stage plays Archives - Page 4 of 7 - Trisha Sugarek, Author, Playwright & Poet

How To Format Your (Self-published) Stage Play

TS. Now that the traditional publishers have turned you down, file away that rejection letter, soothe your fragile writer’s ego with a hot cup of tea, some chocolate, or whatever and self-publish your play.

It’s important to know that the correct way to format a stage play for submitting (to a publisher, agent or theatre) is very similar to the format used when publishing it. Below is a sample of the correct formatting.

List of Characters: I noticed that in the Dramatists Play Service scripts, they do not list the ages of the characters. I know from experience that a director wants to have this information immediately when choosing a play. What if they don’t have an eighty-year old, male who can act? Make-up can only go so far! Ethnicity is rarely listed but there are exceptions. But, generally, no. What if the director has a different vision for casting?

Sample:

CAST OF CHARACTERS (Place on the 3rd or 4th page after title, playwright’s name, Copyright notices.etc.)

CAST OF CHARACTERS (centered.)

Emma ~~ A young earthling girl
Stare ~~ A rhetorical owl
Donald ~~ A young fairie
Cheets ~~ a rambunctious elf
Patsy ~~ A large banana spider
Agnes & Annie ~~ the sister Aardvarks
Thomas ~~ the sea-faring sea turtle
Bertie ~~ the resident reading teacher

SETTING

The Fabled Forest

TIME

Present day.

Format Sample:

(From my published children’s play, “Emma and the Aardvarks”© ) The formatting of the Dramatist Play Service (publishers) do use parentheses when formatting the blocking. It is jumbled into dialogue even though it does not pertain to that particular character’s ‘action’. I find this very distracting but I am certain it has to do with production costs and keeping the page count down. Blocking direction is indented, italicized and in parentheses. Line spacing is 1.15 instead of single-spaced. Character’s names are all in CAPS, centered, and not italicized. Before dialogue, Characters’ names are all in CAPS with a period. Blocking is indented x 2. Scene breaks should be on the next (right) page. There are no extra line-spaces between blocking and dialogue except if there is a ‘beat’ when the same character pauses. Be certain to leave plenty of white space for the actors/director’s written notes. I prefer the format used by (my publisher) Samuel French, Inc. which you see below:

ACT II (centered & underlined.)

Scene 2

At Rise: A clearing in the fabled forest.

(EMMA and MRS. MOSEYALONG are sitting together on the grass. The PUPPIES are rolling around, play fighting, in the grass as puppies do. CHEETS is trying to get into the play. AGNES and ANNIE sit across from THEM reading THEIR book on Australia.)

MRS. MOSEYALONG

Let me assure you, Emma, we hunt and eat impala, Thomson’s gazelle and common wildebeest. Also, smaller animals such as dik-dik and warthogs.

CHEETS
(Stopping HIS play with the PUPS.)

That’s a funny word. Dik-dik. (Demanding.) Cheets wants to know what it means.

EMMA

Manners, Cheets. Perhaps you could ask Mrs. Moseyalong about dik-diks.

CHEETS

Cheets wants to know about dik-diks.

STARE

Who?

(EMMA sighs.)

MRS. MOSEYALONG

It’s all right, Emma. Sometimes my pups can be very rude. (To Cheets.) Dik-diks are a small antelope. We don’t hunt Aardvarks. We find their meat far too fatty.

AGNES
(Over-hearing.)

I beg your pardon. We are not fatty. Really! Annie, did you hear what that dog said about us?

ANNIE

Oh, I don’t think she meant⸺

MRS. MOSEYALONG
(Speaking simultaneously.)

I didn’t mean⸺

AGNES

Really! The nerve of some dogs.

MRS. MOSEYALONG
(Turning back to Emma and Cheets.)

Dik-dik live in the bushland of Africa. Sadly, they are being driven to extinction in some parts of our homeland. We try to eat other things.

PATSY
(Knitting her web furiously.)

