From the first page, the reader is captivated by the sultry afternoon in the deep South, the cotton fields, the red earth, and the narrative from one small girl.
Be prepared to be unable to put this magnificent story down. Sonny Creech and her family draw you in; sweating as they hoe the fields, worrying about where the next dollar is coming from, putting up with two crass brothers’ antics, and a sudden tragedy that rocks their family.
The characters are so beautifully drawn by this author; the reader feels they have known them their whole lives. Mr. Fowler was a superb villain. I loved to hate him and I was rooting for his downfall, which by the way, wasn’t assured at all.
Hannah Mae stepped past the gunny sack that acted as a door to their shack and walked into the yard. A heavy-set woman in a hideous polyester suit struggled up the dirt path. “Can I hep’ y’all? Ya lost?” “I’m looking for the guardian for the children of Daisy McAllister. Name’s Betty Jones. I’m from the St. Charles Home’s Ladies Auxiliary, St. Vincent De Paul Society.”
When almost adult Hannah Mae and her younger brother are left orphaned upon their mother’s death, they find themselves at the mercy of the St. Vincent De Paul Society. With her brother young enough to be considered for adoption, Hannah Mae faces the reality that, at sixteen-nearing-seventeen, she is likely to remain under the care of the Catholic Children’s Home until she comes of age to make her own way in the world.
Hannah Mae clings to one mandate—remain at her brother’s side against all odds. And so Ain’t Nuthin’ Gonna Separate Us traverses the rocky world of older siblings raising younger ones sans any family support system, fueled by Hannah Mae’s determination to not let outsiders tear them apart.
Readers who anticipate that the story will revolve around this struggle alone will be pleasantly surprised to find more depth in these still waters, because Jerry is actually a musical prodigy. Hannah Mae finds herself fostering his talent as much as she reinforces his connections to her.
Despite the focus on Hannah Mae in the beginning, the limelight edges over to Jerry’s talents, achievements, and the many changes they portend as the two stand against a world that would divide, repress, or misunderstand them.
Trisha Sugarek cultivates the environment, feel, and culture of the South, setting her story in the small Mississippi town of Laurel in the 1950s. She reviews a lifestyle that opens with siblings threatened by separation, then grows the story to fully embrace the Southern milieu.
Early descriptions cement the story with a sense of place and purpose. This creates a compelling, thought-provoking examination of influences, both personal and cultural, that drive Hannah Mae’s determination to search for remaining family roots despite the risks she takes by evading the foster care system:
Hannah Mae’s reluctance to give anyone their last name and her fear of the foster care system was outweighed by her deep desire to have access to all these lovely books. She whispered, “Hannah Mae and Gerald McAllister.”Jerry, too, grows in unexpected directions as he receives musical instruction on the harmonica that allows his innate genius to blossom. As the tale evolves, its focus shifts between Hannah Mae and Jerry’s growth as each field both new opportunities and adversity.
Whether she’s navigating the foster care system or responding to racial inequalities, Hannah Mae keeps her eyes on the ultimate goal of not just survival, but family connections and growth.
Sugarek’s outstanding, realistic portrait of the 1950s South and the forces that buffet two children reaching for more than rote safety creates a memorable tale. It will reach a wide audience, from those interested in Southern settings and portraits to readers of coming-of-age stories and sagas of survival, musical growth, and foster care struggles.
Sugarek’s attention to probing the underlying responsibilities, choices, and consequences of not just individual action, but systems geared to provide support, is especially notable:
Now a white man, unknown to all of them, was threatening to take her baby brother away from this safe home they’d made for Jerry. Hannah Mae wasn’t certain she could make the right decision for anyone.
Sugarek’s research into blues music (Muddy Waters, in particular) lends realistic background and observation into this world as she spices her own memories of the times with intensive research. This reinforces both the atmosphere and facts about the entertainment industry which dovetail over the social issues of a changing South.
All these facets are why Ain’t Nuthin’ Gonna Separate Us is a thoroughly compelling read that’s highly recommended not just for library collections interested in powerful portraits of young lives under siege, but book clubs. These audiences will find plenty of fodder for discussion in the many ways Hannah Mae and Jerry cement their relationships, values, and life connections.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
To receive my posts, sign up On the home page. Enter your email address. Watch for more interviews with authors.
