family histories Archives - Page 13 of 33 - Trisha Sugarek, Author, Playwright & Poet

Book Review~~Four Funerals & Maybe a Wedding by Rhys Bowen

5 out of 5 quills ~~ A Review

By far the best in the series, the Royal Spyness Mysteries. I love this series. In Four Funerals…. there was not a single misstep by its author. The story weaves faultlessly to the final pages. Ended by a deep sigh of satisfaction from this reader.

All the elements were there historically. Queen Elizabeth as a child, Prince Edward and the notorious Wallis Simpson. Even Hitler as a black cloud on the horizon. But we pick up with Lady Georgiana (Georgie) preparing for her wedding and worrying about where she and Darcy will live on their meager combined income. It appears to be hopeless. Add in Fig and Binky, Georgie’s granddad and a band of slap-dash servants. And my favorite character, Queenie (the maid) is back in full force.

The whole story is delightful from the first page to the last.This is a must read for fans, old and new, of Rhys Bowen. I highly recommend it.

To Purchase Click here

Did you miss my Interview with Rhys Bowen?
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MY BLOG features INTERVIEWS with best-selling AUTHORS! December: Jayne Ann Krentz (Amanda Quick) January: Molly Gloss. February: Rick Lenz, March: Patrick Canning and April: Poet, Joe Albanese
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Author of The Colonel and the Bee Joins Us, (part 2)

Q. Tell us about writing The Colonel and the Bee. Not so much the cerebral process but more your ‘gut’ instincts, the fairytale (but not quite) fantasy idea of it.

PC: I definitely wanted to straddle the line between fantasy and reality, so that the most extraordinary events in the book are implausible but not impossible (though that’s definitely strained). The idea was to have a whimsical journey you could almost believe is true. I tried to portray a world worth exploring that conceals surprises and treasures for those willing to venture out into it. It is definitely a halcyon view of the time period (though not without its villains and pitfalls), eschewing any too-heavy issues/events because it’s meant to be an adventure viewed through the romantic eyes of explorers. I love historically accurate books and I love fantasy books, this one just happens to trend toward the latter.

Q. Do you ‘get lost’ in your writing?

PC. If you mean ‘get lost’ in a total-immersion way, not as much as I’d like to. I’m working on that. I do sometimes ‘get lost’ in a plot sense, especially in the middle of stories. When that happens I try to look back to the most core elements of the story for direction. If those aren’t there, then something is really wrong. Never fun to get halfway through a first draft and have no access to your own story.

Q. Do you have a new book coming out soon? If so tell us about it.

PC. I recently finished a sort of cozy mystery set in a 1980’s Midwest neighborhood. It starts with a goat murder and gets weirder from there. I’ve been pitching it was a suburban thriller plot à la Liane Moriarty, set in Ray Bradbury’s halcyon Midwest, with a hint of Neil Gaiman fantasy thrown in for good measure.

Q. When did you begin to write seriously?

PC. Screenwriting in my early 20’s, novel writing in my mid/late-20’s.

Q. How long after that were you published?

PC. I was 32 (self-pub/indie-pub).

Q. Do you think we will see, in our lifetime, the total demise of paper books?

PC. Not a chance. Most articles I see these days are about them making a resurgence. I think everyone got a little uneasy when e-readers initially came out, but each format has its own virtues and limitations. I think they’ll continue to find their equilibrium with one another (at least until whatever’s next comes along…)

Q. What makes a writer great?

PC. The cliché of ‘a good story well told’ seems to hold true. For me its also clarity and mastery of craft, creativity in linking previously independent ideas, brave but intentioned prose, portraying simple things elegantly or elegant things simply, and telling the truth in a compelling and memorable way.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

PC. I accumulate ideas for a long time, usually a few years, constantly adding to a document on my phone/computer (always write ideas down, you will 100% forget some of them otherwise). When the story is ready, I’ll do any required research and translate the document of random ideas into a semi-coherent, narratively chronological outline. Off that, I write a first draft in as short a time as possible (I think inertia is important with first drafts), then take as much time away from it as possible for objectivity before the first revisions. Last, I get feedback/outside editorial input and revise, revise, revise.

Q. How has your life experiences influenced your writing?

PC. Almost everything seems to find its way in somehow. I think more time lived equals more to draw from, so I’m always up for new experiences.