Iii–Eee! Los pequeños, los cachorros! Mrs! Your children are destroying my web. Mira! See what they have done.

(Slowly rising, SHE crosses to where HER pups are bumping into the lower strands of Patsy’s web. SHE growls once deep in HER throat.)

MRS. MOSEYALONG

Grrrrrr⸺

(The PUPS instantly stop THEIR play and run to THEIR mother’s side, whining and kissing HER face.)

MRS. MOSEYALONG

I apologize, Miss Patsy. My pups are careless but mean no harm.

PATSY

Dios mío, qué molestia! My beautiful web. Now I will have to repair. Go away! I am very⸺how you say⸺ocupada.

(MRS. MOSEYALONG leads HER litter to the other side of the glen, where EMMA is sitting. ROGER, JAX and SERENGETI pile into EMMA’s lap and EMMA falls back in the grass, laughing. FERGUS and DONALD enter.)

MRS. MOSEYALONG

Good morning, Sir Fergus, Mr. Donald. (Turning to her pups.) Quiet down, children.

(The PUPPIES, stop their wrestling atop EMMA and sit at attention watching the adults. EMMA sits up.)

EMMA

Good morning. Sir Fergus, did you rest well?
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Do you need help Formatting a Novel?

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To correctly format your stage play for submitting to publishers, agents, directors click here.

Look Inside a script: Click Here
How To Format a Screenplay
Journals by Trisha Sugarek
Want to see some original plays? Click here.
47 Short Plays to choose from. Click here.
Fiction by Trisha Sugarek
Children’s Books by Sugarek
How to Create a Tantalizing Book Cover

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This exciting, instructional book is a collection of tips covering over twenty+ years of experience. Within its pages is a snapshot of the writer honing her craft over time.

Thirty-five writing tips that include:

That first, all important, sentence
How to develop rich characters
Writer’s Block
Procrastination
Writing process
Many more words of encouragement and tips, including quotes from successful writers such as yourself.

Takes the ‘scary’ out of writing!

Order here!

How To Write a Play Click Here
How To Format a Stage Play Click Here
How to Write a Ten Minute Play

How To Format a Screenplay
How to Format Your Novel
Want to try writing a ten minute play? Click here
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To Purchase

How To Format a Stage Play Script (for submitting)

Format is extremely important. If you submit your new play to anyone they will not read it if it is not in the proper format. There is software out there that offer auto-format but sadly I have not found one that demonstrates correct formatting. Notice the character names are in CAPS and centered. Setting, Rise and Dialogue are justified left. Single space between character’s name and first line of dialogue. Blocking (action) is indented and double-spaced from the line above. (The playwright gives the characters instructions on when and where to move. But, keep it short. Remember there will be a director who has their own ideas of where they want their actors to be.) If blocking is only one word, place next to character’s name in parentheses. A ‘beat’ is to enhance the pace of the speech and is in parentheses within the dialogue. Here is a formatting example:

ACT I
Scene 1

Setting: A loft studio in Greenwich Village. Late afternoon. There are many paintings but all of the same woman. Large, open windows overlook the street.

(MONTY is standing at his easel, painting. Voices are heard off stage. His clothing is paint smeared.)

VOICE (Off.)

Hey, beautiful! You’re home early.

(Brush in one hand, palette in the other, MONTY crosses up to the windows and peers into the street below.
The lilting laughter of a young woman is heard.)

SAMANTHA (Voice off. teasing.)

Hey, Mr. Murray. Your wife know you’re trying to pick up women in the street?

VOICE (off.)

No…and don’t you tell on me. My old woman would give me what for…bothering a young lady like you.

SAMANTHA (Voice off.)

Your secret is safe with me (beat.)…for a price.

VOICE (off.)

Oh yeah, what’s that?

SAMANTHA (Voice off.)

Some fresh bagels from your bakery.

VOICE (off.)

You got a deal. I’ll bring them home with me tomorrow.

SAMANTHA (Voice off.)

