Author, Donna Everhart ~ Interview

Donna Everhart is a USA Today bestselling author known for vividly evoking the complexities of the heart and a gritty fascination of the American South in her acclaimed novels. She received the prestigious SELA Outstanding Southeastern Author Award from the Southeastern Library Association, among many others.  Born and raised in Raleigh, she has stayed close to her hometown for much of her life and now lives just an hour away in Dunn, North Carolina.  

Q. Where do you write? Do you have a special room, shed, barn, or special space for your writing? Or tell us about your ‘dream’ workspace.

DE. I have an office upstairs that’s pretty secluded, which I love. It’s actually the same office I used when I was working way back when in the corporate world. Since I left that occupation in 2012 to write full-time, the one big thing I’ve changed is adding bookshelves. Lots of them! These shelves hold my inspiration and of course, my entertainment. The books in the pictures were placed right after the bookcases were built when I was still organizing, and boy, that was a lesson learned. I must’ve moved my stacks at least three times until I finally settled on read non-fiction/craft books to be read and my own work.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat workspace, sharpened #2 pencils, legal pad, cup of tea, a glass of brandy, favorite pajamas, etc.)

DE. We’re all so uniquely different with how we approach writing, so, I suppose you could say we all have quirks. I don’t necessarily need a completely pristine

 workspace, but I don’t want it so messy it’s distracting. I like medium point pens, although I don’t (and never will) work in long hand. The pens are for taking notes when I have an idea I don’t want to forget. And, usually, around 4:00 p.m., I often need a break, and I’m prone to have some caffeine so I can catch a second wind. It’s usually coffee, but if it’s really hot, (I’m in NC – it gets pretty hot!) I’ll opt for slightly sweet iced tea with a squeeze of lemon.

Q. Could you tell us something about yourself that we might not already know?

DE. I found a body on the beach once. It was a young man in his early 30s who was pulled out by an undertow. It was right after 9/11 and eventually I found out he was fasting, and praying, and on that particular day, the day he was due to go back home to West Virginia, he went out for a swim and, sadly, drowned. I found out all of this through his mother who contacted me later. She was able to find my address from her other son who was a state trooper, and had access to information. She wrote to thank me for holding his hand until help came. Even though he was gone, I felt compelled to do that. It was kind of scary because his eyes were still open, and I SWEAR he could see me, but given other things going on with him physically, it was apparent he’d passed on. It was really tragic and sad.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

DE. I go right to the keyboard. My writing is too messy, (note the remark about long hand above) and I think too fast (sometimes) to be able to write anything legible. I even have trouble with my grocery list and deciphering what the heck I wrote on it.

Q. Do you have pets? Tell us about them and their names. 

DE. I don’t have any pets at the moment. I used to have Yorkies. First, we had “the girls,” Bella and Kiwi. We tragically lost them in the summer of 2012, within three weeks of each other due to that whole fiasco with jerky treats. (If anyone is wondering what I’m talking about, just Google dog jerky treats made in China and FDA.) About 4 months later, in December of 2012 we got another little Yorkie we adopted who was 3 years old. His name was Snickers, but we renamed him Mister. (close in sound) He was a mess, really quirky, was NOT food driven – at all. He had some health issues like IBD, and chronic pancreatitis. We also tragically lost him in the summer of 2021. I took him to get his teeth cleaned and he suffered a catastrophic event. It’s a long story, but it tore my heart to pieces. Right now, we don’t have any pups, but I keep going out to sites to poke around and look. I know one day we’ll have some again. I’m thinking of adopting a bonded pair, if I can. I think that would be perfect.

Q. Do you enjoy writing in other forms (playwriting, poetry, short stories, etc.)?
If yes, tell us about it.

DE. The only other form of writing I’ve done is a very short form of flash fiction. I used to write these one-hundred-word stories where five prompt words were

Coming Soon!

provided and the goal was to write a complete story (beginning, middle, end) in 100 words. I’m so consumed now with writing to contract that I’ve not done this in years, but it was fun, and actually really challenging – more so than you’d think.

Q. What’s your best advice to other writers for overcoming procrastination?

DE. You’re “looking” at a procrastinator.

Don’t miss part 2 of this entertaining interview with Donna next week. 

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Book Review ~~ Just a Regular Boy by Catherine Ryan Hyde

   5 out of 5 stars  ~~  Book Review

A Jewel.  Flawless, as is the norm for Hyde.  

