TS. Jenny Colgan, a Scottish lass, has a unique voice as a writer….quirky, fresh and bright. She left university in the 90s and started working for the NHS in administration, whilst always loving comedy and working on ‘funny things’- cartooning, a bit of stand up (horrible and very nerve-wracking); sketch writings and so on. She went on to write my first novel, Amanda’s Wedding, as a comedy novel and she was surprised when it got published. She’s gone on to write around 35 novels…she says she’s lost count.
Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? (please provide a photo of you at work in your shed, room, closet, barn, houseboat….) Or tell us about your ‘dream’ work space.
JC. I work in coffee shops, or I did before the pandemic. I like the white noise, the sense of life happening all around you; I
like that you can’t stay there too long or it’s rude, and I like that they bring you a sandwich. In fact I’m just about to head off to my nearest one, which has a stunning view of Edinburgh Castle and lets me take my dog in.
Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)
JC. No I think that kind of thing can be very dangerous for writers, and certainly is for wannabe writers. You end up living in an isolation box, driven mad by the noise of your own fridge. Instead, be a soldier about it and learn how to work anywhere, the way they learn to go to sleep on command. Aeroplanes are good places to work, trains are terrific.
Once when the children were little I took them to see Chicken Run in an otherwise empty cinema. I snuck up to the back row and worked on a manuscript there. It had rather more chickens in it than my agent was expecting, but otherwise it worked absolutely fine. If I turn up ten minutes to pick up the kids from school, I can get 500 words in if I have to. Momentum is very important to novelists, so clear anything that can hold you up, like thinking you need a special notebook or whatever.
Q. Could you tell us something about yourself that we might not already know?
JC. I find writing quite easy, but I find playing the piano very difficult. I probably spend about as much time playing piano and worrying about it as I do thinking about my books.
Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?
JC. Sometimes I like to sketch my characters to get a view for what they look like and what they’re doing. If I’m a bit stuck, I’ll start drawing. I also keep a file of pictures from actors, people in the news who look a bit like my characters in my head. Otherwise it’s straight to the keyboard, wordcount at the ready. I’ll write 2,500 in a sitting or 3000 divided into two sittings depending on where I am with deadlines.
Q. Do you have a set time each day (or night) to write?
JC. Yeah, about 11.30am I like to start. So I have time in the morning to drink coffee, read the internet, get the kids to school, walk the dogs and take some exercise, shower, practice my scales. I’ll work till about 2 ish depending on how the word count is going.
Q. What’s your best advice to other writers for overcoming procrastination?
Join us, May 14th, for Part 2 of this wonderful Interview
Watch for my reviews!
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy.
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walks of life, signed up for six months to try and assist villagers who were devastated by the war raging across Europe. They were later to be affectionately known as ‘the Smithies’. 