Thanks, Mr. Murray! I’ll look forward to it. Bye, now.

VOICE (off.)

Bye, beautiful. See you later.

(MONTY’s shoulders slump and he sighs as he watches Samantha disappear into a building.
HE crosses down to his easel.)

MONTY (muttering.)

Jeez…how can that old guy be so easy with her? (beat.) Monty, you’re pathetic. You can’t even say ‘hello’ to her in the street. What the hell’s the matter with you?

(end of sample)

Title Page of your script: Play title and Playwright’s name. Add contact info on this page if you are submitting to a publisher, agent or theatre.

Early in the script book, list the Cast of Characters. Sample:

Cast of Characters

MONTGOMERY ANDERSON: 29 years old, a reclusive artist.
SAMANTHA SPARKS: 24 years old, an aspiring actress.
DETECTIVE O’ROARKE: 38 years old, a hardened homicide detective.
(Note: Listing the ages of the characters is very important for casting.)

Place
Greenwich Village, New York City
Current
Summer

Leave lots of white space on the page. Actors/Directors will need wide margins in order to write notes and blocking when in production.
Read more about How To Write a Play

Author’s note: This formatting is approved by my publisher, Samuel French, Inc. This is what they expect to see when you submit.
Correct FORMAT if you are self-publishing. And, yes, it’s very different!
How to Format a Screenplay

Journals by Trisha Sugarek
Want to see some original plays? Click here.
47 Short Plays to choose from. Click here.
How To Format Your Novel
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

This new, exciting, instructional book is a sharing of over twenty+ years of experience. This writer has honed
her craft of creative writing and ‘is still learning.’

Thirty-five writing tips that include:

That first, all important, sentence
How to develop rich characters
Writer’s Block
Procrastination
Writing process
What Not to Do (when receiving a critique)

….and many more words of encouragement and tips,
Including quotes from successful writers such as yourself. Takes the ‘scary’ out of writing!

Order here

Want to try writing a ten minute play? Click here
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To receive my posts sign up for my on the home page; enter your email address. I love comments too! Take the time to write one at the bottom of the post. Thanks!

To Purchase

Motivational Moments…for Writers! #34

The first thing that makes a buyer reach for your book is the COVER! Is it professional? Does it convey a visual story?
The second thing that keeps the book in their hand is the BACK COVER and what it says about your story!
The third thing that keeps them from putting it back on the rack (or swiping their tablet for more choices) is that all important, FIRST SENTENCE!

For example:

‘Swamp sludge dripped off the massive head while the cold, murderous, purple eye watched them.’

‘As I stepped into the street I didn’t notice the bus bearing down on me.’

‘I sat in the prison waiting room about to interview a convicted killer.’

‘Slow down, Al,” Vi screamed and laughed from the back seat of the car that was plummeting down the mountain side. “You’re gonna kill us.’

‘My first audition since I had arrived in Hollywood and what if I fail?’

‘The teacher grabbed my math work book and marched to the front of the room. He began to read my poetry aloud.’

‘As the saloon doors creaked back and forth, the trail weary cowboys backed away when they saw him saunter in.’

“Mother must be spinning in her grave. Not in her wildest dreams, or mine for that matter, would she imagine her daughter in a prison.” Kitty muttered, as her chauffeur drove up the long driveway to the main entrance of the State Prison.

Since the buyer hasn’t put your book down yet, you have to ‘hook’ them with your first sentence. Make them ask, ‘what happens next’?
*************

“No one is free, even the birds are chained to the sky.” ~~Bob Dylan

“I never could have done what I have done without the habits of punctuality, order, and diligence, without the determination to concentrate myself on one subject at a time.” ~~ Charles Dickens

“None but ourselves can free our minds.” ~~Bob Marley
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MY BLOG features INTERVIEWS with best-selling AUTHORS! Did you miss the past few months? September: Dylan Callens. October’s author was Donna Kauffman. In November we say hello to Rita Avaud a Najm. In December we will be saying hello to English mystery writer, J.G. Dow.

