I had a friendly debate with another author when she responded to my Stephen King’s quote about ‘plot being the last resort of bad writers.’ One of her comments to me was, “writers have to accept that their readers might not care as much about your characters as you do.”
My vehement answer was if my readers don’t care as much as I do, then I haven’t done my job. I just finished reading a book by a new (to me) author, and I found her characters boring and unsympathetic. She didn’t tell me enough about them through dialogue and description for me to care. I suspect that since this was a series, she relied too heavily on her readers already knowing her characters from previous books. Big mistake! Even with a series, each book, and character, must be able to stand alone. #writing
Writers! You have to know your characters in order for your readers to know and care about them. With the most despicable villain, you must give your readers something to love about that character.
“People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets, their true beauty is revealed only if there is light from within.” Elisabeth Kabler-Ross
“When you are completely absorbed or caught up in something, you become oblivious to things around you, or to the passage of time. It is this absorption in what you are doing that frees your unconscious and releases your creative imagination.” Rollo May
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Watch for more interviews with authors. November: Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY
Okay, your first attempt at creative writing is finished. In your journal or notebook or in a password-protected file on your laptop, your first completed story awaits you. Now, what are you going to do with it? You can’t possibly let anyone read it! What if they laugh and it’s not a comedy? What if it’s met with poorly hidden scorn? Or when they read the last page, what if they look up, their eyes filled with pity…for you.
Sorry, but you’ve just entered the world of writing. You must brave the experience of having someone actually read your work. That is, if you intend to go any further.
Here’s the good news: pick people you trust who will give you constructive criticism. If you ask a family member, make certain that they aren’t threatened by your new passion for writing. They might sense that if you pursue your writing, it will take you away from them (and it will). Or, worse, they tell you it’s wonderful, perfect….which you and I both know it isn’t at this point.
Keep writing! Don’t let anyone or anything stop you. And I can keep this promise: if you keep writing, you will get better.
“Writing is a lonely business. You pour your heart and guts into the written word, often exposing what you’ve experienced in your own life. You nurture it, feed it, trim its toenails, wash its hair, dress it up, and send it out into traffic.” Trisha Sugarek
“Planning to write is not writing. Outlining a book is not writing. Researching is not writing. Talking to people about what you’re doing is not writing. None of that is writing. Writing is writing.” ~~ E.L. Doctorow
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Watch for more interviews with authors. November: Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY
Spoiler Alert: In order to write a formal review (which would include telling a little about this fascinating story), it would be riddled with “spoiler alert” warnings. So I won’t.
Instead, I want to write about this author’s uncanny talent for concepts. She writes about people, everyday people, about life, and how messy it is. It may not be a conscious thought, but somewhere inside you, you are wondering, ‘How did she come up with this concept for a story?’
In my interview with Catherine, she addresses how she comes up with her stories:
Q. Where/when do you first discover your characters?
CRH. When I have finished a novel and turned it over to my agent, I know I need a new idea. I open up to a new idea, and I meet a character. I generally see a glimpse of them, having some sort of life experience. Then I spend a few weeks in my head, with nothing down on paper yet, coaxing them to tell me more. (end quote)
That’s what I tell my writers (fans); to keep their eyes and ears open because you may get a mere glimpse of your next character. Just waiting there, in the shadows, for you, so they can tell you their story.
But I digress. If you have never read another book, be certain to read So Long Chester Wheeler. It’s a distillation of everything that’s so wonderful and horrid about the humane species. Beautifully written. Like Catherine examines each word to make sure it’s worthy to be in her story before she lays it down. And, as with most of her books, there are lots of surprises, plot twists and turns the reader never sees coming.
This author is everything we mere mortal writers should aspire to be. Sharpen your pencils!!
My interview with bestselling author Robyn Carr was so generous it became a 3 parter. She said this in the context of the post. I couldn’t have said it better so I borrowed it! Thanks, Robyn!
“….you have to be willing to write crap. You have to write all the time whether it’s any good or not. You can always delete or revise or rewrite but if you wait until it feels perfect, you’ll never accomplish anything. You have to fill up pages with words and keep moving forward…”
“Any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae.” Kurt Vonnegut
“To understand the heart and mind of a person, look not at what he has already achieved, but at what he aspires to do.” Kahlil Gibran
“Those who dream by day are cognizant of many things which escape those who dream only by night.” Edgar Allan Poe
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‘As a writer, I marinate, speculate and hibernate.’ Trisha Sugarek
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You know a story has been rattling around in your brain. TODAY is the day you will find time to sit down and write the first sentence, the first page. But you say, “I can’t get going. I can’t write it. Where do I start?”
Sit down and write an essay about yourself. Write down everything you’ve always wanted to say…but couldn’t or wouldn’t.
Somewhere inside that essay are the bones (the outline) of your short story, your stage play, or your novel. It may not be even a whole sentence. It may be just a phrase. So look closely, as it may be hiding in plain view.
Don’t worry about what will follow. The story will lead you. If you are very lucky, your characters will take over and tell you their story.
