writers Archives - Page 20 of 46 - Trisha Sugarek, Author, Playwright & Poet

Interview with Author, Kristina McMorris (part 2)

Q. Do you ‘get lost’ in your writing?

KM. Oh, goodness, yes. Usually, as luck would have it, right before school hours are over.

Q. Are you working on something now? If so tell us about it.

KM. I’m working on another WWII novel that I’m not quite ready to talk about yet but can’t wait until it’s time to spill!

Q. How long after were you published?

KM. I started writing my first novel in 2007, sold it in 2009, and was over the moon to see it published by a large NY house then appear on actual store shelves in 2011!

Q. Do you think we will see, in our lifetime, the total demise of paper books?

KM. Not if I have any say in that! For me (even more so because I work on a computer all day), I undoubtedly prefer a printed book when reading fun. And I’m pretty sure I’m not alone in that. At least I hope?

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

KM. Once I have the general gist of a premise and main characters established in my mind, and enough research completed to know what’s possible, I essentially picture the story rolling out like a movie in my head. At that point, I create a basic plotting board using mini Post-its, and off I go!

Q. How has your life experiences influenced your writing?

KM. Since I literally grew up in the film industry, cinematic forms of storytelling continue to have the strongest influence on my writing. And of course, bits and pieces of myself and people I’ve met throughout my life inevitably sprinkle my stories—both the heroes and the villains!

Q. What’s your down time look like?

KM. Spending time with family and friends and catching up on life (which, after a tight deadline, largely includes laundry, bills, and much-needed sleep)!

Q. Have you or do you want to write in another genre?

KM. If I were to choose another genre, it would have to be psych thrillers, since that’s another type of story I thoroughly enjoy reading.

Note to Self: (a life lesson you’ve learned.)

KM. Just because you can doesn’t mean you should.
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Click here for Part I of the Interview

Review of Sold on a Monday
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MY BLOG features INTERVIEWS with best-selling AUTHORS! July — Catherine Ryan Hyde. August: My interview with Susan Wiggs September: Alan Foster (sci-fi) and October: Kristina McMorris

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How to Create Tantalizing Book Covers

Intriguing cover. I see a young man and an old lady. Something tells me they are not related. The woman is blind. (see cane) Right away when I saw this cover I knew that they were unlikely friends. BTW, it turns out this is the best book I’ve ever read!

Nine Tips on Creating your Book Cover when self-publishing. There are dozens of platforms to create a book cover. Most publishing platforms have a ‘cover creator’ that you can easily use. This post is not about building a book cover. These tips are about content. Images and titles that attract your reader. Making them want to pick up your book. The ‘do’s’ and ‘don’ts’ by example.

A book cover is the very first thing a book buyer is going to be attracted to whether it’s in a book store browsing the shelves or surfing the digital pages on the web. It is the first and most important step in marketing your book.
Your cover should tantalize, intrigue, and compel the buyer to pick up the book or stop scrolling (on the Internet) and delve into your book.
Your cover image should not be obscure. It should represent what’s inside. But just a tease.
Park your ego at the door. Don’t be artsy, egotistical, or have a “I’m the author” moment when designing your book cover. Step back and try to objectively visualize what a reader might be attracted to. Represent your story with the cover image.
There is a fine line between being clever and being stupid about the design for your book.
The artwork (find yourself a good graphic designer) should be as good as you can afford. The title should be in the largest font. A tag line is nice on the front cover and absolutely mandatory on the back. The author’s name is the least important. Yep, that’s what I said. Unless you are Nora Roberts or Stephen King with enormous name-recognition, your name should take up the least amount of space.
The artwork (images) should tease; suggest what the story line is; make the buyer curious about the story inside.
The image should suggest but not be specific; leave something for the reader’s imagination.
Here are some samples of ‘good’ and ‘bad’ covers in this blogger/reviewer’s opinion:

Say Goodbye For Now. Looking closely, it appears to be a younger Caucasian boy and an African-American boy. The dog looks like a Shepard/husky mix or a hybrid wolf. The cover is tantalizing; are the boys friends? how does the dog fit in? Who is going to say goodby? I give this a strong

The Orchid Sister. Too artsy and too dark in tone. The font is hard to read. The Cover doesn’t say anything except that there is a sister. The vibe I get from this cover is it is probably about the occult. Which it was not. Poor decisions all around.
I give it a

The Oysterville Sewing Circle. This cover is too obscure. It’s a deeply rich story but the cover short-changes it and implies that it involves a bunch of women in a sewing circle which it is not.
Have to give it a

Dance of Murder. I give my graphic designer (David White) all the credit for this one. So I can use it as an example. Over the years, I have developed such a relationship with him that I can give him a synopsis of the story and what I envision and let him loose. This is what I got. I’m going to rank it as I had little to do with the creative side of things. This cover tells the buyer/reader that the story is about strippers who are murdered. The neon color of ‘Dance’ emphasizes that the story is around a strip club. The art work teases just enough to intrigue. It gets a