Check out more Motivational Moments…for Writers!

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To purchase

Just Published! I WANNA BE a WRITER, Journal and Handbook

‘A stunning new journal with more instruction and extra tips about writing fiction, stage plays, and poetry.’ Midwest Book Review

The newest in a series of Journals/Handbooks. For new and experienced writers alike, this Journal offers more instruction,
tips and more hand-picked quotes by other authors, actors, playwrights, philosophers, and poets. Meant to inspire the creative mind. A handy size that will fit in a backpack or tote.

WHAT TO EXPECT:
How To Begin
How To Develop Exciting Characters
How To Tell A Story
How To Write a Stage Play
How To Write Poetry
How To Write Haiku Poetry

To purchase: click here
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MY BLOGS feature INTERVIEWS with best-selling AUTHORS! Did you miss the past few months? September: Dylan Callens. October’s author was Donna Kauffman. In November we say hello to Rita Avaud a Najm. In December we will be saying hello to English mystery writer, J.G. Dow.

Check out more Motivational Moments…for Writers!

To receive my posts sign up for my
On the home page, enter your email address. Thanks!
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To Purchase

‘No Means No!’ New short play for the Classroom by Trisha Sugarek

Available now! The latest short play in the playwright’s ShortN’Small series.
“G” rated for teens and the classroom.

Those who follow me and all my friends in theatre know that I have added to the
ShortN’Small short play series for years now. ‘G’ rated 10 minute plays that focus on issues impacting the teens of today.
Ranging from divorce to cutting, from running away to drug use, from date violence to bullying.

Synopsis: Emilee has reached the age where boys are pressuring her into sexual activities that she is not ready for.
In this ‘G’ rated, short play for the classroom we explore the peer pressure that comes to bear as young girls
try to navigate their teen years.

Emilee is torn between what her friends are doing and what she instinctively knows is not right for
her at this stage in her life. 1m. 5f.

No props, no sets, no costumes, just open dialogue!

To purchase click here

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MY BLOGS feature INTERVIEWS with best-selling AUTHORS! Did you miss the past few months? September: Dylan Callens. October’s author is Donna Kauffman. In November we say hello to Rita Avaud a Najm.

Check out more Motivational Moments…for Writers!

To receive my posts sign up for my On the home page, enter your email address. Thanks!
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To Purchase

Ten Minutes to Curtain! Vol. I ~~ Bigger and Better

I published these volumes beginning in 2009 and they are very popular with teachers, directors, and drama departments. It was time now to add new plays to this volume. Retaining the tried and true, popular short plays, I have added many that I have written since 2009.

Fifteen 10 minutes plays in one volume. A variety of real life issues that teens face today with a couple of fun, silly ones just because. Teachers tell me that often doing the play, the students open up about their challenges each day.

Contents:

The Bullies…………………………………………..9
Boys at school bully a kid different from them-
selves. 4m
Pan of Potatoes………………………………………………21
A sassy little tale about greed and a pan of
potatoes.   5f
The Run-Away…………………………….…….31
Running away is not the solution to a teen’s problems
and can be very dangerous. 3f 1m
The ‘D’ Word……………………………………………….45
Two teens face the fact that their parents
are divorcing. 2f, 2m
The Postcard…………………………………………………57
The mother of the bride receives a postcard from
the daughter that she gave up for adoption
twenty years ago. How does a devoted
mother tell her child, about a sister she never
knew about. 2f, 1m
Cyber-Hate…………………………………..…..65
Bullying has reached sophisticated levels, sometimes
ending in tragic situations. 4f 1m
The Art of Murder………………………………81
A reclusive artist watches his neighbor and paints
her over and over until she ends up dead. 2m 1f
Song of the Yukon …………….………………….95
A teenager is inspired by the poetry of Robert
Service and strikes out for Alaska. 3f, 1m
You’re Not the Boss of Me…………………….105
The journey of decision making as a
teenager grows up. 3f
Love Doesn’t Leave Bruises…………………………115
Violence among teens dating is nationally on the
rise and is becoming a genuine concern among
parents and educators. How one family deals with
it. 2f, 1m
The Waltz……………………………………………………127
Falling in love during their first waltz until her
underpants fall down around her ankles. 1f, 1m
Trans-G Kid…………………………………….133
Trapped in the wrong body a teen tries to find a
way out. 3f 1m
Trans-G Parents……………………………………147
A support group for parents trying to understand
and support their transgender child. 6f 5m
The Perfume Bottle……………………………………………157
Two youngsters leave a perfume bottle for
the mean old lady next door. Is it perfume or a
far more lethal smell?   3f
Ivah the Terrible……………………………………………….163
A rich client visits the house at dinner time while
the wife hides in the kitchen; but does she stay
there?   1f, 3m

