunk of it, from the north hills of Ashland, across the I-5, to Grizzly Point.
Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)
VC. After feeding the cats and drinking two cups of coffee, but before I start writing, I try to spend twenty minutes meditating at the ancestral altar I’ve erected in the attic.
Q. Could you tell us something about yourself that we might not already know?
VC. My brand of spirituality is a bit unusual in that I’m a high church Episcopalian and a pagan. The progressive Episcopal congregation I attend in Ashland, Oregon offers both traditional and Celtic Christian worship and gives me an avenue for doing community service. Then twice a month, I attend a Crone Soul Circle, an online gathering of wise women at the Sacred Wellness Grove, who meet my need for non-patriarchal, Goddess-centered earth worship and visionary feminist thought on issues of our day.
Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?
VC. I’m a keyboard kind of girl for actual writing, starting with my first draft. In the research and thinking stages, I gather piles of books and source materials on which I exhaust numerous yellow highlighters while filling spiral notebooks. I can’t even imagine writing, let alone the endless rewriting I do, without a computer. I have nothing but awe for authors who came before us and toiled by pen and paper alone or even a typewriter. White-Out is a nightmare I’d just as soon forget.
Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)? If yes, tell us about it.
VC. Early on in my career, I made several documentary films and videos on social and political issues like abortion, nuclear power, and climate change. At a certain point, I got tired of shlepping around the world with crews and heavy equipment and I was happy to return to the solitary writing life. I also had two sons I had to raise, primarily as a single mom.
See Part 2 next week.
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To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION April: Author, H.W. ‘Buzz’ Bernard, May: Victoria Costello.
June: Laila Ibrahim
When publishers turn down one of my books, I immediately self-publish it! After all, the publisher is not basing their decision on whether it is a well-written story and whether people should read it. They are basing their decision on whether it will make any money for the publisher. I can’t really fault them for that…they are, after all, in business.
Indie publishing is inexpensive and easy to do. Your book will end up online at most of the major booksellers. Most publishing platforms are free to the writer (they make their money at the back end when each book sells), and their royalty structure is as fair as a traditional publisher. The biggest expense that I have incurred has been a professional art designer for my covers and a professional editor, which I strongly recommend that you invest in.
Acquiring a traditional publisher is NOT the mark of a good writer anymore. You must believe in yourself and your craft. You must strive to improve your writing every day. That’s what makes a good writer.
“Don’t try to figure out what other people want to hear from you; figure out what you have to say. It’s the one and only thing you have to offer.” Barbara Kingsolver
‘…so goes Truth, ……..particularly when fiction’s shinier…‘ Olde Irish Proverb
“A woman must have money of her own and a room of her own if she is to write fiction.” Virginia Woolf
“As a writer, I speculate, hibernate and marinate.” Trisha Sugarek
To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION April: Author, H.W. ‘Buzz’ Bernard, May: Victoria Costello.
June: Laila Ibrahim
You’re a great writer.
Not an aspiring writer, a mediocre writer, or a someday, somehow, almost writer.
You’re a great writer right now.
People are going to line up ten deep to tell you that you
aren’t good enough. Don’t do their work for them.
Maybe you aren’t published.
Maybe you aren’t successful.
You definitely aren’t perfect.
But you’re a great writer.
Being great doesn’t mean you won’t continue to improve or be excited and passionate.
My awesome takes nothing away from your awesome;
your awesome takes nothing away from my awesome.
Awesome is not a finite resource.
So say it. Out Loud. Every day. “I’M A GREAT WRITER!!!”(and improving every day that I write.)
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To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION April: Author, H.W. ‘Buzz’ Bernard
May: Victoria Costello. June: Laila Ibrahim
Congratulations, this is just a quick notice to let you know that your poem Serpent and the Cranium is one of the poems being featured on the PoetrySoup home page this week. Poems are rotated each day in groups of 14-16 to give each poem an equal opportunity to be displayed.
Thanks again and congratulations.
Sincerely,
PoetrySoup.com
Serpent and the Cranium
Warm smooth coils round
my head
scales tickle my forehead
I want to scratch
quick tongue laps my ear.
The body moves… languid
like water over smooth rock.
Or is the snake inside my head?
Is there only one or many
seething and writhing?
Is the poison real or imaginary?
If I move too fast or think too fast
will it?…..they…strike?
If they strike will my death
be only in my mind?
If not entirely in my head,
will anyone grieve?
I found a garden
in it a perfect bloom in the middle of a verdant
sea of green
a sip of rain balanced upon a rosy peach petal
reflecting the flames of sunrise
I stopped to ponder its loveliness
A cold metal thing, all angry voices
and slashing blades
swept by and
murdered my perfect posy
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To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION April: Author, H.W. ‘Buzz’ Bernard May: Victoria Costello.
R U Passive? waiting for your muse to strike and help you write your novel or story? Back in the day, a muse was thought to be a creative spirit that unleashed your creativity. If you weren’t creative, it was the muse’s fault.
R U External? Setting an external reward for completing your daily writing task. Usually food, drink or an activity such as watching your favorite TV show.
R U INTERNAL? Ah, now we’re talking! Writers need to examine their own brains to get that motivation working. Your pain/pleasure receptors, in your brain, need adjusting if writing is painful. If your writing causes you more pain than pleasure, waiting for a muse or an external reward is all you have.
You need to write for the sheer joy of writing. Writing becomes the motivation for writing. Writing becomes your addiction. Turn off the negative voice in your head that tells you you’re a crappy writer, have no talent…you know the voice I’m talking about. Reinforce yourself by making positive statements, to yourself, about your writing. Take the time to admire that well-turned sentence, page, or chapter that you just wrote!