‘It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil trying to keep up long enough to put down what he says and does.’ William Faulkner
“Writing is a Tryst with the imagination and a love affair with words.” Unknown
“The reader, the book lover, must meet his own needs without paying too much attention to what his neighbors say those needs should be.” ~ Teddy Roosevelt
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‘As a writer, I marinate, speculate and hibernate.’ Trisha Sugarek
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Watch for more interviews with authors. November: Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY
Writers! Jump-start your day with more Monday Motivations!
Oh, so you think you will write all day, and beautiful things will happen? Think again, grasshopper. If you’re a one-person band like myself and most other indie authors, you will have to wear an editor, publicist, marketing, and publishing hat, to name a few.
It takes hard work and then some more hard work. But here’s the payoff: After eight years…yep..you heard me right…of consistent weekly blogging with relevant content, supporting other writers, and interviewing authors so much more famous than I am (well, I’m not famous at all) my posts are on page ONE of Google search, and my books are selling. This year a traditional publisher picked up my true crime series of books. Don’t misunderstand; when you get a publisher, DO NOT stop publishing your indie books. And most important of all: KEEP WRITING!
“If only life could be a little more tender and art a little more robust.” Alan Rickman, actor
“Tomorrow is the most important thing in life. Comes into us at midnight very clean. It’s perfect when it arrives and puts itself in our hands. It hopes we’ve learned something from yesterday.” John Wayne
“Writing isn’t a calling; it’s a doing.” T. Sugarek
‘As a writer, I marinate, speculate, and hibernate.’ Trisha Sugarek
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Want to see all of these (45) in one book? Click here.
Writers! Jump-start your day with more Monday Motivations!
Build up to writing the great American novel. Maybe that’s what is stopping you…the idea is so daunting. Remember there is no one great American novel. There are just writers trying to tell great stories. Start with a short story. Or a piece of poetry. I find ‘story-telling’ much less intimidating that way.
“There is nothing to writing. All you do is sit down at a typewriter and bleed.” Ernest Hemingway
“what matters most is how well you walk through the fire” Charles Bukowski
“I always try to be a learner.” Nikole Hannah-Jones, Pulitzer-prize winning writer, Professor UNC, contributing writer for the NY Times.
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‘As a writer, I marinate, speculate and hibernate.’ Trisha Sugarek
He was, in my opinion, the greatest American fiction writer of the last half of the 20th century. Fortunately for his book sales, most think of him as the archetypal drunk, misanthropic male pig. Whatever else he was, he was also the archetypal writer, a force of nature who knew exactly what to do to a blank page.
Bukowski attributed so much weight to the single line that it eclipsed the writing philosophy of writing. If the single line was magnificent, the rest would take care of itself. In a 60,000 word novel, the working focus was on the single line. In the sex stories he wrote and sold to skin mags for money, the working focus was on the single line. In a small, immortal poem that 50 people might read, his working focus was on the single line.
Do you possess this kind of love for your words?Well? Do you? Possess this kind of love and respect for your work? Do you respect your craft enough to narrow your focus to the attention of a single line? It’s not easy. It’s not fast. “But this must certainly be a path to immortal (and powerfully influential) writing. If you can stomach it.” Robert Bruce when writing about Henry Charles Bukowski, Jr.
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I’ve encouraged to re-write and delete and edit so much in my blogging you probably want to take a
‘delete’ key to me! BUT! It’s what makes a so-so writer into a good or great one.
Experienced writers know this and value the rewrite more than anything. That’s really when the magic happens.
In a recent interview here with Jo-Ann Mapson, she said, “I love rewriting. Just thank God for it every single day, because that is where good writing pokes its head up.”
A word to you aspiring writers: I’ve been there, believe me, when I was terrified to delete a single word.
Not that I was certain that everything I uttered was ‘gold’…..far from it….no, terrified that I had nothing betterto replace it with. Now that I have found my ‘process’ I understand how I work. I write it in my head for days, then, when the moment comes I type (thank God for my Admin skills of 75 wpm in a previous life). Once the story is laid down, I begin the re-writing, editing, adding, deleting.
Re-writing and deleting: some of my best work has been born in the re-write. Some of my worst work has been deleted. Get it?
The Delete key: I know, I know, I’m a tired old record. But it can’t be said enough. Get to know and love your delete key. Every word you write isn’t going to be ‘golden’. Before you push your child (story) out into traffic (the world) you are the only critic and editor in the room. Be certain that you critique yourself; keep polishing, keep editing.
I’m of the school of writers that believes my work is never finished; I could and have found something to re-write in everything I have published. It’s a demon I have to live with.