Q. What’s your down time look like?

PC. I think I’ve watched The Office (US version) about 50 times. I’m always trying to read more too (audiobooks are a godsend in LA traffic).

Q. Have you or do you want to write in another genre?

PC. So far each book has pretty much been a different genre. That’s not by design, it just kind of happens that way for me. Knowing the genre you’re writing in can be powerful/useful though, so I may be on my way to becoming a ‘master of none’ by switching so often. I think there are strengths/weakness with regard to sticking with one genre and of course it varies by the individual.

Note to Self: (a life lesson you’ve learned.)

PC. Living in the moment seems to be a nice idea. Try not to get too many parking tickets but pay them if you do. Garlic and cinnamon make just about any food better (just not together).

Did you miss part I of this wonderful Interview?

Purchase The Colonel and the Bee: click here
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How To Write a Play, The Arc

What is a story arc, you ask. The dictionary defines a story arc as ‘(in a novel, play, or movie) the development or resolution of the narrative or principal theme’. Story arcs are the overall shape of rising and falling tension or emotion in a story. This rise and fall is created via plot and character development.

A strong storytelling arc follows this principle. It shows rise and fall, cause and effect, in a way that makes sense. An example is from one of my stage plays, Women Outside the Walls. Right before intermission, my antagonist, Charlie (an inmate) took the entire visiting room hostage, with a knife. Who wouldn’t want to come back (after intermission) to see what happens next?

It is my belief that the story’s arc, in a stage play, should happen right before the intermission. More people than you can guess will leave at the intermission. So my theory is to ‘hook’ them and make your audience want to come back in and sit down.

‘A whole should have a beginning, middle and an end… A well constructed plot … must neither begin nor end at haphazard.’ Aristotle

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Guest Blogger, Adam Durnham, on Writing

How to Improve Your Creative Writing Skills by Adam Durnham

Creative pieces are usually meant to entertain, but since readers often want more than mere entertainment, they expect literary pieces to challenge the mind and tickle the imagination. For some, writing or reading literary pieces could also be a form of art therapy.
Though these standards are quite simple, they may put more pressure on writers. The more advanced readers are, the higher the standards they set for the authors’ literary pieces.
Here are four tips that can help people improve their creative writing skills:
Do not underestimate your readers’ ability to understand and imagine
Leave room for your readers to imagine the back story, the motivation of the characters, and the exposition (the elements that explain the story). You don’t have to reveal all of these in graphic detail all at once. You can give clues or foreshadow some events in the story, but be careful about revealing every element at the start of the piece. Let your readers use their imaginations and formulate theories.
Identify the key points of your story, specifically taking note of the following:
i. What is the main goal of your protagonist? Try to create a protagonist who is interesting or unique in some way.
ii. What are the relevant actions your protagonist takes towards the completion of his or her goal? The protagonist of the story could make conscious decisions that drive and direct the entirety of the story.
iii. What are some unexpected outcomes of the protagonist’s decision(s)?
iv. What are some details related to the literary piece’s setting, tone, and dialogue that can help you reveal the story to the readers?
v. What is the climax of the story?
vi. Will readers find any morals from the story?
vii. How will the story end?
Pay attention to character development
To create realistic, multifaceted characters, it is important to understand and describe characters. To help you develop your characters, consider examining one or more of the following details:
● Name
● Age
● Appearance
● Family and relationships
● Ethnicity
● Drinking habits
● Likes and dislikes
● Strengths and faults
● Illnesses
● Hobbies
● Pets
● Phobias
● Religion
● Job
● Residence
● Sleep patterns
● Nervous gestures
● Secrets
● Memories
● Temperament

Including such details can make it easier to define your characters. They can help you mold your characters, build storylines, and create dialogue. You might want to consider

