Available NOW: How To Write a 10 Minute Play ~~ Journal and Handbook
Lots of great instruction about the art of writing a ten minute play. And over 250 blank, lined pages for your creative writing as you write your first or tenth 10 minute play.
Excerpt from back cover: ‘As you prepare to write your first 10-minute play, pretend that you have walked into a room and interrupted a conversation, mid-sentence. Or you have turned on the television and tuned into a sit-com, ten minutes into (late) a thirty-minute episode. That’s where your head space should be when you begin writing your play. Give yourself permission. Sit down and write.
This journal/workbook gives you not only the space to write down your ideas for a play but there are instructional sections to help you create your ten-minute play. Develop your story line. Create the characters. Try out different dialogue. 250+ blank, lined pages with famous quotes by actors, playwrights, and writers on each page to inspire the writer in you.’
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
“Writing isn’t a calling; it’s a doing!” t. sugarek
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
My weekly BLOG features INTERVIEWS with best-selling AUTHORS! October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary, December: Mimi Mathews, February: Jennie Goutet, April: S. Brian Jones To receive my weekly posts sign up for my
On the home page, enter your email address. Thanks!
As I swiveled around in my office chair I faced the back wall of my office and stared unseeing at a (manually) typed letter from James Clavell dated June, 1971. Clavell being the author of the classic and world renowned, ‘SHOGUN‘. (for you poor pathetic illiterate readers out there who have never read this classic or heard of James Clavell.) The letter was a response to my asking him for more information on the word ‘joss’ and how it was used in ancient Japan. He responded with my answer and an invitation for us to sail up through the Strait of Juan De Fuca and the Georgia Strait to Vancouver Island and his home. WOW!
‘SHOGUN‘ began my love affair with Samurai Japan and the history of ancient Japan. The Samurai, a military caste in feudal Japan, began as provincial warriors before rising to power in the 12th century with the beginning of the country’s first military dictatorship, known as the shogunate. They continue to rise to great power, known for their superb fighting skills, their unwavering loyalty, and (oddly) their poetry. I became a student of this warrior class for over two decades. Searching out and reading their Haiku and Renku writings.
I was fascinated by the fact that these fierce, bloodied, bigger-than-life warriors who dedicated their lives to their lord and war could, in turn, write delicate, tender poetry. So delicate you felt as though the paper the poetry was written on would crumble if you held it too tightly. So tender your heart wept at the reading.
One day; I don’t know which day or what prompted me, I wrote my first Haiku. And as they say, the rest is history. I have written Haiku for over three decades, published three books of poetry.
It is a wonderful exercise in brevity and translates over to your other writings. Helping you to cut away the excess, the fluff in your writing. And if you write enough of this poetry, the fluff in your writing will never appear in the first place.
The Garden
I wander my blooms
the morning sun barely peeks
above the far hills
~~Trisha Sugarek
Samurai Song (Renku)
delicate blossom
rests in the still gnarled hand
bruised petals weep tears
weary eyes open
tiny cuts, the body bleeds
peace still years away
sun rise breaks the hill
heralds another battle
draw your sword and charge
~~Trisha Sugarek
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
My weekly BLOG features INTERVIEWS with best-selling AUTHORS! November: Susanne O’Leary, December: Mimi Mathews, February: Jennie Gautet, April: S. Brian Jones To receive my weekly posts sign up for my
On the home page, enter your email address. Thanks!
You find inspiration in the strangest places. I was dedicated to writing scripts for the stage. A few years back, I attended this production of my children’s play, Emma and the Lost Unicorn, outside of Boston .
After the actors had their curtain calls, the Director told them that if they changed out of their costumes and did their assigned tasks back stage, they could ‘have some time with Trisha’.
So I found myself holding impromptu stage craft classes with these adorable young actors (age 5–18). I was struck how serious they were about their craft. Their questions were very sophisticated. And then it happened……the inspiration to dare to write something completely out of my comfort zone…..a book.
Emma
The youngest ones begged me to write the stories from my scripts into storybook form. They wanted to have Emma, Stare, Cheets, and Stanley in their personal libraries. Six children’s books, a mystery series and three novels later I have found a new outlet for my story telling. These children, who knew no fear, gave me enough courage to try chapter books, poetry, and becoming a novelist. Experimental at times, risky at times, scary, but so rewarding.
I was lucky and had a head start using my stage plays as a story outline as I adapted them to story book form. But for my true crime series and the novels, I was flying solo….staring at a blank screen, typing that first sentence (that I am always talking about).
