storytelling Archives - Page 39 of 83 - Trisha Sugarek, Author, Playwright & Poet

Improve Your Creative Writing Skills

Adam Durnham shares his article on improving creative writing skills with us.

How to Improve Your Creative Writing Skills
by Contributing Writer, Adam Durnham

Creative pieces are usually meant to entertain, but since readers often want more than mere entertainment, they expect literary pieces to challenge the mind and tickle the imagination. For some, writing or reading literary pieces could also be a form of art therapy.
Though these standards are quite simple, they may put more pressure on writers. The more advanced readers are, the higher the standards they set for the authors’ literary pieces.

Here are four tips that can help people improve their creative writing skills:

Do not underestimate your readers’ ability to understand and imagine

Leave room for your readers to imagine the backstory, the motivation of the characters, and the exposition (the elements that explain the story). You don’t have to reveal all of these in graphic detail all at once. You can give clues or foreshadow some events in the story, but be careful about revealing every element at the start of the piece. Let your readers use their imaginations and formulate theories.

Identify the key points of your story, specifically taking note of the following:

i. What is the main goal of your protagonist? Try to create a protagonist who is interesting or unique in some way.

ii. What are the relevant actions your protagonist takes towards the completion of his or her goal? The protagonist of the story could make conscious decisions that drive and direct the entirety of the story.
iii. What are some unexpected outcomes of the protagonist’s decision(s)?
iv. What are some details related to the literary piece’s setting, tone, and dialogue that can help you reveal the story to the readers?
v. What is the climax of the story?
vi. Will readers find any morals from the story?
vii. How will the story end?
Pay attention to character development
To create realistic, multifaceted characters, it is important to understand and describe characters. To help you develop your characters, consider examining one or more of the following details:
● Name
● Age
● Appearance
● Family and relationships
● Ethnicity
● Drinking habits
● Likes and dislikes
● Strengths and faults
● Illnesses
● Hobbies
● Pets
● Phobias
● Religion
● Job
● Residence
● Sleep patterns
● Nervous gestures
● Secrets
● Memories
● Temperament

Including such details can make it easier to define your characters. They can help you mold your characters, build storylines, and create dialogue. You might want to consider

● Appearance: Create a visual understanding for your readers so that they can vividly imagine what the characters look like.
● Action: Instead of simply listing adjectives to define characters, describe the characters’ actions to tell your readers what the characters do and what they’re like.
● Speech: Don’t kill the story’s momentum by explaining the plot in great detail. Instead, try to reveal the plot through your characters and their dialogue.
● Thought: Show your readers how your characters think. Show them the characters’ hopes, fears, and memories.
Create a great plot
A story plot tells us what happens in the story. Writers establish situations, identify the story’s turning points, and determine the fate of each character.
Plots are the sequence of events arranged by the writer that reveal the story’s emotional, thematic, and dramatic significance. To create a great plot, it is important to understand the following elements of the story:
● Hook: The stirring or gripping problem or event that catches readers’ attention.
● Conflict: A clash between characters and their internal selves, or between different characters, or even between characters and external forces.
● Exposition: The backstory or background information about the characters and how this background information relates to the rest of the story.
● Complication: A problem or set of challenges that the characters face that make it difficult to accomplish their goals.
● Transition: Dialogue, symbols, or images that link one part of the story to another.
● Flashback: Something that occurs in the past, before the current events of the story.
● Climax: The peak of the story.
● Denouement: The story’s falling action or the release of the action that occurs after the climax.
● Resolution: The solution of the external or internal conflict.

Writing can be challenging if you don’t know the techniques. It can be a form of art or art therapy if you come to master it. Techniques and tips can help you build the literary skill you need. Practicing them can give you the experience to produce creative, well-crafted work.

Did you miss my post on how to Format a Novel?
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! October: George Scott, November: Ella Quinn, December: Lauren Willig, January: Madeline Hunter, February: Mike Lupica
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Sue Grafton ~ Interview ~ In Memory

~~ In Memory ~~ An Interview with Mystery Writer, Sue Grafton (Part 1)

Author, John D. McDonald died suddenly back in 1986 and took Travis McGee with him. I owned and had read every book of McDonald’s…..Now what was I supposed to do?? I didn’t read many mysteries (back then) but I was especially fond of Travis and his bear-of-a-man friend, Meyer. So back in the eighties, (when you shopped at a real bookstore), I looked through the aisles for someone worthy of replacing John McDonald. There I found “A is for Alibi” with the formidable and quirky, Kinsey Milhone. I’ve been reading Sue Grafton ever since.