A story of unconditional love and bottomless generosity of spirit.  
The characters are so richly drawn that writers of lesser talent or experience have cause to weep. 

This reviewer flirts with being bombastic, I know.  But I know with each book, [like the last], I crack open to the first page of the story, and I am lost in Catherine Ryan Hyde’s world be it runaways, old crotchety men, strangers coming together in unlikely, but totally believable situations, or in this case a “wild thing”. 
My readers know I abhor giving a synopsis of the story [ruining it for everyone]  and I will refrain once again. I will say this, ‘Just a Regular Boy’ will uplift you and make you happy that this author created these characters and you got to meet them!

This book is a must on your ‘books to read’ list. 
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A few BOOKS BY TRISHA SUGAREK

  

Trisha’s poetry gets a Rave from BookReview.com

Title: Butterflies & Bullets
Author: Trisha Sugarek
Rating:  Must Read!
Publisher: Trisha Sugarek
Reviewed by: Eric Jones, Book Review

I knew Sugarek’s work in the past from her collection of short children’s plays, Ten Minutes to Curtain, which involve the complicated dynamics of growing up. Flannery O’Conner said that if you live through childhood then you have enough material to write forever, and Sugarek has been there and then some. Her short work for the stage has put her in the perfect position to transition from play to poetry with her new book, Butterflies and Bullets.

Even the title denotes the strange duality between innocence and loss, and that theme is prevalent throughout the work. Mostly in free form, Sugarek keeps everything in a minimalist range, lending focus to intimate moments like a man playing his Mandolin beside a fire or the quiet landscape of the Serengeti just before rainfall. These truncated pieces of life feel like literary snapshots. These are Sugarek’s butterfly collection. Then, of course, there are the bullets.

The bullets are also set in free form, however they deal with much more happenings and are more narratively set. My favorite poem is one of these. “Hair Cut… Two Bits” chronicles the return of a barber from war-torn Europe in 1934 via a freighter into the Mississippi from the Gulf. The story, though scarcely a few pages, manages to convey the loss, struggle, and triumph of war given a single, near microscopic, experience. Not to mention that it’s all the more topical today, given the current mess in off the shore of New Orleans.

There are many that are like these, managing to say a lot with only a little and Butterflies and Bullets comes off splendidly. The collection feels complete and utterly whole, no piece of the pie excluded. Such close ups reveal that every place is connected. The ocean, if you look closely enough, looks just like rain on the blistering asphalt of your driveway. Shanty Irish curtains, at a certain scale, are indistinguishable from the sculpted wood of a Native American totem pole. This is the nature of Sugarek’s poetry, that when you pull back you see how different everything is, but when you put it under the microscope, a butterfly is really just a bullet with wings. 
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haiku, poetry, pen and ink art, poems, Japanese haiku,

Book Review ** Kindergarten at 60

This is a delightful narrative about a long-married couple, safe, comfortable, and settled in their ways. They’ve both sort of retired. They still teach.  Then one day they step way…way…way…WAY out of their comfort zone.  THAILAND.

They finally arrive, after a laborious trip through red tape, to a far-flung Providence.  They have anticipated that they would still teach in the age group that they have so much experience in…teens to young adults. 

For years the author, Dian Seidel has been teaching English as a second language, and Iyengar yoga in the US. Sounds like one of the most adventurous things she does is open ocean swimming.’ Adventuresome’ at least in this writer’s mind. It would scare me to death!

My only critique is that the author spent way too much paper on the bureaucratic and endless paperwork to get into Thailand. I don’t think the reader particularly cares for a blow-by-blow description of each hurdle.  A couple of paragraphs would have covered it.  We got it!

I would have liked to have seen more pages dedicated to the family lives of some of the students. That would have made for good reading! 

I would recommend this book kto my readers.  It was charming. 
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Crow Mary by Kathleen Grissom ~~ Review

    4 out of 5 stars   ~~  Book Review

 

A much-awaited novel by Kathleen Grissom, who is well known and touted for her two previous books, The Kitchen House and Glory Over Everything.  While she never mis-stepped when writing the latter and, as far as I could tell, got it mostly, if not entirely right, there were a few things that made me itch to correct her while reading Crow Mary.  Maybe I’m overly sensitive as I myself lived on tribal lands (Makah Nation) as a young woman for over two years in Neah Bay, Washington. (Pacific NW.)