● Appearance: Create a visual understanding for your readers so that they can vividly imagine what the characters look like.
● Action: Instead of simply listing adjectives to define characters, describe the characters’ actions to tell your readers what the characters do and what they’re like.
● Speech: Don’t kill the story’s momentum by explaining the plot in great detail. Instead, try to reveal the plot through your characters and their dialogue.
● Thought: Show your readers how your characters think. Show them the characters’ hopes, fears, and memories.
Create a great plot
A story plot tells us what happens in the story. Writers establish situations, identify the story’s turning points, and determine the fate of each character.
Plots are the sequence of events arranged by the writer that reveal the story’s emotional, thematic, and dramatic significance. To create a great plot, it is important to understand the following elements of the story:
● Hook: The stirring or gripping problem or event that catches readers’ attention.
● Conflict: A clash between characters and their internal selves, or between different characters, or even between characters and external forces.
● Exposition: The back story or background information about the characters and how this background information relates to the rest of the story.
● Complication: A problem or set of challenges that the characters face that make it difficult to accomplish their goals.
● Transition: Dialogue, symbols, or images that link one part of the story to another.
● Flashback: Something that occurs in the past, before the current events of the story.
● Climax: The peak of the story.
● Denouement: The story’s falling action or the release of the action that occurs after the climax.
● Resolution: The solution of the external or internal conflict.

Writing can be challenging if you don’t know the techniques. It can be a form of art or art therapy if you come to master it. Techniques and tips can help you build the literary skill you need. Practicing them can give you the experience to produce creative, well-crafted work.
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Interview with Author, Molly Gloss (part 2)

Q. Do you ‘get lost’ in your writing?

MG. Yes, absolutely. The best part of writing is “getting lost” in the story you’re telling. My own words can (pathetically) make me cry, or make my heart race from the stress I’ve put my character under. But then I do have to pull away and look at it objectively, cooly, so I can revise, revise, revise.

Q. Do you have a new book coming out soon? If so tell us about it.

MG. I have three previous novels returning to print, soon—Outside the Gates (Jan), Wild Life (Feb), and The Dazzle of Day (Mar) from Saga Press/Simon & Schuster. And in July from the same press, my first collection of short stories, titled UNFORESEEN. Sixteen stories, including three written just for this collection.

Q. When did you begin to write seriously?

MG. I had written bits and pieces of things while my son was little, but had never finished anything. Then, when he started kindergarten and I had big unclaimed blocks of time, I buckled down and wrote a whole novel. It wasn’t very good, but I learned a lot by writing it…and I also learned that I wanted to keep on writing. That was 1980. My husband and I had earlier agreed that I’d return to the workforce after our son was in first grade, but now we agreed that I should give “this writing thing” a serious try. And I never looked back.

Q. How long after that were you published?

MG. My first short story was published in 1981, and several more in the following years. My first novel—Outside the Gates, a fantasy marketed as young-adult—in 1986.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

A. Never! People will always want to hold a book in their hands, turn the pages, feel the paper, leaf back to reread favorite passages, leap ahead to read the last paragraph! The e-book craze has already peaked, and paper book sales are holding steady. Don’t worry, books will always be with us. But any way you choose to read—e-book, paper book, or audio book—is fine by me. I listen to a lot of audio books, myself, because I have a daily 30-40 minute commute each way to my horses. Is an audio-book “reading”? Yes, of course it is!

Q. What makes a writer great?

MG. Huh. I may not have an answer for that question. What does “great” mean? Best-selling? Admitted to the “canon” by literary gate-keepers? In print more than 100 years? (Think how few writers are still being read, who were popular in 1918?) There are books and writers I have not loved, though everyone is calling them great, and I have loved books that disappeared quickly without anyone else seeming to notice, and loved writers who fell out of print and were forgotten. (This has happened especially to women writers.) So I think “greatness” would be defined differently by every reader and every generation. As perhaps it should be.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

MG. Slow, difficult, daily grind. Revision, worry, uncertainty, more revision, groping and mucking through the middle, then skating to the end in a joyous rush, or inching up to it in an agony of doubt, feeling fragile as you hand it off to a couple of trusted readers, and later, holding a hardbound copy in your hand, a mix of elation and disbelief. Oh, and then all the new worries, will anyone read it? will anyone like it? will it sell, will it be reviewed, will it stay in print? and will I ever write again? Ah, the bittersweet writing life.

Q. How have your life experiences influenced your writing?

MG. Long road trips back to Texas when I was a young teen, reading cowboy novels in the back seat of the car, absolutely imprinted on me and is the reason I’ve so often written about the history, mythology and culture of the ranching west.