Now, with Sue’s passing, we have to say goodbye to another great writer who gave us Kinsey Milhone and so many hours of entertainment in reading. In August, 2013, Sue gave me an interview and I thought, as a way of sharing it with my readers, I would post it again in loving memory. We will miss you, Sue! TS
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this entry from Sue’s journals;

Dear Shadow . . . Self . . . and Right Brain, Doing everything I can here to make life possible. I’ve abandoned the old story . . . cleaned out my computer . . . sorted and tossed and filed away old notes and articles. Now I need help in launching myself again. Please speak to me. Please let me know where the new book is coming from. I really need your assistance and I’m hoping you’ll spark something so I can get to work.

Look forward to hearing from you.

Love & kisses,

Sue

Response from Shadow Self: How about an old-fashioned unsolved murder case? Parents are angry because nothing’s been done. Case is old & cold, with no new leads coming in.
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Q. Where do you write? Do you have a special room, shed, barn, special space for your writing?

best sellers, Sue Grafton, — Sue Grafton’s work space

SG. I have an office in both my homes; Montecito, California and Louisville Kentucky. The two are different in terms of size and style but I can’t tell you that I’m more productive in one than in the other. I like lots of light. I like tidiness. I like space. I like quiet. When I’m working my desk is usually a mess, but I do make an effort from time to time to restore order. The creative process is messy enough. I don’t need to look at chaos as well.

Q. Do you have any special rituals when you sit down to write? (sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

SG. Often I do a short stint of self-hypnosis which helps quiet the chatter in my head and helps me focus and concentrate. I learned the technique from a book on the subject that I got at a book store and it’s been a wonderful way to keep ‘centered’ if you’ll forgive the term.

Q. What is your mode of writing? (long hand? Pencil? Computer? Etc.)

SG. A computer, of course. Which I claim has greatly improved my skills. In the ‘olden’ days of white out and cutting and pasting, I got hung up on whether the page ‘looked right’. I hated adding anything that forced me to repaginate because I didn’t like all the extra work. If I deleted 11 lines, I got so I could exactly replace the missing lines with something that would work as well so that I didn’t have to retype everything. To my way of thinking, this is not the key to writing well. On a computer I can and do write every line over and over until it suits me. The tinkering is infinite. I when a line is right and when it’s not, I revise and refine and cut and amend until it sounds right to my inner ear.

Q. Do you have a set time each day to write or do you write only when you are feeling creative?

SG. I’m usually at my desk at 8:00. I check emails and make a brief visit to my Face Book page where I chat with readers. I never feel truly creative. I work until lunch time when I take a short break. go back until mid-afternoon when I usually take a walk with one of a number of friends. I work seven days a week because it’s easier to stay connected to the writing. In completing “W” I worked double-sessions, returning to my desk after dinner. I cut out our social life. I nixed all the walks which I found interrupted the work too often. I didn’t run errands. I didn’t stop to get my hair cut.

Part 2 of this Interview Click here

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MY BLOG features INTERVIEWS with best-selling AUTHORS! Did you miss the past few months? December: British writer, J.G. Dow. January: In Memory, Sue Grafton.

Check out more Motivational Moments…for Writers!

To receive my posts sign up for my On the home page, enter your email address. Thanks!
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This Author/Blogger has tried her hand at true crime mysteries with great success. There are now eight in the series

How To Format Your (Self-published) Stage Play

TS. Now that the traditional publishers have turned you down, file away that rejection letter, soothe your fragile writer’s ego with a hot cup of tea, some chocolate, or whatever and self-publish your play.

It’s important to know that the correct way to format a stage play for submitting (to a publisher, agent or theatre) is very similar to the format used when publishing it. Below is a sample of the correct formatting.