I had a problem with several nation lineage issues regarding Crow Mary’s knowledge of her own people. Wouldn’t Mary mention that the Crow People were originally a minor subset of the Sioux Nation and now were at war? The Crow had migrated from the Great Lakes area to the Dakotas and Montana.  Know that in spite of the fact that the Sioux were now an enemy of the Crow People?

Secondly, Nakoda is spelled in the book with a ‘D’ when the correct spelling and the most commonly used name is Nakota with an ‘t’. 

Mary is a proud Crow woman who really doesn’t take any guff off of any man, native or white.  Yet she refers to herself and to her tribe as “Indians”, a derogatory term invented by the white man.   I don’t know of any written history of where the People in question thought or spoke of themselves as “Indian”.  I think the author also missed an opportunity to weave in Mary’s nation’s full name that the white man bastardized it to simply, “Crow”. 

Please don’t misunderstand, this is a really, really good story, and maybe the average reader wouldn’t pick up on any of the things that bothered me but be that as it may…..I could not give the book the resounding 5 stars that I had anticipated doing.  

Spoiler Alert:  Don’t read the prologue. It’s a clear indication of how the book ends. (or one of the endings) Within the book itself once I read of the practice of the ‘wolfers’ using strychnine when trapping, I thought I knew how the book would end and that spoiled it for me somewhat. 

Did you miss my interview with Kathleen Grissom?
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A few BOOKS BY TRISHA SUGAREK 

Monday Motivations for the Writer! #18

TS: A fellow writer that I have interviewed was kind enough to contribute to my Motivational Moments…  Thanks, Mike!

‘One of the most common questions that novice writers ask me is “How do you overcome writer’s block?” I would define
writer’s block as a heavy psychological state in which you’re completely out of ideas about what to write. Usually, writers seem to experience it somewhere in the middle of a story rather than near the beginning or end. It can last for days or even weeks, getting you down and undermining your confidence.

My solution is simple, and many writers report that it also works for them. When you experience writer’s block, jump to some other point in the story, some other scene or episode that you already know will be there, and start working on that. This can include jumping all the way to the very end and working backward. Writers who prefer to write their stories sequentially, from start to finish, may feel uncomfortable with leaping over to some faraway section of the story, but believe me, if you force yourself to do this, there’s a strong chance that you’ll break through the barrier.

I don’t know how this solution works–maybe subconscious plot connections take place or it’s simply getting your creative energy flowing again, but it usually does. Give it a try next time you’re stuck and see if it works for you.’ ~ Mike Wells

Who is more to be pitied, a writer bound and gagged by policemen or one living in perfect freedom who has nothing more to say?” ~ Kurt Vonnegut

“A straight line is not the shortest distance between two points.”― Madeleine L’Engle

Did you see my interview with Mike Wells? Click here
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A few BOOKS BY TRISHA SUGAREK 

Monday Motivations for the Writer! #17

TS. My friend and best-selling author, Jodi Thomas, did me the honor of contributing to Monday Motivations.

‘The hardest thing a writer does each day is sitting down to work.  In 28 years as a working writer, I’ve published 45 books and 13 novellas.  The hardest thing wasn’t learning to write but learning to manage time. I picked up a few tricks but it is still the dragon I fight every day.

Jodi.photo (Small)
Jodi Thomas

Build your nest.  I find this makes it easy for me to step into fiction.  It doesn’t matter if your nest is in a secret room in the attic or a small desk in a hotel room. It needs to be your nest. I usually start with a notebook. 

My facts book, my bible for the series.  It includes all characters’ names and basic facts.  Maps of the area—if you’re making up a town, make up the map.’ ~~Jodi Thomas

‘Peace and rest at length have come, All the day’s long toil is past; And each heart is whispering “Home, Home at last!‘- Thomas Hood

Two roads diverged in a wood and I – I took the one less traveled by, And that has made all the difference.’- Robert Frost
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A few BOOKS BY TRISHA SUGAREK 

 

The Guyer Girls will open soon in the Black Hills of South Dakota

The Black Hills Community Theatre of Rapid City, South Dakota is opening performance dates for my play, The Guyer Girls, beginning March 31st.  

 

Writing down my memories of my mother telling me these wild stories about herself and her four sisters when they were teenagers in the 1920s in a tiny town

Mama, Violet, Gladys, Ivah, Youngest sisters

in the Pacific Northwest was a joyful trip down memory lane and a perfect genre to preserve her stories.  When I was a child, thankfully, I knew all of my aunties as older women. It’s a special event when I am notified by Samuel French, my publisher, that this particular play has been licensed to produce by a theatre group.