Good writers have the most wonderful ideas for a book. Great writers have the persistence, courage, knowledge, and passion to get the story written down, weaving those ideas into the very fabric of existence.
Veronica Henry is a great writer of contemporary stories with wonderful empathic, interesting characters. And Thirty Days in Paris is no exception.
Juliet has just suffered from empty nest syndrome big time, and her husband is in some mid-life crisis that she can’t understand. They finally agree that they have grown apart and their marriage has reached its ‘sell by’ date.
Juliet happens upon an advert: “ TO LET. Charming ‘chambre de bonne’ in the 2eme. Situated a stone’s throw from the glamorous Rue Saint-Honore with its chic boutiques….”
Paris, the city of love, has always lingered in Juliet’s heart. Now, fueled by whimsy and courage, she answers the ad. The tiny apartment becomes her cocoon, her canvas for reinvention.
The plot is delicious! Juliet’s courage to move from a suburban-Mom’s life to a soon-to-be single middle aged woman on her own is tantilizing. The writing flows like wine. The surprises? Oh, they sizzle like crepes in a skillet—each flip revealing a layer of vulnerability, resilience, and newfound purpose. Veronica Henry’s prose dances, and we, the readers, waltz along.
I highly recommend this book to my readers.
Did you miss my interview with Veronica Henry?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
To receive my weekly posts, sign up On the home page. Enter your email address. Watch for more interviews with authors.
JW. I’m the second of four daughters born to Lois and Walt. My father’s family were (are) enrolled members of the Turtle Mountain Band of the Chippewa Indians. My mother’s family was in the logging business and lived close to Gifford Pinchot State Park. I grew up in Tacoma, Washington.
In 1988, I met and married a Kiwi polo player, and we moved to Christchurch, New Zealand, where I have worked in the arts and events industry, creating and producing events and festivals ever since. For my services to the arts, the King appointed me an Officer of the N Z Merit of Honor.
I discovered the soothing effects of writing in 1985, the same year I got sober, after someone suggested I write my thoughts in a journal. I journaled for a couple of years before deciding to write a novel. How to Grow an Addict, was published in 2015. My second novel, Eat and Get Gas, was released on June 6, 2023, and has been optioned for TV/Film by Producer Leanne Moore (GLOW and The Lincoln Lawyer for Netflix).
Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? (please provide a photo of you at work in your shed, room,
closet, barn, or houseboat….) Or tell us about your ‘dream’ workspace.
JW. I taught myself to tune out the world and focus on writing, and for years I was happy to write almost anywhere. Lately though, in this covid era, I write at home, where it’s quiet. I use my laptop and often move from desk to couch to chair.
Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)
JW. I eat a lot of toast when I’m in a writing groove (avocado, strawberry jam with too much butter, and occasionally a smashed banana), and I often turn off my phone and lock the front door. I have a pen collection and many notebooks filled with ideas and comments.
Q. Could you tell us something about yourself that we might not already know?
JW. I cringe when I read or hear the word ‘moist.’
Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?
JW. I write on Post-it notes, in a notebook, on my phone, and my laptop.
Q. Do you have pets? Tell us about them and their names.
JW. We have four polo ponies (Roxy, Rudy, Allie, and Pearl), two cats (Max and Gracie), and nine chickens (Lucy, Gothe, Little Lavie, Big Lavie, Grey Stumpy, Black Stumpy, White Stumpy, Hooty one and
Hooty two).
Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)? If yes, tell us about it.
JTW. I’ve been trying to write a decent short story for months. It’s harder than I thought it would be.
Q. What’s your best advice to other writers for overcoming procrastination?
JW. I don’t have advice because it’s an issue for me, too, but I’ve learned that suffering is optional, and it’s best if I give into the thing that yells at me to be written.
Q. Where/when do you first discover your characters?
Join us for part 2 of our Interview next week.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
To receive my weekly posts, sign up On the home page. Enter your email address. Watch for more interviews with authors.
Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)? If yes, tell us about it.