List of Characters: I noticed that in the Dramatists Play Service scripts, they do not list the ages of the characters. I know from experience that a director wants to have this information immediately when choosing a play. What if they don’t have an eighty-year old, male who can act? Make-up can only go so far! Ethnicity is rarely listed but there are exceptions. But, generally, no. What if the director has a different vision for casting?

Sample:

CAST OF CHARACTERS (Place on the 3rd or 4th page after title, playwright’s name, Copyright notices.etc.)

CAST OF CHARACTERS (centered.)

Emma ~~ A young earthling girl
Stare ~~ A rhetorical owl
Donald ~~ A young fairie
Cheets ~~ a rambunctious elf
Patsy ~~ A large banana spider
Agnes & Annie ~~ the sister Aardvarks
Thomas ~~ the sea-faring sea turtle
Bertie ~~ the resident reading teacher

SETTING

The Fabled Forest

TIME

Present day.

Format Sample:

(From my published children’s play, “Emma and the Aardvarks”© ) The formatting of the Dramatist Play Service (publishers) do use parentheses when formatting the blocking. It is jumbled into dialogue even though it does not pertain to that particular character’s ‘action’. I find this very distracting but I am certain it has to do with production costs and keeping the page count down. Blocking direction is indented, italicized and in parentheses. Line spacing is 1.15 instead of single-spaced. Character’s names are all in CAPS, centered, and not italicized. Before dialogue, Characters’ names are all in CAPS with a period. Blocking is indented x 2. Scene breaks should be on the next (right) page. There are no extra line-spaces between blocking and dialogue except if there is a ‘beat’ when the same character pauses. Be certain to leave plenty of white space for the actors/director’s written notes. I prefer the format used by (my publisher) Samuel French, Inc. which you see below:

ACT II (centered & underlined.)

Scene 2

At Rise: A clearing in the fabled forest.

(EMMA and MRS. MOSEYALONG are sitting together on the grass. The PUPPIES are rolling around, play fighting, in the grass as puppies do. CHEETS is trying to get into the play. AGNES and ANNIE sit across from THEM reading THEIR book on Australia.)

MRS. MOSEYALONG

Let me assure you, Emma, we hunt and eat impala, Thomson’s gazelle and common wildebeest. Also, smaller animals such as dik-dik and warthogs.

CHEETS
(Stopping HIS play with the PUPS.)

That’s a funny word. Dik-dik. (Demanding.) Cheets wants to know what it means.

EMMA

Manners, Cheets. Perhaps you could ask Mrs. Moseyalong about dik-diks.

CHEETS

Cheets wants to know about dik-diks.

STARE

Who?

(EMMA sighs.)

MRS. MOSEYALONG

It’s all right, Emma. Sometimes my pups can be very rude. (To Cheets.) Dik-diks are a small antelope. We don’t hunt Aardvarks. We find their meat far too fatty.

AGNES
(Over-hearing.)

I beg your pardon. We are not fatty. Really! Annie, did you hear what that dog said about us?

ANNIE

Oh, I don’t think she meant⸺

MRS. MOSEYALONG
(Speaking simultaneously.)

I didn’t mean⸺

AGNES

Really! The nerve of some dogs.

MRS. MOSEYALONG
(Turning back to Emma and Cheets.)

Dik-dik live in the bushland of Africa. Sadly, they are being driven to extinction in some parts of our homeland. We try to eat other things.

PATSY
(Knitting her web furiously.)

Iii–Eee! Los pequeños, los cachorros! Mrs! Your children are destroying my web. Mira! See what they have done.

(Slowly rising, SHE crosses to where HER pups are bumping into the lower strands of Patsy’s web. SHE growls once deep in HER throat.)

MRS. MOSEYALONG

Grrrrrr⸺

(The PUPS instantly stop THEIR play and run to THEIR mother’s side, whining and kissing HER face.)

MRS. MOSEYALONG

I apologize, Miss Patsy. My pups are careless but mean no harm.

PATSY

Dios mío, qué molestia! My beautiful web. Now I will have to repair. Go away! I am very⸺how you say⸺ocupada.

(MRS. MOSEYALONG leads HER litter to the other side of the glen, where EMMA is sitting. ROGER, JAX and SERENGETI pile into EMMA’s lap and EMMA falls back in the grass, laughing. FERGUS and DONALD enter.)

