A long time favorite author of mine, it’s such a delight to get an interview with Barbara Taylor Bradford!
Q. Where do you write? Do you have a special room, shed, barn, special space for your writing?
A. I have an office in my apartment, which is really a converted bedroom. It’s got a cream colored sofa, a glass coffee table, several bookshelves lined with my published novels, and two desks. The first desk has a computer on it for my research. The second has an IBM typewriter, which is still what I prefer to use when writing my books.
A. Someone who makes you forget you’re reading a book, whose writing makes you care about the characters and what happens to them, sometimes so much so that you ignore plot holes and stay up half the night to finish it and then feel sad because there’s not any more book left.
Q. and the all important: What does the process of going from “no book” to “finished book” look like?
A. For me, writing a book (and I’m referring to series now, so I already have a cast of characters and a place) starts with an “aha” idea. I see or hear or read something, somewhere, and it just clicks. It can be as little as a single word, but it’s the core idea that drives all the rest. That doesn’t mean I jump on it immediately and start writing. Usually I’ve got a couple of books at different stages (draft, revisions, edits, proofing), so I’m busy.
But then there’s the moment when the characters for the new book start speaking their lines, and you know the book is coming alive. Sometimes that comes at an inconvenient moment (like when I have a deadline for something else), but I’m a strong believer in the subconscious, which is busy churning away even when I don’t know it.
Of course, it’s still a long slog to get all the words on paper. I may have a fuzzy idea of the story arc, but like many people, I often have a panic moment in the middle when I think that I don’t have enough story to fill up all those empty pages before the end. So far I’ve muddled through.
Then I ship it off to my editor and forget all about it until he or she tells me that I have to change any number of things and I can’t remember why I said them in the first place. Editing is not my favorite part of the process, even though I know it’s necessary.
Q. How has your life experiences influenced your writing/stories?
A. I’ve had a career no one would describe as linear. I have an undergrad degree plus a Ph.D in Art History, and an MBA in Finance, and you’ll notice I’m not working in either field. But almost everything I’ve done, from providing advisory services to a major city, to working as a fundraiser for a library/museum, to being a free-lance genealogist, has found its way into one book or another. I think it makes a difference to a reader’s experience with a book if you can insert authentic details. Anybody can do research, but it’s the little things that make a story feel real.
Q. Where/when do you first discover your characters?
Sheila Connolly
A. Sometimes I borrow from real people (some but not all of whom know it). For example, the main characters in the Orchard series are based on a woman I worked with for several years, and who is still a friend, and the guy we bought a house from in Pennsylvania, who continued to be a neighbor for years. That may sound a little odd, but the first possesses a wonderful sense of calmness even in the fact of difficulties, and the second was one of the nicest guys I’ve met—he’d do anything for you, and he was sincere about it. In the Museum Mysteries I had to use another amazing woman I worked with, because her history and her knowledge of Philadelphia are essential. She’s in on the secret now and is one of my biggest promoters. On the other, the hunky FBI agent in the Museum Mysteries is my own invention—and my ideal man (as I may have mentioned to my husband a time or two). Sometimes for the protagonist I use myself—a smarter, younger, better version of me.
Q. What inspired your story/stories ?
A. Places, mainly. The Orchard Mysteries are set in a house that one of my ancestors built, in a small New England town where I have multiple generations of those ancestors—I stumbled on it when I was looking for a bed and breakfast in the area. I worked in Center City Philadelphia in a major institution, and I thought people would enjoy seeing what goes on behind the scenes (the Museum series) while my sleuth goes about solving murders. I also wanted to try setting a traditional mystery in an urban setting. And for
Pub in the village
Ireland…it’s a challenge to portray it without making it too cute, but there is a strong sense of community and connection there that works very well in solving mysteries.
Q. Have you? Or do you want to write in another genre`?
A. I started out trying to write romance, because I knew it was the largest market, but I wasn’t very good at it. A few years ago I tried my hand at a rather tongue-in-cheek romantic suspense, Once She Knew, that I self-published. That was fun to write, with a lot of snarky dialogue and a plot that involved saving the First Lady’s life. Then in 2013 I pulled a book off from one of those dusty shelves that most writers have—something I’d written years ago, a romance with ghosts, set in an area I know well and featuring a heck of a lot of my dead relatives. I self-published it as Relatively Dead. It sold well, so my agent said, why not do another? Which became Seeing the Dead, last year. Now I’m working on a third one in that series, which looks at the Salem witch trials from a different perspective (and yes, I have a number of ancestors who were accused of witchcraft in Salem).