Synopsis:

Critics have described The Guyer Girls as a cross between Little Women and I Remember Mama. From the opening moments when Ivah cuts Violet’s eyebrows off, this story romps through the sibling antics and rivalry of a large family. The first act takes place as the young teenage girls are growing into lovely women.

The five sisters grown: (left>right) LaVerne, Violet, Gladys, Ivah and Lillias.

 

(left>right) Tish Evans as LaVerne, Carol Cameron as Violet, LaRee Mayes as Mama, Wendy Lowe as Lillas, and Marilyn Hovland as Ivah

In a series of family stories set in the 1920s, we enjoy the girls’ hilarious pranks, antics, joys and humiliations. There is laughter in abundance. Tears, love, and sibling rivalry as these four delightful sisters grow up under the guidance of their matriarch, ‘Mama’. A prestigious marriage, a female pro-basketball player, and a run away to Alaska, these young women couldn’t be more diverse. Fast forward to the 1940s. The sisters are adults, starting their own families and Pearl Harbor has just been attacked.

The Guyer Girls are the children of Sophia and Levi Guyer who migrated to America and then moved out west. The stage play is a rich tapestry of an American family spanning three decades and based upon the true story of the Guyer family. 4f.
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Watch for more interviews with authors.  December: Marc Cameron, writing for TOM CLANCY
March-Apr:   
Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION  April: Author, H.W. ‘Buzz’ Bernard 

A few BOOKS BY TRISHA SUGAREK

 

Monday Motivations for the Writer! #16

Why momentum is more important than quality. Blasphemy, right? Wrong. Momentum is more important, in this writer’s opinion, than quality.

The writer with momentum is an author who is MOVING FORWARD.  Writing every day, six or seven days a week, if only a page or two a day.

The writer who is so stuck on ‘quality’ that they have only written one book in their life time, and they are still writing it, is the writer who is not moving forward or growing.  If you only write one or two words a day, your manuscript is moving forward.

Many writers, who believe a,s I do, say that if you leave a project for a month, six months, a year, it is likely that you will never go back to it. And during that time the doubt creeps in: “who do I think I am?” “I’ll never be a great writer.”  “I’m no good at this.” “My mother was right, I’ll never amount to anything….” “how good could I possibly be?” “I should go get a day job.” “How dare I?”

Remember, Quality gets layered in, draft by draft. Some newbie writers think that the first draft should be perfect. Sorry, that’s simply not the case. You’ve heard me say over and over:  ‘that’s what rewrites are for.’
Quality is a multi-draft proposition. Momentum is the only thing that will get you a FIRST DRAFT!

Write until it becomes as natural as breathing. Write until NOT writing makes you anxious.” Unknown

The role of the writer is not to say what we can all say, but what we are unable to say.” Anais Nin

When we deny our stories, they define us. When we own our stories, we get to write a brave new ending.” Brene Brown
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Watch for more interviews with authors.  December: Marc Cameron, writing for TOM CLANCY
March-Apr:   
Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION, April:  H.W. ‘Buzz’ Bernard, WWII historian

A few BOOKS BY TRISHA SUGAREK

Monday Motivations for the Writer! (#15)

When characters stroll into your story….LET THEM! A little while back, I completed an interview with FreshFiction.com and was relating to the interviewer that several characters had walked into my story (Song of the Yukon) quite unexpectedly.   I welcomed them in. It happens to me frequently.  They contribute interesting tributaries to my main story stream. Even though I had to stop and do some extra research, it was so WORTH IT!

Keep writing, my fellow writers!

This is the true joy in life, the being used for a purpose recognized by yourself as a mighty one; the being thoroughly worn out before you are  thrown on the scrap heap.’~~George Bernard Shaw

An original writer is not one who imitates nobody, but one whom nobody can imitate.’ Francois Rene De Chateaubriand

‘I’m not the heroic type, really. I was beaten up by Quakers.’ ~Woody Allen
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Watch for more interviews with authors.  December: Marc Cameron, writing for TOM CLANCY
March-Apr:   
Joshua Hood, author of ROBERT LUDLUM’S THE TREADSTONE RENDITION, April:  H.W. ‘Buzz’ Bernard, writing for TOM CLANCY.  

A few BOOKS BY TRISHA SUGAREK