TS. I enjoy writing shorter romance (novellas) a lot! I think I’m pretty good at capturing a full story in shorter form.
Q. What’s your best advice to other writers for overcoming procrastination?
TS. The only time I’ve had any success in this business was when I just pushed aside everything else and WROTE. Write, keep writing, network with other writers or at least, subscribe to their newsletter and see what they’re doing. Reach out to readers. Be accessible. Enjoy the process! And don’t try to do someone’s else process – yours is great!
Q. Where/when do you first discover your characters?
TS. I have the hero in mind, always, before I start. But characters surprise you on the page. I truly find them while writing.
Q. What first inspired you to write?
TS. Reading “The Outsiders” was a big inspiration for me. Stephen King for sure, although I don’t write in that genre. Then, I stumbled upon Vows, by LyVyrle Spencer, and I was done!
Q. What comes first to you? The Characters or the Situation?
TS. CHARACTERS!
Q. Do you ‘get lost’ in your writing?
TS. Yes, I think I do, if things are really rolling. But some days, it’s hard. Generally, writing is hard work. I love my pages, I hate my pages. LOL
Q. What compelled you to choose and settle on the genre you now write in?
TS. That first romance I read in college, that was it for me. I ended up reading about 1,000 romances, then figured, I can write one of these. I was a journalism major, and I started writing in high school, so…
Q. Are you working on something now or have a new release coming up? If so tell us about it.
TS. I have a new release coming in May, THREE SINS AND A SCOUNDREL. It’s the final (#6 full length book) in the Duchess Society series. It’s been a really great series for me and readers seem to love the heroes!
Q. When did you begin to write seriously?
TS. I was first published in 2002 with Kensington Publishing. But I also had a career in marketing, so I dallied. Then, in 2017 following a breast cancer diagnosis, I figured I should start writing in earnest. And here we are!
Q. Do you think we will see, in our lifetime, the total demise of paper books?
TS. No, I really don’t. I still love reading print. However, one great thing about Kindle is the backlighting. When your vision gets wonky after 40, backlighting is awesome! But I still love holding a book in my hand #1 above everything. And I still sell print copies – of course, nothing compared to ebooks.
Q. What makes a writer great?
TS. Be courageous enough to be themselves – which allows their voice to shine.
Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?
TS. The daily grind. Butt to chair. It’s not sexy and it’s not easy. As I said before, some days I hate the pages. Then the next day, they seem not so bad. Day after day, then somewhere along the way, we have a book!
Q. What’s your downtime look like?
TS. I like to read (of course!) and I love yoga. My son is 16, so my days are filled with mom things, too. I walk a lot in the city, too. I love museums and movies, although since Covid, I haven’t been to the theatre as much.
Q. Have you or do you want to write in another genre?
TS. I have written a contemporary series and someday soon may publish those. I’m really all about the characters, not the time period. (I think.)
Q. Note to Self: (a life lesson you’ve learned.)
TS. I asked Nora Roberts this once at a conference and she said: PATIENCE. I didn’t get what she meant then, but I do now. Take your time, exhale, breath in love, breath out love. And write. Or read! I think reading is the best, actually.
Did you miss Part 1?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
To receive my weekly posts, sign up On the home page. Enter your email address.
Donna Everhart is a USA Today bestselling author known for vividly evoking the complexities of the heart and a gritty fascination of the American South in her acclaimed novels. She received the prestigious SELA Outstanding Southeastern Author Award from the Southeastern Library Association, among many others. Born and raised in Raleigh, she has stayed close to her hometown for much of her life and now lives just an hour away in Dunn, North Carolina.
Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? Or tell us about your ‘dream’ workspace.
DE. I have an office upstairs that’s pretty secluded, which I love. It’s actually the same office I used when I was working way back when in the corporate world. Since I left that occupation in 2012 to write full-time, the one big thing I’ve changed is adding bookshelves. Lots of them! These shelves hold my inspiration and of course, my entertainment. The books in the pictures were placed right after the bookcases were built when I was still organizing, and boy, that was a lesson learned. I must’ve moved my stacks at least three times until I finally settled on read non-fiction/craft books to be read and my own work.
Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)
DE. We’re all so uniquely different with how we approach writing, so, I suppose you could say we all have quirks. I don’t necessarily need a completely pristine
workspace, but I don’t want it so messy it’s distracting. I like medium point pens, although I don’t (and never will) work in long hand. The pens are for taking notes when I have an idea I don’t want to forget. And, usually, around 4:00 p.m., I often need a break, and I’m prone to have some caffeine so I can catch a second wind. It’s usually coffee, but if it’s really hot, (I’m in NC – it gets pretty hot!) I’ll opt for slightly sweet iced tea with a squeeze of lemon.
Q. Could you tell us something about yourself that we might not already know?
DE. I found a body on the beach once. It was a young man in his early 30s who was pulled out by an undertow. It was right after 9/11 and eventually I found out he was fasting, and praying, and on that particular day, the day he was due to go back home to West Virginia, he went out for a swim and, sadly, drowned. I found out all of this through his mother who contacted me later. She was able to find my address from her other son who was a state trooper, and had access to information. She wrote to thank me for holding his hand until help came. Even though he was gone, I felt compelled to do that. It was kind of scary because his eyes were still open, and I SWEAR he could see me, but given other things going on with him physically, it was apparent he’d passed on. It was really tragic and sad.
Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?
DE. I go right to the keyboard. My writing is too messy, (note the remark about long hand above) and I think too fast (sometimes) to be able to write anything legible. I even have trouble with my grocery list and deciphering what the heck I wrote on it.
Q. Do you have pets? Tell us about them and their names.
DE. I don’t have any pets at the moment. I used to have Yorkies. First, we had “the girls,” Bella and Kiwi. We tragically lost them in the summer of 2012, within three weeks of each other due to that whole fiasco with jerky treats. (If anyone is wondering what I’m talking about, just Google dog jerky treats made in China and FDA.) About 4 months later, in December of 2012 we got another little Yorkie we adopted who was 3 years old. His name was Snickers, but we renamed him Mister. (close in sound) He was a mess, really quirky, was NOT food driven – at all. He had some health issues like IBD, and chronic pancreatitis. We also tragically lost him in the summer of 2021. I took him to get his teeth cleaned and he suffered a catastrophic event. It’s a long story, but it tore my heart to pieces. Right now, we don’t have any pups, but I keep going out to sites to poke around and look. I know one day we’ll have some again. I’m thinking of adopting a bonded pair, if I can. I think that would be perfect.
Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)? If yes, tell us about it.
DE. The only other form of writing I’ve done is a very short form of flash fiction. I used to write these one-hundred-word stories where five prompt words were
provided and the goal was to write a complete story (beginning, middle, end) in 100 words. I’m so consumed now with writing to contract that I’ve not done this in years, but it was fun, and actually really challenging – more so than you’d think.
Q. What’s your best advice to other writers for overcoming procrastination?
DE. You’re “looking” at a procrastinator.
Don’t miss part 2 of this entertaining interview with Donna next week.
To receive my weekly posts, sign up On the home page. Enter your email address. Watch for more interviews with authors. April: Author, H.W. ‘Buzz’ Bernard. May: Victoria Costello. June: Laila Ibrahim, August: Donna Everhart
Donna Everhart knows how to capture the heart and mind of her reader from (practically) the first page. Del and Rae Lynn couldn’t be two more different personalities, but the reader quickly empathizes or feels some affection (in the case of Dell) early on. While Donna has her own unique voice she did remind me, at times, of a blended flavor reminiscent of One for the Blackbird, One for the Crow by Olivia Hawker, and Where the Crawdads Sing by Delia Owens. Lofty company, in my opinion.
If you had told this reviewer she would be reading about ‘turpentiners’ next, I would have said, “Say what?”
It’s a fascinating, exciting story set during the Great Depression. Desperate people using any idea just to survive with literally the shirt on their back and little else.
If you don’t read another book this year, be certain you read Saints of Swallow Hill. I highly recommend it!