Q. Is there anything else you’d like our readers to know?
A. I love what I do. It’s like I’ve been preparing for this all my life, but it took a long time before I thought I had something to say. I can’t believe I get to do this for a living, because it sure doesn’t seem like work.
Click here to read Part I of this interview
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I was sorting through my library of over 500 books and came across, of all things, my ‘baby book’. Inside I found more photos of my mother, Violet, (Wild Violets, a novel) during her flapper days in San Francisco. Most exciting was to find this newspaper clipping featuring her on the team of a semi-pro, female basketball team. Sadly, I did not find the article. She saved enough of her earnings with the winning team to buy a bar and grill on Fulton Street in SF.
This photo is from a costume party she held at her bar.
And this in her camping/hunting garb. No surprise, it resembles what the heroines of the day in Hollywood wore.
Here she is sitting on the porch of the cabin. She used to laugh and quip: ‘I had to sit all prim and proper because the zipper in my pants had broken’. Check out her boots.
Last but not least, here is a studio photo of Violet (on the right) with her sister, Gladys. She was a stunner and never wanted for men…always buzzing around and not always a good thing.
If you want to read more please check out my novel based on her life as a flapper during the hot jazz, cold gin, dance all night road houses, speakeasy days in San Francisco. Available in e-books and audio.
Synopsis:
After documenting my mother’s colorful childhood in the primordial forests of Washington State, I wrote a story of Violet as a grown woman with children of her own. She has left her small home town in the Pacific Northwest to pursue a successful basketball career and with her earnings, she buys a bar and grill. She is a ‘flapper’ in every sense of the word; working all day and playing all night. While her teenage daughter raises her seven year old son, Violet is out on the town with her latest man de’jour. Dressed in her signature red dress, she is the toast of the town and owner of a speakeasy where she hosts the cream of San Francisco’s society, city politicians, bishops, and Hollywood celebrities.
But there is an underbelly of corruption, grifters, the mob, excess, and neglect in Violet’s life. Her two children are an afterthought and she chooses her men over their well being time and time again. Their childhood needs are always trumped by her self-indulgent desires. The two children are possessions that she can put down or pick up again on a whim, showing them off to her current beau or friends and then forgotten. And when they get in her way, she gets rid of them.
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5 out of 5 quills The COUNTERFEIT HEIRESS
by Tasha Alexander
A fourth of the way through this intricately crafted story I wondered to myself if it was based on a true story. And whad’ya know? Truth is stranger than fiction. It’s based very loosely on an American Heiress who recreated the physical environment of her own captivity after she was rescued. And that’s all I’m going to say about the that! It’s a treat!
It’s early 19th century, England, and our two favorite sleuths, Emily and Colin are called upon to find a missing heiress….missing for over twenty years; most likely dead. Tasha Alexander takes us (chapter by chapter) from their clever detective work to the room where the heiress is being kept. At no point in the story is the reader certain whether she is alive or dead. How can a woman survive in a coffin-like room? Continue reading “Missing! and Feared Dead…a Review”
A. If you mean traditionally published, I was never published that way. I had four different NYC and London agents over the years, and had the opportunity several times, but at the end of the day I am too much of a control freak. I can’t stand the idea of letting other people title my books, write my blurbs, jacket copy, design my covers, and generally market and distribute the book. To me, a book is one entity, and all those things are part of it. Different facets of the final product. As soon as I start writing a new book I start thinking about the title, the cover image, the blurb, the synopsis, and I often stop and work on these things in the middle of the book. This helps me focus. This is the reason I self-published and probably will always self-publish. It’s impossible to have any control over those things in traditional publishing.
Q. What makes a writer great?
A. Lots of readers who think so. Full stop. Writing (fiction writing) is art, and all art is subjective. There is no absolute standard to judge it by. Plenty of experts even think Shakespeare was a “bad” writer.
A Greek God? Beach in Cyprus.