Q. Have you or do you want to write in another genre`?

MG. I write poetry, does that count? And I’ve written one fanfiction for the television series Person of Interest. (I have ideas for more.) My novels and stories range from historical/western fiction to science fiction/fantasy, though to my mind these are all on the same spectrum. (That’s for another essay.) I love a good, well-written detective novel, so maybe someday I’ll try one?

Note to Self: (a life lesson you’ve learned.)

MG. Life is so short. Tell your friends and family you love them, every time you see them. And get over your reluctance to hug, even if you grew up in a family of non-huggers.

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Interview with author, Molly Gloss

TS. Molly likes to brag (just a little) that on her mother’s side, she’s fourth generation Oregonian, from German immigrants. On her father’s side she’s fourth-generation Texan, as her great grandmother was the first white child born in Irion County, Texas. She is widowed with one son and was recently blessed with a new grandson! She says, “Why didn’t anyone tell me how magical this would be?! Oh, right, they did tell me, I just wasn’t listening!” She’s been writing full-time since 1980. “I’m a slow writer, but I’ve managed to eke out six novels and about 20 short stories.” She currently lives in Portland, Ore.

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? (please provide a photo of you at work in your shed, room, closet, barn, houseboat….) Or tell us about your ‘dream’ work space.

MG. I like to be comfortable. I wrote The Jump-Off Creek in longhand while sitting in my favorite overstuffed chair. When desktop computers became the thing, I wrote while sitting at a desk, but I never loved it, and now I write on a laptop, sitting on the living room sofa with my feet propped up on an ottoman and the laptop literally in my lap.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

MG. Nope. I open the file I’m working on, reread the last few pages, and go to work wrestling with the next sentence. But I do have to have my favorite Roget’s Thesaurus close to hand. And also The American Thesaurus of Slang. Good for finding just the right period-perfect term for historical fiction.

Q. Could you tell us something about yourself that we might not already know?

MG. I have never lived on the “dry side” of the West where many of my novels and stories are set. I grew up on the “wet side” and live here still, in a suburban townhouse at the edge of Portland.

Q. Do you have a set time each day (or night) to write?

MG. I try to write from post-breakfast to pre-dinner, with a short break for lunch, but that schedule can vary greatly now that I live alone and have no children or husband or dog to contend with. Now sometimes I surprise myself by writing late at night. But it’s a sad irony that I do have more trouble sticking to a set schedule now that I have more time to write. When I had a family at home and had to keep up the housework, the grocery shopping, the gardening, making meals, etc, I was more disciplined about squeezing my writing into the available time. Now I’ve become a procrastinator!

Q. What’s your best advice to other writers for overcoming procrastination?

MG. Speaking of which! I’m not the best person to give this advice, as I’ve become a terrible procrastinator myself, horribly addicted to the lure of the internet. I had to go away to a place without wifi in order to finish my last novel. Perhaps that’s my advice? Disconnect from wifi!

Q. Where/when do you first discover your characters?

MG. More often than not, a new character arises out of research for a previous novel. In researching for The Jump-Off Creek, which is a novel about a single woman homesteader, I came upon Teresa Jordan’s book of oral histories, COWGIRLS: WOMEN OF THE AMERICAN WEST, and there for the first time heard about young girls traveling the countryside breaking horses during the nineteen-tens, and my character Martha Lessen in THE HEARTS OF HORSES arose out of that research. And then while I was researching the history of horse training for that novel, I fell into a cache of material about how horses were trained (and misused) in the Western movies of the 1930s, and that was the beginning of my character Bud Frazer, a Hollywood stunt rider in FALLING FROM HORSES.

Q. What first inspired you to write?

MG. I’ve always wanted to write. I was a voracious reader and I think I’ve often been driven by a desire to write the story I couldn’t find on the library shelves.

Q. What comes first to you? The Characters or the Situation?

MG.They are intertwined. The character doesn’t exist for me until I know what sort of situation they are in. And the situation doesn’t mean anything to me unless I can see how it impacts a particular person.