MRS. MOSEYALONG

Good morning, Sir Fergus, Mr. Donald. (Turning to her pups.) Quiet down, children.

(The PUPPIES, stop their wrestling atop EMMA and sit at attention watching the adults. EMMA sits up.)

EMMA

Good morning. Sir Fergus, did you rest well?
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Do you need help Formatting a Novel?

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To correctly format your stage play for submitting to publishers, agents, directors click here.

Look Inside a script: Click Here
How To Format a Screenplay
Journals by Trisha Sugarek
Want to see some original plays? Click here.
47 Short Plays to choose from. Click here.
Fiction by Trisha Sugarek
Children’s Books by Sugarek
How to Create a Tantalizing Book Cover

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This exciting, instructional book is a collection of tips covering over twenty+ years of experience. Within its pages is a snapshot of the writer honing her craft over time.

Thirty-five writing tips that include:

That first, all important, sentence
How to develop rich characters
Writer’s Block
Procrastination
Writing process
Many more words of encouragement and tips, including quotes from successful writers such as yourself.

Takes the ‘scary’ out of writing!

Order here!

How To Write a Play Click Here
How To Format a Stage Play Click Here
How to Write a Ten Minute Play

How To Format a Screenplay
How to Format Your Novel
Want to try writing a ten minute play? Click here
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DON’T MISS MY BLOG with twice-weekly posts. Also featuring INTERVIEWS with other best-selling AUTHORS! with me once a month . We shall sneak into these writers’ special places, be a fly on the wall and watch them create!

To receive my posts sign up for my on the home page; enter your email address. I love comments too! Take the time to write one at the bottom of the post. Thanks!
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To Purchase

Motivational Moments…for Writers! #35

A good writer knows what repetitive words he or she uses unconsciously. A few years ago I published a novel. This week I had an opportunity to send it to a traditional publisher of some repute. I thought: ‘I want the manuscript to be as close to perfect as I can make it, so I’ll take another look at it’. Knowing my go-to words are ‘that’ and ‘just‘, the first thing I did was find out how many times I’d used the word ‘that’. 807!! With editing, I happily reduced that number to 197.

How does that happen?? Well, we all have idiosyncrasies with our language. Yes, I had an editor and she missed it too. Then I checked the other devil word, ‘just‘. 234 times when only 5-6 were used appropriately. Yikes!

Be self-aware as a writer. Know your strengths, yes, but also your weaknesses. Know your eccentricities with language.

“The art of art, the glory of expression and the sunshine of the light of letters, is simplicity.”~~ Walt Whitman

“Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality.
But, of course, only those who have personality and emotions know what it means to want to escape from these things.“~~ T. S. Eliot

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MY BLOG features INTERVIEWS with best-selling AUTHORS! Did you miss the past few months? December: British writer, J.G. Dow. January: Sue Grafton ~ In Memory

Check out more Motivational Moments…for Writers!

A Review ~~ Finding My Way by Judith Keim

1 out of 5 quills A Review ~~ Finding My Way

Very disappointed. Right away the first chapter was familiar, so after checking I discovered the author had cut and pasted a chapter from Book 1 to begin her sequel in the Salty Key series. This is cheating and so lazy. In my forty+ years of reading and my 15 years of reviewing books, I have never seen this done. What was the author thinking?

The proof reading of the book was non-existent or at best, slack. In order to have the book seem to be full-length, 1.5 spaces was implemented, (instead of the industry standard 1.0 space format) causing the book to be 305 pages long, when in fact it is a cozy of about 175 pages.

Any good sequel stands alone with its own story line. This is not a stand-alone sequel. There is too much repeating of Book 1’s story. The author has chosen to write each book from another sister’s perspective. The first sister, Sheena, had a somewhat interesting story line. In the second book it is from Darcy’s perspective. And she’s not a very interesting character. She brags about the novel she is going to write but doesn’t do much about it. Thinks that writing a restaurant review will hone her craft as a fiction writer. Huh? And she is ‘man-hungry’. Every man she meets in the story is either boyfriend/husband material or not. That’s what she leads with and it gets boring after a while.