Q. and the all important: What does the process of going from “no book” to “finished book” look like?
An Interview with Mike Wells *** ‘Unputdownable Thrillers’
Q. Where do you write? Do you have a special room, shed, barn, special space for your writing?
A. I like to write outside if the weather is warm enough, which is one reason I live most of the year in Cyprus. I usually write on our veranda, or at an outdoor cafe by the beach. I like to move around to different places, keeps things stirred up.
Q. Do you have any special rituals when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)
A. No. Those kinds of things (IMO) can turn into excuses not to write, I broke myself of anything like that a long time ago. I’m generally a very flexible and adaptable person, don’t get dependent much on physical elements like that.
Q. Could you tell us something about yourself that we might not already know?
Rating: 5 out of 5 quills “Suspicion at Seven” by Ann Purser
These plots shouldn’t work……but they do in the most charming and understated way. The owner of New Brooms, Lois Meade is an amateur sleuth and has a team of ‘cleaners’ (merry maids) that keep their ears to the ground when foul play occurs. Cunningly simple and a delight for readers.
The setting is a small village in rural England where Lois has lived most of her life. She has raised three children and now lives with her husband, Derek, and her mother, Gran, who rules the house with an ungloved hand. (no velvet gloves here!)
Part 2: Continuing with this look into best selling author, Barbara Delinsky’s world:
Book signing
Q. What makes a writer great?
A. Not fancy prose or even extensive research. I believe that a writer is great when she can produce book after book that readers love.
Q. and the all important: What does the process of going from “no book” to “finished book” look like?
A. Discipline. That’s it, short and sweet. Produce three pages each day before allowing yourself to leave the computer, and you will eventually finish a book. Do I start with an outline? Vaguely. But it’s sketchy and subject to change as the book grows and characters take over.
Q. Where/when do you first discover your characters?
A. Given that my books are character-driven, my characters come to me at the very start. That said, I don’t fully know them until I’m nearly halfway through the book. This is good. By not boxing them into a preconceived notion of who or what they should be, they take off on their own and do things I may not have planned. Those things are often what make the book shine.
Three out of five quills A REVIEW With Mother’s Approval
by Mike Wells
When the Seattle Police Department bumbles the investigation of a serial killer who has brutally taken the lives of five women, Detectives Allie and Jeremy Branson take over the case. The husband and wife team work out of the King County Sheriff Department’s Violent Crime Unit and have one of the best track records in the country. But this time around, the Bransons are tested to their limits. Will they catch “The Call Girl Killer,” or will the sadistic murderer continue his spree of horrific crimes unchecked?
If you like extremely incestuous, murderous, cra-cra.…you will love Mike Wells’ latest offering. I know his fans will be ecstatic that he has written another one. Stephen King is all this reviewer’s stomach can handle and With Mother’s Approval goes way, way beyond King’s warped world. I found it a little ingenuous that the Seattle PD was painted with such a broad brush as ‘bumbling’ and totally incompetent. And I couldn’t get my head around Jeremy giggling, given his physical description and demeanor.
It’s well written but not to my taste. I know his fans, old and new, will love it! Going on sale as an e-book TODAY!!!
Don’t miss my Interview with Mike Wells coming in December!
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DON’T MISS UPCOMING BLOGS featuring INTERVIEWS with best-selling AUTHORS!
In addition to my twice weekly blog I also feature an interview with another author once a month. So come along with me; we shall sneak into these writers’ special places, be a fly on the wall and watch them create! Barbara Delinsky and Elizabeth Hoyt will be my October authors.
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It was just a few short years ago that being self published was a dirty word. People would call your work a ‘vanity book’ or a ‘one book wonder’. You would have to warehouse 10’s of thousands of inventory for your book and then schlep it around as far as you could. All of that is in the past!We can hold our heads up high, write our work and get it in the hands of our readers for, sometimes, as little as a few hundred bucks. If you don’t hire a graphic designer for the cover, then publishing is literally FREE.
Now here’s the “Good Company” I claimed………….
How Beatrix Potter self-published Peter Rabbit
The aspiring children’s writer was fed up of receiving rejection letters – so on this day in 1901 she self-published a certain book about a naughty rabbit
A long time favorite author of mine, it’s such a delight to get an interview with Barbara Taylor Bradford!