So step out of your comfort zone and try writing in a different format… it’s very liberating and you might surprise yourself. I did!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
My weekly BLOG features INTERVIEWS with best-selling AUTHORS! To receive my weekly posts sign up for my
On the home page, enter your email address. Thanks!
This is one of those rare books where the reviewer wants to give it ten, no, a hundred, no, two thousand stars! The writing is stunning. Ruth Talbot has a delicate, beautiful usage of words that we mortal writers can only dream of for ourselves.
And her words craft a wonderful story. Griping, grim, tragic at times, nostalgic and loving. About friendship, perseverance, crushing hardship, with no real happy ending. Talbot takes us tramping across this great nation of ours during one of the bleakest times in our history. The Great Depression. I, for one, never imagined that children….yes, you heard me correctly….children were cast out into the world to join the thousands of ‘hoboes‘ who jumped on and off trains and used them as their only transportation. Following work and seasonal harvests in order to not starve to death.
Beautiful writing….a book you’ll want to take your time with. Mulling over a turn of phrase in the prose if you are a ‘English literature’ buff….or view, in your mind’s eye, the stunning visuals Talbot paints for her readers.
This appears to be Talbot’s debut novel and we can only hope that she is working on her next one.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
My weekly BLOG features INTERVIEWS with best-selling AUTHORS! October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary, December: Mimi Mathews, February: Jennie Goutet To receive my weekly posts sign up for my
On the home page, enter your email address. Thanks!
Another pair of cowboy boots
beneath my bed
banishing dreams of
a permanent man
right out of my head
They call me a buckle-bunny
but that sets low the bar
for at the end of the night
I take home the rodeo star
He rides wild horses
and even wilder bulls
I lap him up by the mouthfuls
Lust curls in my belly
when I spy the champion buckle
his laughter is sweet as honeysuckle
An aging buckle-bunny is what I see
until the next cowboy smiles at me
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
With years of practice writing Haiku, Renku (and prose) poetry, I feel as though I have acquired some skill. Because that is what it takes, practice. The more you do anything the better you become. This my first attempt, ever, at ‘rhyming poetry’. For two consecutive mornings I had lain in my bed, between that creative space of half-sleep and wakefulness. The poem swirling around and around until it distilled to this and I had to write it down. (for better or for worse.)
The biggest reason that “rhyming poetry” has fallen out of favor is that it is often forced and unnatural. … To the ear, it will sound more like internal rhyme (but to the eye it will appear as some form of end rhyme). In a good rhyming poem, the reader might not even realize it is rhyming poem (until later). (Unknown. From the Internet.) If I accomplished this, dear reader, it was by pure accident.
The title: A young country-western song writer made up this term and it caught my fancy. She meant it as a name for the groupies that follow the rodeo and its cowboys.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
My weekly BLOG features INTERVIEWS with best-selling AUTHORS! November: Susanne O’Leary, December: Mimi Mathews, February: Jennie Gautet To receive my weekly posts sign up for my
On the home page, enter your email address. Thanks!
JG. There is natural talent, of course. But I think what makes a writer great is being able to handle critique and to incorporate the good critiques into future works – to constantly learn and grow in the craft.
Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?
JG. I get a rough idea and write a few chapters that I love. Then I crash and don’t know what to do next so I call my development editor and we talk through the ideas. I write a really skeletal first draft and hate it. Then read through and think it’s not quite so bad. I get my critique partners to have a look and take their advice. I edit again then send it to the developmental editor in completed form (or at least at 80%). I edit again on the computer then on paper and send it to the line editor. I edit again with her changes and do text to voice to catch repeats or strange wording. Then I read it on my kindle to see it as a reader would before sending it to the proof editor. In the final stages, I send it to early readers who catch all the typos and other mistakes no one else caught. Then it’s ready to go out.
Q. How has your life experiences influenced your writing?
JG. I’ve lived in a lot of places. I’m curious about human nature. I observe. I’ve suffered from the darker things like grief and depression. I’ve known wild joy and adventure. I think my characters come to life from what I’ve experienced.
Q. What’s your down time look like?
JG. This is a weakness of mine. I do not have down time. I work all day on writing or the other aspects of the business (marketing, social media, production, translation, audio), then make dinner and listen to my teens talk about their day. On the weekend I’m doing ministry stuff. (We serve the teen ministry). I know this is just a phase, though – these teen years – so I’m okay with it. I really enjoy reading in bed at night. And we go away a few times a year, which is great. Sometimes I take a walk by the Seine river, or visit a friend, or go into Paris, but there is no regular downtime.