To receive my weekly posts, sign up On the home page. Enter your email address. Watch for more interviews with authors. April: Author, H.W. ‘Buzz’ Bernard. May: Victoria Costello. June: Laila Ibrahim, August: Donna Everhart
A much-awaited novel by Kathleen Grissom, who is well known and touted for her two previous books, The Kitchen House and Glory Over Everything. While she never mis-stepped when writing the latter and, as far as I could tell, got it mostly, if not entirely right, there were a few things that made me itch to correct her while reading Crow Mary. Maybe I’m overly sensitive as I myself lived on tribal lands (Makah Nation) as a young woman for over two years in Neah Bay, Washington. (Pacific NW.)
I had a problem with several nation lineage issues regarding Crow Mary’s knowledge of her own people. Wouldn’t Mary mention that the Crow People were originally a minor subset of the Sioux Nation and now were at war? The Crow had migrated from the Great Lakes area to the Dakotas and Montana. Know that in spite of the fact that the Sioux were now an enemy of the Crow People?
Secondly, Nakoda is spelled in the book with a ‘D’ when the correct spelling and the most commonly used name is Nakota with an ‘t’.
Mary is a proud Crow woman who really doesn’t take any guff off of any man, native or white. Yet she refers to herself and to her tribe as “Indians”, a derogatory term invented by the white man. I don’t know of any written history of where the People in question thought or spoke of themselves as “Indian”. I think the author also missed an opportunity to weave in Mary’s nation’s full name that the white man bastardized it to simply, “Crow”.
Please don’t misunderstand, this is a really, really good story, and maybe the average reader wouldn’t pick up on any of the things that bothered me but be that as it may…..I could not give the book the resounding 5 stars that I had anticipated doing.
Spoiler Alert: Don’t read the prologue. It’s a clear indication of how the book ends. (or one of the endings) Within the book itself once I read of the practice of the ‘wolfers’ using strychnine when trapping, I thought I knew how the book would end and that spoiled it for me somewhat.
Did you miss my interview with Kathleen Grissom?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
To receive my weekly posts, sign up for my On the home page, enter your email address. Watch for more interviews with authors. March-Apr: Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION April: Author, H.W. ‘Buzz’ Bernard May: Victoria Costello. June: Laila Ibrahim
No surprise here. Susan Mallery dishes up another excellent contemporary fiction for women. A great story with lots of plot twists and romance. A real page-turner.
This time three women who don’t know each other share a lease on a retail space none of them can afford by themselves. They set up shop, books, muffins, and gifts, right off the sand, on the boardwalk in Santa Monica, California. Each has been wounded by love in the past, romantic or familial; it all hurts the same.
All three main characters are equally balanced with in-depth storylines, so the reader has the opportunity to care about each one of them. Will their particular shop succeed? Will true love win out? How many nasty turns will life serve up before the women find happiness?
I highly recommend this as your next book. But it’s no secret (by now) that I’m a huge fan of Susan Mallery myself.
Did you miss my Interview with author, Susan Mallery?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
To receive my weekly posts, sign up for my Watch for more interviews with authors. September: Culley Holderfield. October: Simon Gervais for ROBERT LUDLUM’S THE BLACKBRIAR GENESIS
On the home page, enter your email address. Thanks!
Odd, loveable, quirky characters are sprinkled throughout this story. From the first page they seduce and beguile the reader.
Stewie, a 10 year old boy (when we first meet him) is passively neglected by his overly taxed, older sister. His Gam has recently died and as a way to stay connected to his much beloved grandmother, he adopts and takes over the care of her chickens. During his ‘egg route’ he meets Marilyn, another grandma-type with the same rough edge as his Gam.
And that’s where I’ll leave the spoiler alert. The writing is done with the same brilliance we have come to expect from Catherine Ryan Hyde. Her turn of phrase is unapparelled. Her balance of descriptive text and dialogue is near-perfect. And my readers know how too little dialogue irks me! This will never happen in a Hyde book. The characters are well thought out and deeply written. Hyde ‘shows’ you her characters; never tells you who and what they are. And who else could get a beautiful story out of a young boy and his chickens?
I highly recommend this book to my readers. If you loved Allie and Bea (and I did!) you will certainly love Dreaming of Flight.