I hope you enjoy these plays. More importantly I hope that your student/actors are inspired to navigate the troubled waters in their lives with good sense and wisdom.
Remember, when the plays are used in a classroom environment they are royalty-free!!

Available at www.amazon.com and other fine book stores.

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MY BLOGS feature INTERVIEWS with best-selling AUTHORS! Did you miss the past few months? June: Mehreen Ahmed. July: Janet Macleod Trotter, author of Tea Planter’s Daughter and in August we say ‘hello’ to Cheryl Hollon.

Check out more Motivational Moments…for Writers!

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New Short Play, Trans-G Parents

Book #30 in the ShortN’Small Series of short, one act plays. The Trans-G Parents

A look into the world of the parents who are trying to do the right thing…support their child….love their child…sometimes
even save their life. Their child is confused and frightened by their physical being telling them they are one gender
while their heart, soul and mind are telling them that they are another.

This short play’s setting is a support group for parents. Resigned, angry, confused, religious, experienced and lost,
they come together out of a common desperation. Some handling the situation much better than others.

The script offers an insightful and educational dialogue from parents. There is no manual on parenting much
less facing the challenges of this gender affirmation generation. 6f. 5m.

TS. This seemed like a natural sequel to the Trans-G Kid, another short play by this playwright. Inspired by the television documentary, The Gender Revolution.

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MY BLOGS feature INTERVIEWS with best-selling AUTHORS! Did you miss the past few months? December: Reed Farrel Coleman, contributing writer for Robert B. Parker series. January was Dinah Jefferies and February’s author is Sheryl Steines. Johan Thompson (South African author) will join us in March.
Check out more Motivational Moments…for Writers!

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The Birth: ‘Scent of Magnolia’, a Tribute to Billie Holiday

It all started when a jazz singer/actress asked me to write a one-woman show for her; portraying the life and music of Billie Holiday. At the time she had a three piece band and they played small jazz clubs in Chicago. She had just finished acting in a showcase that I had produced (Women Outside the Walls) and was on her way back to the windy city.

I laughed. Why would she want a middle-aged, white Irish woman to write a play for her showcase of an iconic African-American woman? She replied, “you got inside the heads of the women in this play you wrote. You’ve never been in prison or been married to a convict. But you were able to make us feel empathy for these forgotten wives and families.”

I said I’d think about it and started researching Billie Holiday’s life. Sure, I’d seen “Lady Sings the Blues” but felt certain that there was more to the story than a song-bird who OD’d on hard drugs. I discovered the story of a fearless woman who rose above poverty, rape, bigotry, prostitution and imprisonment to become one of the most memorable and celebrated artists of the twentieth century.

The resulting one-woman show was not only Billie’s story, but the nation’s story. In her own words, she talks about her struggle to succeed in spite of the segregation of that time and the difficulties she experienced singing with the great bands, most of which were white men. Without pity for herself, she talks about the daily slings and arrows which are a part of bigotry. She took complete responsibility for her life, her choices, and her actions. Her triumph was her music and her songs that will live on forever. The script does not dwell on the sensationalism of her addiction to alcohol and drugs but chooses, rather, to celebrate the whole woman.