The mocking bird had been following the cat all summer mocking, mocking, mocking
Teasing and cocksure; the cat crawled under rockers on porches tail flashing and said something angry to the mocking bird which I didn’t understand
Yesterday the cat walked calmly up the driveway with the mocking bird alive in its mouth wings fanned, wings fanned and flopping feathers parted like a woman’s legs and the bird was no longer mocking… (from his book of poetry: The Pleasures of the Damned)
Reprised from post 3/2013 writeratplay.com
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Watch for more interviews with authors. October: Simon Gervais for ROBERT LUDLUM, November: Horror writer, Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY
Lillian Hellman (Author of The Little Foxes and Children’s Hour) once said, “Nothing you write, if you hope to be any good, will ever come out as you first hoped.”
As a writer, that has happened to me over and over. In the early days of my writing, I was appalled that the story was going somewhere that I had not planned for. The characters would lead me down paths I had no intention of going down or writing about. Now I accept this strange phenomenon that happens not just to me but to other writers as well.
A glaring, or perhaps glorious, example of a story taking an unexpected turn was when I was writing Women Outside the Walls. My plan for the storyline was that this would be a cozy little story of three very different women coming together while visiting their men in prison.
A third of the way through this project, Charlie, while sitting in the prison’s visiting room, jumps up, grabs Kitty, and, holding a shiv (knife) to her throat, takes her hostage. I sat at my keyboard and wailed aloud, “No! No, you can’t! I don’t know anything about hostages……or hostage negotiations!” Too late! He’d already dragged Kitty to the back wall, and pandemonium had broken out. The prison went on emergency lockdown, and there was nothing I could do! There I sat at my keyboard, dead in my tracks.
It took me four months researching hostage negotiations before I could resume working on my novel. I had not the faintest clue as to how I would finally resolve this room being taken, hostage. And I want to stop here and thank the federal and state hostage negotiators who assisted me in my research. While they would not share any of their techniques, they agreed to look over my story and tell me where I was off base. They allowed me to send them this segment of my novel for them to critique and assisted in keeping my portrayal accurate. Before you COs jump all over me about the gun, I did take dramatic license with that.
I have learned to anticipate and enjoy it when the story takes on a life of its own. It’s my fondest wish to become, simply, the ‘typist’. When my characters take control and tell me the story!
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Watch for more interviews with authors. September: Culley Holderfield. October: Simon Gervais for ROBERT LUDLUM, November: Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY
Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you? (cont.)
CH. I work at it until I can stand it no more. Then, I share the entire manuscript with readers I trust to give me honest feedback and step away from it while they read. If I’m lucky, it will take them a while, and I can gain some distance from the project. Once I have their comments, I’ll reread it myself, then revise it all over again. Sometimes it may take only a draft or two after that. Other times, as with Hemlock Hollow, it may take an entirely new draft and then eight more passes to get to the point where I feel the novel is where I want it. Then I start submitting it. If I’m lucky, it will get picked up by an agent or an editor, at which point I get to go through the process all over again.
Q. How have your life experiences influenced your writing?
CH. Tremendously. As I mentioned, my writing was influenced heavily by the cabin my parents bought right after I was born. Growing up, I learned to love storytelling on the front porch of that cabin when my grandmother would tell tales of her childhood and adults would share the goings on of their worlds. My fiction is often about the importance and
impermanence of place over time, how we can be nurtured and haunted by the places that make us who we are. And that comes directly from my own past of falling in love with places that change because all places change. Much of my writing is an effort to come to grips with that truth.
Q. What’s your downtime look like?
CH. What’s downtime? Just kidding. Sometimes it does feel like I don’t have much downtime. I have a demanding job that I love, and writing takes up most of what would otherwise be my free time. But I do manage to spend quite a bit of time in nature. I hike and paddle and camp when I can. Travel is one of my favorite things to do, and I read a lot and watch a lot of movies.
Q. Have you or do you want to write in another genre?
CH. That first novel I set aside was a spy thriller set in Ecuador, and at some point, hopefully not too far down the line, I have a pre-historical fantasy novel I’d like to write.
Q. Note to Self: (a life lesson you’ve learned.)
CH. Step one, if you want to be a writer, is to read widely. Step two is to write often. Step three is to find your place in a community of writers and engage with them.
You don’t have to do it all yourself; in fact, you can’t. When I was just starting out as a young writer, I thought all it took was sitting down and writing. Writing a novel is hard work, but it turns out that just writing well is not enough to succeed in this business. In addition to grit and persistence, you really need to find community. That’s hard for writers. Most of us are introverts, after all. But for me, finding other writers with similar goals and similar levels of commitment has made all the difference in my writing life. My twenty-five year-old self wouldn’t believe me if I told him this.
He would shrug me off and shoulder on alone, but no writer has ever succeeded in that way. Take advantage of writers’ groups and associations. Go to conferences. Meet other writers. Be willing to share your work and to have others share their work with you. In North Carolina, we have the North Carolina Writers’ Network, which has really been important to my growth as a writer. Other states may have similar organizations, so seek them out.
Did you miss the start of this wonderful interview?
Look for my review of this book December 2nd.
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Watch for more interviews with authors. September: Culley Holderfield. October: Simon Gervais for ROBERT LUDLUM, November: Kevin J. Kennedy, December: Marc Cameron, writing for TOM CLANCY