Q. Have you or do you want to write in another genre`?
JG. I’ve written contemporary romance. A Noble Affair was my first novel and it’s not the finest in terms of literature but it was good practice for a full-length fiction work. And A Sweetheart in Paris is a decent book, I think, but it hasn’t attracted much attention. I’ve written a memoir as well, Stars Upside Down. I think if I were to switch genres I wouldn’t stray far. Georgian or Victorian as opposed to Regency. But I really love what I write.
Q. Note to Self: (a life lesson you’ve learned.)
A. Well, this won’t be relatable to everyone, but my main life’s lesson is that when I draw my last breath my books won’t matter. Only my relationship to God will. So I need to make sure that success doesn’t go to my head and that failure doesn’t destroy me. I am just God’s kid, and He’ll make sure I have all I need.
Did you miss Part 1 or Part 2?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
My weekly BLOG features INTERVIEWS with best-selling AUTHORS! October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary, December: Mimi Mathews, February: Jennie Goutet To receive my weekly posts sign up for my
On the home page, enter your email address. Thanks!
Q. What does it feel like to be an American writer, living in France, writing in an English, historic romance genre. (Special challenges? Funny stories?)
JG. I can usually forget about where I live when writing my Regency England books. But it can be tricky when translating the books, especially when the Napoleonic wars are portrayed. My latest book was set in Waterloo and we all know how that turned out for the French. I’ll be putting a disclaimer in the front and the back of the book for that one. (Oui, oui, I love my adopted country). Otherwise, I think it helps for the historical details. I have a much easier time getting to the French chateaux, but they can easily inspire me much in the same way the English ones would were I able to visit them.
Q. Where/when do you first discover your characters?
JG. Sometimes I start out with a good idea of the character and who he or she is. At other times, I discover my character as I go. He or she takes control of the story and runs off with it in an unexpected direction.
Q. What first inspired you to write?
This blogger is a big fan!
JG. I had tried writing when I was younger. A handwritten book in the 8th grade, 10 chapters of a book that went nowhere when we were living in Africa, a fantasy book that I mapped out and abandoned. It was finally the freedom of writing for the sake of writing on my blog that allowed me to see how much I enjoyed written expression, and it was my memoir that allowed me to see that I could finish a book. From there I wanted to keep writing books but I had already told my own story. It was time to tell someone else’s.
Q. What comes first to you? The Characters or the Situation?
JG. It truly depends on the book. I might start with Character: ‘I want to tell the story of a woman who keeps her poise when faced with a series of difficult situations’ (A Fall from Grace); or Situation: ‘I want to tell the story of an arranged marriage where the bride is furious to be sold off and the husband is feeling sheepish about having arranged it’ (His Disinclined Bride); or it could be that I know the character from previous books and tackle Both: ‘I want to put shy, retiring Phoebe with her unrequited love through the fires of Brussels in 1815, which will show her just how strong she is.’ (A Daring Proposal). It just depends.
Q. Do you ‘get lost’ in your writing?
JG. I should say yes. That is what a proper writer is supposed to say. But no, not always. Sometimes it’s just a job and I have to get the word count in. Fortunately (for the reader, I suppose) there will always come a point when I am fully invested. But in terms of proportion of time spent getting lost, it’s a little less like first dates / falling in love and more like married for 25 years and still grateful – if that makes sense. Even if a lot of the writing feels like work, I do love it.
Q. Are you working on something now or have a new release coming up? If so tell us about it.
a trip to Rouen
JG. Right now I’m in the process of launching two season finales. A Daring Proposal is just released in the Memorable Proposals series. This is the one about Waterloo. And The Sport of Matchmaking is set to come out in May. This one is the last of the Clavering Chronicles series, and it’s fun and light in tone. There is a pretty strong contrast to A Daring Proposal, which is more about the deeper emotions. So now it’s time to start something new. I am in the process of thinking about a series. I’m working out the setting, the characters, the covers and the names, but it’s too early in the process to say anything because it might yet change.
Q. When did you begin to write seriously?
JG. I was a regular and invested blogger for years, but those were always short posts rather than the longer works. I published my memoir at the end of 1813 (Oh my gosh. That is how much of a Regency writer I am – I literally wrote that date instead of the 21st century) in 2013 and I have not looked back since.