Don’t miss Part two of this Interview on January 25th
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MY BLOG features INTERVIEWS with best-selling AUTHORS! December: Jayne Ann Krentz (Amanda Quick) January: Molly Gloss. February: Patrick Canning and March: Poet, Joe Albanese
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Book Review ~ Schugara by Joe English

5 out of 5 quills. Book Review

If you like words as much as I do (and you know how much I do) you will love this book. Words chosen and arranged so masterfully. English’s use of language is superb. No surprise, maybe, as the author took thirty years to complete the book. And he was still editing when he sent me the advanced reader’s copy. That’s dedication…but it also shows in the final product.

I don’t writer spoilers…that is, I don’t include the whole story (as so many reviewers do) in any of my book reviews. I review the writing and the story. Is the writing good? Is the story entertaining and complex? Are the characters believable and do I care about them? In the case of Schugara the answers are a resounding ‘YES’!

We’ve all wanted to run away and reinvent ourselves at some point in our lives. I certainly have…upon reflection I have actually done it! And that’s what this story is about. Several characters run away and they end up on the same remote island in the Caribbean. This book will require your full attention. It is not ‘light reading’ as the multiple characters are rich and the story complex.

My only negative critique is with the publisher. The back cover of the book does not give a synopsis of the story to lure a reader into buying it. Reviews are fine but they should be taglines on the back cover and full reviews saved for inside the book. The format is very distracting. (Maybe the issues were only in my advanced copy. Let’s hope so.) Unjustified spaces. Indents too deep. All these issues, including line spacing, contribute to the final number of pages, 500+, and may be a negative when a reader considers buying the book. Believe it or not, buyers check to see how many pages there are. No effort was made to create an author’s page on Amazon.com and other outlets, which is basic marketing. The readers want to know more about the book and its author.

Having said my piece about the production of the book, it’s a fine piece of writing and I congratulate the author. Waiting anxiously for his next book. I think there’s a book in Joe Rogers, Zero and the bookstore, The Yellow Harp.

Did you catch my interview with this author?

To purchase Schugara
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MY BLOG features INTERVIEWS with other AUTHORS! August: Mega best selling author, Susan Mallery. September: Jonathan Rabb. October: Alretha Thomas. November: Joe English. December: Jayne Ann Krentz (Amanda Quick) January: Molly Gloss and in early 2019 Patrick Canning.
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Interview with author, Joe English (part 2)

Q. Do you ‘get lost’ in your writing?

JE. Definitely. The rest of the world goes on, I am told and occasionally realize, while I am puzzling over a phrase, a sentence. Should I add a poem to the beginning of a given chapter to foreshadow the chapter’s worth? Should I use the word large or big? Is the simile in the sentence “The sky was as blue as the bluest eye. . .” apt? [Answer: no. Why not? Well, the sky is vast; the eye, small]. How about “The sky was as blue as the bluest eye and the jungle as green as gold”? The second half not as bothersome, but still not quite there yet. So, after hours and hours (literally) of tinkering, thinking, playing, rewriting: throw the sky overboard. Go with just the jungle: “The rising sun stoked greens—emerald and jade, myrtle and moss—into glistening gold.” There!

Q. You have a new book coming out soon? If so tell us about it.

JE. I am working on a short story. What has kept me going all these years is that many, many readers have praised SCHUGARA. Gratifying. But the bills must be paid. I am not sure I want to put myself through the torture, abuse, neglect, duplicity, that an unestablished novelist must endure. Tell me: is posthumous recognition appealing? I think frequently of Gray’s “Elegy Written in a Country Churchyard”:

Full many a gem of purest ray serene,
The dark unfathom’d caves of ocean bear:
Full many a flow’r is born to blush unseen,
And waste its sweetness on the desert air.

Q. When did you begin to write seriously?

JE. Since I was a child, ten years of age of thereabouts. I have always been fascinated with words. Elegance has all but disappeared from writing. From our use of language. From our culture. From the ways we interact with others.

Q. How long after that were you published?

JE. High school. Literary publication.

Q. What makes a writer great?

JE. Having something to say and saying it well.