“Writing is a journey of discovery because until you start, you never know what will happen, and you be surprised by what you do~~expect the unexpected!” Mini Grey
“Writing is not a calling…it’s a doing!” Trisha Sugarek
Q. What’s your best advice to other writers for overcoming procrastination?
HWB. Little elves are not going to come in the dark of night and write your book for you. So: BUTT IN CHAIR, FINGERS ON KEYBOARD.
Q. Where/when do you first discover your characters?
HWB. I don’t have a magic formula for that. Since I write historical fiction, some of the characters I run with are real. Many others that I create and plop into historical situations are an amalgam of traits and backgrounds drawn from friends, family, and coworkers I’ve known over the years . . . many years. And a few are just flat out made up.
Q. What first inspired you to write?
HWB. I’m not sure. I always enjoyed reading. Then in high school I discovered I could write pretty well, too, and received some recognition for that. I was also sports editor for the high school newspaper. At the University of Washington, even though I was a physical science major, I took some courses in creative writing and managed to hold my own.
Q. What comes first to you? The Characters or the Situation?
HWB. Usually the situation, although I often develop the characters in tandem with the plot. In the end, it’s the characters that carry a story. If you don’t have 3D, believable people in your tale, nobody’s going to care about it.
Q. Do you ‘get lost’ in your writing?
HWB. Not really. But I hate to leave a scene unfinished, so I’ll keep plowing through one until it’s complete, or until I find a logical break in it. It’s then I may discover it’s 4:30 in the afternoon, not 3 p.m. like I thought.
Q. What compelled you to choose and settle on the genre you now write in?
HWB. The history of WWII is packed with stunning tales that totally fascinate me. They are stories filled with facts and statistics, and strategies and timelines. But I want to bring these things alive. I want readers to realize that real people, just like them or their friends, lived these dramas. I want folks to pick up my novels and not just read about history, but experience it, live it. I want them to sit beside a pilot on a bombing raid, to experience the mind-numbing shock of discovering a Nazi death camp, to become lost in a Burmese jungle crawling with enemy troops, native headhunters, and blood-sucking leeches. I want my readers to keep turning the pages in my books long after they should have turned off the lights and fallen asleep. Or I want them to tear up because a character they were rooting for didn’t make it . . . or had something surprisingly good happen when all seemed lost.
Q. Are you working on something now or have a new release coming up? If so tell us about it.
HWB. DOWN A DARK ROAD will be released May 9th. It’s a “gut punch of a novel” based on the WWII exploits of a prominent Oregonian, Jim Thayer. You’re side-by-side with Jim when, as a young infantry lieutenant, he and his platoon stumble into the very heart of darkness near the end of the war. The scenes are chilling and unforgettable, and Jim refused to discuss what he had witnessed for decades after. When he finally did, my wife—who had worked for Jim when she was a young girl—was one of the people he talked to. After that, she kept a scrapbook of write-ups about Jim. She showed it to me after our recent marriage (and after Jim’s passing) and insisted there was a great story there. I was reluctant to agree initially, but after further research and getting support from Jim’s family, I saw the light, and DOWN A DARK ROAD was born.
Q. Note to Self: (a life lesson you’ve learned.)
HWB. Always have a Plan B, and maybe a C and a D. You’ll need them.
To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION April: Author, H.W. ‘Buzz’ Bernard May: Victoria Costello.
I love this wonderful graphic (by Sudio Sudarsan) of a ‘writer’s ice berg’. Not many people, aside from we who write, know this world. It’s lonely, scary, humiliating, and painful. It’s also uplifting, soul filling, mind-stretching and wonderful.
I count myself the luckiest of women that I developed my craft and didn’t give up when people said ‘no’. I am the most fortunate of writers to have realized that the process has to be planted in good soil, watered, and given lots of sunshine. Even when I am writing from a dark place.
We writers should never sit back and say, ‘I have arrived. I don’t need to grow anymore. I am at the top of my game.’ If you’ve read any of my interviews with really famous authors, they aren’t smug….far from it…they are striving to be better just like you and I are. I’ve found in my interaction with these authors that the more successful they are…the humbler they are.
“I’m writing a first draft and reminding myself that I’m simply shoveling sand into a box so that later I can build castles.” Shannon Hale
“As a writer, I marinate, speculate, and hibernate!’‘ Trisha Sugarek
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To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION April: Author, H.W. ‘Buzz’ Bernard May: Victoria Costello.
TS: A fellow writer that I have interviewed was kind enough to contribute to my Motivational Moments… Thanks, Mike!
‘One of the most common questions that novice writers ask me is “How do you overcome writer’s block?” I would define
writer’s block as a heavy psychological state in which you’re completely out of ideas about what to write. Usually, writers seem to experience it somewhere in the middle of a story rather than near the beginning or end. It can last for days or even weeks, getting you down and undermining your confidence.
My solution is simple, and many writers report that it also works for them. When you experience writer’s block, jump to some other point in the story, some other scene or episode that you already know will be there, and start working on that. This can include jumping all the way to the very end and working backward. Writers who prefer to write their stories sequentially, from start to finish, may feel uncomfortable with leaping over to some faraway section of the story, but believe me, if you force yourself to do this, there’s a strong chance that you’ll break through the barrier.
I don’t know how this solution works–maybe subconscious plot connections take place or it’s simply getting your creative energy flowing again, but it usually does. Give it a try next time you’re stuck and see if it works for you.’ ~ Mike Wells
“Who is more to be pitied, a writer bound and gagged by policemen or one living in perfect freedom who has nothing more to say?” ~ Kurt Vonnegut
“A straight line is not the shortest distance between two points.”― Madeleine L’Engle
Did you see my interview with Mike Wells? Click here
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To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION April: Author, H.W. ‘Buzz’ Bernard , May: Victoria Costello