Q. Do you think we will see, in our lifetime, the total demise of paper books?
JG. I’m not sure. If we increase bamboo production and start to use that instead, and start to reduce battery-operated small appliances … maybe we’ll keep paper? Unless the e-readers all become solar charged? I do think that the trend will be based more on the needs of the environment rather than readers’ preferences.
Did you miss Part 1 of our interview?
Join us for the conclusion next week.
Did you miss my REVIEW of this author’s book?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
My weekly BLOG features INTERVIEWS with best-selling AUTHORS! October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary, December: Mimi Mathews, February: Jennie Goutet To receive my weekly posts sign up for my
On the home page, enter your email address. Thanks!
My weekly BLOG features INTERVIEWS with best-selling AUTHORS! October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary, December: Mimi Mathews, February: Jennie Gautet To receive my weekly posts sign up for my
On the home page, enter your email address. Thanks!
I ordered more books by this author (hope it was not a mistake) based on the first one I had read. This offering Nora Roberts Land ruined a pretty good story. The author kept referring to book titles by Nora Roberts and the protagonists of each story. It became very distracting, very quickly. It smacked of: ‘See how clever I am to know all these titles and their heroes?‘
I first suspected that this was an indie published book because the formatting was all wonky. That’s the first clue that an author self publishes. That’s not a bad thing but the author should do their very best at formatting. The ‘justify’ margin selection would have solved many of the wonky right margins found in this book. It was obvious to me that she had used the ‘left’ margin key. Very distracting.
The characters were a little shallow. The plot was okay but with the many references to Nora Roberts’ characters it came across as CORNY.
The sex scenes were lascivious rather than salacious or scintillating.
I never finished this book. An unheard-of thing for me. I usually stick to the bitter end.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
My weekly BLOG features INTERVIEWS with best-selling AUTHORS! August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary, December: Mimi Mathews To receive my weekly posts sign up for my
On the home page, enter your email address. Thanks!
It’s that time of year….Auld Lang Syne and as the poet, Robbie Burns wrote, “old long since”. And I’m in the mood to tell a story.
Mother, Violet, on right, circa 1922?
In a very ‘Auld Lang Syne’ kind of mood, I remembered things from my long ago youth at holiday time. Especially my mother’s traditions in the kitchen. Christmas dinner was a big stuffed turkey with all, and I do mean all, the trimmings. Dinner began with a ‘shrimp cocktail’. If there was fresh shrimp (there had to have been; we lived in the Pacific Northwest for goodness sakes); my mother had never heard of them. Canned shrimp filled two third’s of a martini glass, topped with her homemade cocktail sauce. A sprig of parsley on top and the glass was then placed on a paper doily covered saucer. On the saucer was ONE, (never two or three) Ritz cracker.
The sage, giblet stuffing, made from scratch and that means my mother saved the heels of bread loaves for weeks. I’ve never tasted dressing as good since. She would make the usual trimmings, gravy from the turkey drippings, green beans (out of a can, of course) flavored with bits of boiled bacon, baked sweet potatoes, and jellied cranberry sauce. She considered whole berry cranberry sauce savage. Home made biscuits and mashed potatoes. And then the pièce de résistance………..her oyster dressing. (Fresh oysters) Heaven in a bite!
Mom & me
Not being a particularly religious family the blessing was be short. If my Dad could get away with it, he would add: “Pass the spuds, pass the meat, for
Godssakes, let’s eat.” We would toast each other with Manischewitz wine. A wine connoisseur Mom was not! And I never knew why a Kosher red wine was part of her tradition.
As dishes were passed around the table, someone would always mention my mother’s off colored joke about a “boarding house reach“. A stickler for good manners, she would instruct us that a ‘boarding house reach’ was when you could ‘reach’ for something on the table and at least one butt cheek remained on your chair. That was an acceptable ‘reach’ and not bad manners. Otherwise, you must ask politely for someone to pass down the dish you wanted.
the flapper days
I was never certain whether she had run a boarding house or had just lived in one sometime during her 1920’s flapper*bar owner*professional bowler* speckled younger days. If she had run a bordello it would not have surprised me! Miss you, Mom!
My weekly BLOG features INTERVIEWS with best-selling AUTHORS! August: Veronica Henry, October: Life Coach, shaman, author, Jennifer Monahan, November: Susanne O’Leary, December: Mimi Mathews To receive my weekly posts sign up for my
On the home page, enter your email address. Thanks!
Available NOW: How To Write a 10 Minute Play ~~ Journal and Handbook