Q. (Note to Self: a life lesson you’ve learned.)

JE. I quote Lily Tomlin in SCHUGARA: “No matter how cynical you become, it’s never enough to keep up.” I don’t like saying so, or recognizing this, but I have come to the conclusion that, for the most part, people simply don’t care, don’t give a damn, pay lip service to the concerns of others, and live inside solipsistic bubbles. My advice to aspiring writers: get off the beaten path. If you are in a city, move into one of the many “ghetto” areas the United States cultivates, dumping grounds for people without money, for the most part people of color. Do not get sucked into the television world of lies and happy faces: YOU DESERVE A BREAK TODAY! HAVE IT YOUR WAY! Those who are idealists in their teenage years and twenties sell out by age thirty without ever realizing so. Do we need more stories about suburban angst?

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

JE. A book is NEVER finished. The writer must force himself/herself to stop. Now that I have been forced to stop, I suffer the slings and arrows of trying to get attention paid. The literary gatekeepers keep a close-knit mutually praising society, frightened, so it seems, at anyone or anything that goes against the grain.

Ours is a close minded culture, wherein those who know know they know better. They are the tastemakers. Do you think a novel published by a struggling tiny press located in Louisville, Kentucky, clearly the hayseed capital of the nation, has a chance of being reviewed by the New York Times?

Did you miss part 1: Click here
To purchase Schugara
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MY BLOG features INTERVIEWS with best-selling AUTHORS! August: Mega best selling author, Susan Mallery. September: Jonathan Rabb. October: Alretha Thomas. November: Joe English. December: Jayne Ann Krentz (Amanda Quick) January: Molly Gloss and in early 2019 Patrick Canning.
To receive my posts sign up for my On the home page, enter your email address. Thanks!

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Book Review ~~ Mistletoe Miracles by Jodi Thomas

5 out of 5 quills ~~ A Review

I didn’t want this one to end.

Jodi Thomas weaves three stories into one. Three sets of lovers finding each other, getting lost again, and finding each other for keeps.
The lovers are diverse with really only one common thread, that being a tiny town, Crossroads, Texas. An arranged marriage, a wounded warrior, and mistaken identity all meld into a wonderful trilogy within one book. I loved it!

There’s never a misplaced word when this writer tells a story. The characters capture the reader within the first few pages. The story line (in this case three) is interesting and believable.
You won’t get a spoiler from this reviewer. For me it’s all about the writing and this author writes like a dream. Interesting settings, great, colorful characters richly drawn and wonderful dialog.

To Purchase Mistletoe Miracles Click Here

Did you miss my Interview with Jodi Thomas?

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MY BLOG features INTERVIEWS with best-selling AUTHORS! August: Mega best selling author, Susan Mallery. September: Jonathan Rabb. October: Alretha Thomas. November: Joe English. December: Molly Gloss. Coming this winter: Jayne Ann Krentz (Amanda Quick) and Patrick Canning.

To receive my posts sign up for my On the home page, enter your email address. Thanks!

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Book Review ~~ Colorblind by Reed Coleman Farr (Robert B. Parker)

5 out of 5 quills A Review ~~ Colorblind

I have been wandering the streets of Paradise, Massachusetts with Jesse Stone for over 15 years and {over two decades with Spenser in Boston}. Following Jesse as he tries to make his little town a little safer. We all loved the creator of these wonderful mysteries, Robert B. Parker. After his death, Reed Farrel Coleman and Ace Atkins took over these series, helping the Parker estate to keep them alive.

The latest offering is Colorblind. Whether by intent or coincidence, it’s a timely story of racism, bigotry and tribalism. The plot is complex while remaining very entertaining and keeps readers on their toes. And if you’re a series fan of any writer, as I am, it’s always fun to meet back up with recurring characters, such as Molly Crane, Luther ‘Suitcase’ Simpson, and Healy.

I am constantly amazed at the writer who can speak in another writer’s voice. Reed Farrel Coleman does this flawlessly. Giving the fans of Robert B. Parker years more of his stories, even though he is gone. I’ve never been one to write spoilers in my reviews. It’s all about the writing for me. The story. The Characters. But I will tell you, there is a huge surprise in Jesse Stone’s story line. I mean HUGE!

Another winner and I highly recommend it.

Did you miss my Interview with Reed Farrel Coleman?
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MY BLOG features INTERVIEWS with best-selling AUTHORS! August: Mega best selling author, Susan Mallery. September: Jonathan Rabb. Coming this winter: Jayne Ann Krentz (Amanda Quick)

To receive my posts sign up for my On the home page, enter your email address. Thanks!

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