You might wonder about the title. After all Billie was known for her white gardenias. I chose Scent of Magnolia from the lyrics of Strange Fruit.
‘Pastoral scene of the gallant south
The bulging eyes and the twisted mouth
Scent of magnolias, sweet and fresh
Then the sudden smell of burning flesh…..’

Original music by composer/song writer: Gary Swindell PRESS play
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My BLOGS feature INTERVIEWS with best-selling AUTHORS! November was best selling author, Grace Burrowes and in December, Reed Farrel Coleman, contributing writer for Robert B. Parker series. Coming up, January: Dinah Jefferies.

Check out Motivational Moments…for Writers!

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Pumping Out Experiments

Huh?

I want to talk about a few of experiments that I have pumped out over the past few years. Five years ago I published an eclectic collection of ten minute plays. At that time, it was all the rage for theatre companies to produce them, usually in a group for an evening’s entertainment. The ‘G’ rated short plays in the collection were very popular with young actors and educators. This experiment did pretty well; sales plunked along at a decent rate. Then I had another brain storm (oh, no! not another one).

Since teachers have NO budget for the arts, why not write and publish individual short plays for the classroom. Small casts, no set, no costumes. And CHEAP!

The experiment: I wrote two and published them on amazon.com. Within a week, they began to fly off the shelves. It’s several years later and there are now twenty-seven of these short plays. Twenty of them deal with real life issues for today’s teen.

I had been toying with the idea of publishing a Journal for Creative Writing. I had noticed that the post most frequently visited on my blog was ‘How To Write A Play‘. I decided to turn the journal into a handbook about writing. Maintaining the 275 blank pages for the writer’s work, I added tips on how to write a play, poetry, fiction, how to get started (that first sentence) and more.

Have all my experiments been an over-night hit? No…failure must be the spur to achieving more. Some of my ideas have been abysmal rejects. But indie publishing is very economical so why not try? And indie publishing opens other doors.

It all begins with trying, with an experiment. Who would have guessed that my ‘little play books’ would take off like they have. So don’t be afraid to experiment with a writing idea. What have you got to lose?

http://www.amazon.com/Trisha+Sugarek

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DON’T MISS BLOGS featuring INTERVIEWS with best-selling AUTHORS! In April, a long awaited interview with Kathleen Grissom (The Kitchen House) May’s author is Jordan Rosenfeld. Michael Saad, Canadian author, will be June’s author.

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Dreams Do Come True!

It took me two years of gentle prodding to finally get my foot (in this case, scripts) in the door of a Manhattan (NYC) book store. This drama book store has been around forever and is the only exclusive script store in the City. To use the buyer’s expression, “we just have so much real estate” so I am doubly grateful that my books are included in their limited shelf space.

Just today I filled another order for my scripts and Journals. Theatre people and writers are BUYING my books and using them. I couldn’t be more thrilled. And I’m always surprised by what is selling.

And just recently a publishing house contracted with me to publish Book 1, The Art of Murder, in my true crime series. Not for a second will I discontinue my self-publishing of my other books. It is a highly efficient and successful way to get your books out to the reading public with very little cost to you, the writer.

WRITERS! Never give up! Sometimes it will take you years of perseverance to achieve your goals. The three top tips that I can give you is:

Never stop writing! You will only become more skilled in your craft.
2. Keep knocking on doors, whether it is a brick & mortar book store, a publisher, or a literary agent.
3. Self publish. It’s free on some sites to build your book. Your only cost will be the royalty when a book is sold.

Best Seller!

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DON’T MISS BLOGS featuring INTERVIEWS with best-selling AUTHORS! Julia London, Matt Jorgenson, MJ Moores, and actor/narrator Tavia Gilbert. March’s featured author is Susie Drougas and long awaited interview with Kathleen Grissom (The Kitchen House) in April.

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