Near the last 50 pages the author takes an unfortunate right turn. For no apparent reason, she introduces a severely disabled long-lost cousin. It was so out-of-the-blue! After that chapter he is never mentioned again. She would have been well advised to develop the characters already on deck. ‘Gavin’s people’ for instance. (lots of good stories there) The many boyfriend-material guys of Darcy’s. The editor/writer who is giving Darcy a chance to write for a local newspaper. (His illness/death is glossed over.) Sheena’s son’s friend, Randy. The list goes on and on.

Sadly, she is not comfortable writing about the married physical love between Sheena and Tony. It’s stilted and I didn’t believe it.

Ms. Keim needs to stay in the ‘voice’ of each of her characters. The writing bounced around and was frequently clunky . Sentence structure was a distraction.

I was hoping that the author would grow in her craft with Book #2 but sadly this was not the case. It’s a shame because the story premise is a good one. I do not recommend this author’s books.
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Motivational Moments…for Writers! #42

There’s a reason I’ve chosen this image for each of my ‘Motivational….’. Read it! I have been there so many times. A sentence, a paragraph, even a chapter, that is perfect, that I can’t live without. But in truth, it doesn’t work as wonderful as it may be. It’s not germane to the story, IT HAS TO GO! So with time, this writer has grown to love the delete key.

It’s hard, I know, but ya gotta do it!

“Half the world is composed of people who have something to say and can’t and the other half who have nothing to say and keep on saying it.” ~~Robert Frost

“The reward of a thing well done, is to have done it.” ~~- Ralph Waldo Emerson

“Genius is the talent for seeing things straight. It is seeing things in a straight line without any bend or break or aberration of sight, seeing them as they are, without any warping of vision. Flawless mental sight! That is genius.” ~~– Maude Adams
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MY BLOG features INTERVIEWS with best-selling AUTHORS! October: Alretha Thomas. November: Joe English. December: Jayne Ann Krentz (Amanda Quick) January: Molly Gloss and February: Patrick Canning.
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To Purchase

How To Format a Stage Play Script (for submitting)

Format is extremely important. If you submit your new play to anyone they will not read it if it is not in the proper format. There is software out there that offer auto-format but sadly I have not found one that demonstrates correct formatting. Notice the character names are in CAPS and centered. Setting, Rise and Dialogue are justified left. Single space between character’s name and first line of dialogue. Blocking (action) is indented and double-spaced from the line above. (The playwright gives the characters instructions on when and where to move. But, keep it short. Remember there will be a director who has their own ideas of where they want their actors to be.) If blocking is only one word, place next to character’s name in parentheses. A ‘beat’ is to enhance the pace of the speech and is in parentheses within the dialogue. Here is a formatting example:

ACT I
Scene 1

Setting: A loft studio in Greenwich Village. Late afternoon. There are many paintings but all of the same woman. Large, open windows overlook the street.

(MONTY is standing at his easel, painting. Voices are heard off stage. His clothing is paint smeared.)

VOICE (Off.)

Hey, beautiful! You’re home early.

(Brush in one hand, palette in the other, MONTY crosses up to the windows and peers into the street below.
The lilting laughter of a young woman is heard.)

SAMANTHA (Voice off. teasing.)

Hey, Mr. Murray. Your wife know you’re trying to pick up women in the street?

VOICE (off.)

No…and don’t you tell on me. My old woman would give me what for…bothering a young lady like you.

SAMANTHA (Voice off.)

Your secret is safe with me (beat.)…for a price.

VOICE (off.)

Oh yeah, what’s that?

SAMANTHA (Voice off.)

Some fresh bagels from your bakery.

VOICE (off.)

You got a deal. I’ll bring them home with me tomorrow.

SAMANTHA (Voice off.)

Thanks, Mr. Murray! I’ll look forward to it. Bye, now.

VOICE (off.)

Bye, beautiful. See you later.

(MONTY’s shoulders slump and he sighs as he watches Samantha disappear into a building.
HE crosses down to his easel.)

MONTY (muttering.)

Jeez…how can that old guy be so easy with her? (beat.) Monty, you’re pathetic. You can’t even say ‘hello’ to her in the street. What the hell’s the matter with you?

(end of sample)

Title Page of your script: Play title and Playwright’s name. Add contact info on this page if you are submitting to a publisher, agent or theatre.

Early in the script book, list the Cast of Characters. Sample:

Cast of Characters

MONTGOMERY ANDERSON: 29 years old, a reclusive artist.
SAMANTHA SPARKS: 24 years old, an aspiring actress.
DETECTIVE O’ROARKE: 38 years old, a hardened homicide detective.
(Note: Listing the ages of the characters is very important for casting.)

Place
Greenwich Village, New York City
Current
Summer

Leave lots of white space on the page. Actors/Directors will need wide margins in order to write notes and blocking when in production.
Read more about How To Write a Play

Author’s note: This formatting is approved by my publisher, Samuel French, Inc. This is what they expect to see when you submit.
Correct FORMAT if you are self-publishing. And, yes, it’s very different!
How to Format a Screenplay

Journals by Trisha Sugarek
Want to see some original plays? Click here.
47 Short Plays to choose from. Click here.
How To Format Your Novel
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This new, exciting, instructional book is a sharing of over twenty+ years of experience. This writer has honed
her craft of creative writing and ‘is still learning.’

Thirty-five writing tips that include:

That first, all important, sentence
How to develop rich characters
Writer’s Block
Procrastination
Writing process
What Not to Do (when receiving a critique)

….and many more words of encouragement and tips,
Including quotes from successful writers such as yourself. Takes the ‘scary’ out of writing!

Order here

Want to try writing a ten minute play? Click here
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To receive my posts sign up for my on the home page; enter your email address. I love comments too! Take the time to write one at the bottom of the post. Thanks!

To Purchase

A Review ~~ The Wanted by Robert Crais

5 out of 5 quills

A Review ~~ The Wanted

A good old fashioned murder mystery reminiscent of the writings of John McDonald and Robert Parker. Simply and beautifully crafted, Robert Crais weaves a great story. Like myself, new readers to Crais will be delighted. And his fans are counting the days until the newest in the Elvis Cole & Joe Pike novel is released.

A panicked mother, goes to veteran PI Elvis Cole as a last act of desperation. She fears ‘her son is in deep sh– trouble’ when she found things in his bedroom that indicate that he has been stealing from other people. Oh, if it were only that simple. Tyson and his two buddies have committed a string of home burglaries and, by accident, have stolen from a really, really bad guy. Now two hit men are on their trail and the big question is: will Elvis find the two teenagers before these hired killers find them and silence them forever?

I readily admit this is my first novel by Crais and I look forward to catching up with Elvis and Joe in the other books in this series. A highly recommended read!

On sale at all book stores December 26th.

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MY BLOG features INTERVIEWS with best-selling AUTHORS! Did you miss the past few months? October’s author was Donna Kauffman. November: Rita Avaud a Najm. December: British writer, J.G. Dow.

Check out more Motivational Moments…for Writers!

Interview (part 2) with British Author, J. G. Dow

Q. Do you ‘get lost’ in your writing?

JG. I suppose you can get lost to the extent that you forget what time it is and write for longer than planned. Sometimes you really get caught up in things and laugh at an idea you’ve had or get annoyed at a character for doing a certain thing and so yes, you do get lost in it if you’re properly invested in the book. This is all good I suppose, as you care about what you are coming up with.

Q. Who or what is your “Muse” at the moment?

JG. I don’t really have a muse as such but I like lots of different writers like Bukowski, Hemingway, Salinger and Brautigan for instance and so they inspire me to try and improve all the time I suppose and keep at it!

Q. Do you have a new book coming out soon? If so tell us about it.

JG.I have a sequel to Jane of Manchester out now which is called Jane Once More and it furthers the adventures of Jane as well as developing her life and those of her friends as well and I’m also writing a fantasy type thing but that’s a long way off being finished!

Q. When did you begin to write seriously?

JG. In my late twenties I think when I started to write poetry and entered a few competitions (I didn’t win any) That’s when it all got started as far as I can recall.

Q. How long after that were you published?

JG. I am self-published and that is only something I’ve done in recent years. I haven’t been picked up by the traditional publishers.

Q. What makes a writer great?

JG. The ability to have his/her own unique voice and to be able to effect a writer in a way that moves them in some way whether that be laughter or the shedding of a few tears or something else. As long as you can provoke something from people and hopefully tell a good tale along the way.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

JG. It’s all just a matter of bashing away at the keyboard or typewriter until it’s all done and you are happy with the completed work. It creeps up on you and then one day…wow, I finished it!

Q. How has your life experiences influenced your writing?

JG. Living in Manchester gave me a feel for that particular city and so I could write about it confidently, knowing bars and restaurants etc. Reading helps you know how to write I think and just the process of getting older and learning from mistakes colours what you do quite significantly. All experience helps!

Q. Have you or do you want to write in another genre`?

JG. I have done some science fiction and fantasy type stuff so I do write in a few different genres and I am enjoying writing in the chick-lit/humour genre as well.

Q. Is there anything else you’d like our readers to know?

JG. I can juggle a bit but I don’t think it will serve me well anywhere down the line! I can’t think of anything else really so I suppose I’ll end there!

Did you miss Part 1? Click here

Purchase J.G.Dow’s books

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MY BLOG features INTERVIEWS with best-selling AUTHORS! Did you miss the past few months? October’s author was Donna Kauffman. November: Rita Avaud a Najm. December: English mystery writer, J.G. Dow.

Check out more Motivational Moments…for Writers!

Interview with British Writer, J.G. Dow

TS. A ‘cozy’ writer from the UK and new to the scene. James lived for a few years in the North of England and spent a while living in Manchester. He says that’s why he is fairly comfortable writing about the city. He went to University in Manchester many years ago and “still miss the place sometimes now and have good memories!” When not writing fiction he enjoys walks in the country and indulging in a spot of cooking now and then. He has been known to pen the occasional poem. Jane of Manchester is his debut novel.

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? (please provide a photo/s of your shed, room, closet, barn….)

JG. I write in my bedroom, sit in an easy chair surrounded by books and cd’s and pictures on the walls. It’s comfortable and warm and a good place to settle into a bit of writing. It’s nice to be cosy when being creative!

Q. Do you have any special rituals when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

JG. I like to have a bottle of Berocca vitamin drink sometimes or a cup of tea but water is fine as well. I think a Brandy would make the creative process a bit hazy although some famous writers like Bukowski obviously liked a tipple while at the typewriter I suppose…each to their own!

Q. Could you tell us something about yourself that we might not already know?

JG. I play the guitar and like reading and also listen to a wide variety of music and tend to enjoy going out for a few drinks on a weekend followed by a nice hot curry! The North of England is a good place for spicy food!

Q. Do you have a set time each day (or night) to write?

JG. I write in the evening mainly as it can be noisy where I live in the daytime. I used to write through the night but I find I get too tired to do that nowadays and it can be a bit exhausting so sometime between 5pm and 8pm is a decent period to get on with it.

Q. What’s your best advice to other writers for overcoming procrastination?

JG. I suppose just keep at it and try not to get stressed out…maybe do something else for a while till the mood returns and remember to make writing enjoyable otherwise it won’t flow. If you feel too tired one day, don’t bother and try again the next day when you feel more energized!

Q.Where/when do you first discover your characters?

JG. I used to live in Manchester and so that was the inspiration for the setting of the Jane books but in terms of characters, I just made them up and tried to make them as realistic as possible.

Q. What first inspired you to write your stories?

JG. I wrote poetry for a while and then decided to try stories and after a while of short stories and the odd mini plays that weren’t very good, I thought novel writing may be a different way to go. I think I like writing longer prose more to be honest as you can get really stuck into it and be immersed in the whole thing.

Q. What comes first to you? The Characters or the Situation?

JG. Characters I suppose as they drive what happens next but the situation soon follows and is integral of course. But the characters and their motivations tend to lead the way otherwise it can all feel a bit flat if they aren’t paramount.

Join us December 15th for Part 2 of the Interview with J.G. Dow

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MY BLOG features INTERVIEWS with best-selling AUTHORS! Did you miss the past few months? September: Dylan Callens. October’s author was Donna Kauffman. In November we say hello to Rita Avaud a Najm. In December we will be saying hello to English mystery writer, J.G. Dow.

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