It’s Getting Scot in Here. I’m of the school that you should never show specific faces of the characters on the cover. The reader wants to have their own idea of what the characters look like, especially the heroine and hero. Why a gazebo on the cover? They were in one for a total of 3 seconds in over 300 pages of this book. While I was caught up in this fine story, my imagined lovers looked nothing like the people on the cover.
This is a sample of what not to do:

My Own True Duchess. This is what you should do. This cover represents exactly what the story is. A period romance. The reader can barely see what the lovers look like and leaves it to the imagination. I give it a



Blue Hollow Falls. I prefer that authors leave me to imagine what my favorite characters look like. This cover tells me that there is a single woman, probably in conflict. She appears to be discovering this conservatory or greenhouse for the first time. Her dress and the wild flowers tell me the season. I’m curious. I give this a

The Colonel and The Bee. This cover teeters between being too obscure or being just about perfect. The story is wonderful with fine writing. But the cover doesn’t tantalize like the story deserves so I have to give it a Only until after I read this fantastic story did I understand the cover. That’s a bad thing. I had never heard of the author. Something about the title made me purchase this book. But nothing about the image attracted me.

SEE ALSO PROOF. This is one of the worst covers I’ve seen in a while. The Title makes no sense and doesn’t present even a clue as to the story. I read the book so I can say the 5×7 note card has no relevance. And I dislike a plug for another book on the front. Too bad because I really like what this author offers. The tag line, while a little long, is acceptable. But a very poor cover over all.

I give it a

Women Outside the Walls. Yep, this is mine. But it’s a good example of what you want your cover to achieve. The three women speak of how different they are in social status and education. There’s rebellion and grief in their expressions. The title makes the reader wonder; are they outside prison walls? Probably. But how did they get there? Again, the value of a graphic artist. I give it a

I want to emphasize how important the cover is. If you can, invest in a good graphic artist. My experience has been to give them some room to create. The front cover should be simple as far as text: title, author’s name, a tag line. The back cover is where you put the synopsis, some reviews, another tag line (if you want) and a short bio of the author with a small photo.
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MY BLOG features INTERVIEWS with best-selling AUTHORS!   July — Catherine Ryan Hyde. August: My interview with Susan Wiggs September: Alan Foster (sci-fi) and October: Kristina McMorris

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Review~~Sold on a Monday by Kristina McMorris

4 out of 5 quills Book Review

Sold on a Monday is riveting. Based on true events during the great depression; the selling of children was all too common. A last resort by mothers who could no longer feed their own children. The writing is very good and the book is a page turner for sure.

The story begins when the oh-so-flawed hero and cub reporter discovers a sign outside a clapboard shack; KIDS FOR SALE. (Similar to this one below, caught and reported in an actual newspaper of the time.) His intentions are true when he snaps a photo and returns to his office in the hopes that his story and photo will be published. When the photo is accidently destroyed he stages a new photo with the same sign but different children. (Not for sale.) Leading to his big break but with devastating consequences.

This story touched a very personal chord with this reviewer. I learned, very late in life, that before I was born my own mother had ‘farmed out’ my older sister and brother. (Not once but several times.) Sending them to strangers to work as indentured workers. I had begun to write a loving and warm memoir (Wild Violets). The story plot was based upon my mother in her younger, entrepreneurial years when she was a bar owner in San Francisco (1920’s). Shortly after, I learned about the ‘farming out’ of my brother and sister. If I was going to be true to myself as a writer, I had to write about this side of my own mother. Her motives were much more selfish. She was doing well and could feed her kids. But they were frequently in the way of her life style. Working hard, playing hard and many men.

After reading Sold on a Monday I have wondered if my mother’s circumstances had been slightly different would she have sold my siblings outright. A terrible thought.

I know my readers will enjoy this story and I highly recommend it.

Did you catch my interview with Kristina McMorris?

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MY BLOG features INTERVIEWS with best-selling AUTHORS! July — Catherine Ryan Hyde. August: My interview with Susan Wiggs September: Alan Foster (sci-fi) and October: Kristina McMorris

To receive my posts sign up for my

On the home page, enter your email address. Thanks!

Interview with Author, Kristina McMorris

TS. Kristina was inspired to write by the newspaper photo shown below. I was inspired by the beautiful cover of Sold on a Monday to buy the book and subsequently interview her. Kristina McMorris is an acclaimed author of two novellas and five historical novels, including Sold on a Monday, which is now celebrating five months on the New York Times and USA Today bestsellers lists. Initially inspired by her grandparents’ WWII courtship letters, her works of fiction have garnered more than twenty national literary awards. Prior to her writing career, she owned a wedding- and event-planning company until she had far surpassed her limit of YMCA- and chicken dances. She lives in Oregon with her husband and their two sons, ages thirteen and fifteen going on forty.

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? Or tell us about your ‘dream’ work space.

KM. Something that’s probably unique about my writing space is that, although it’s always located somewhere in my house, the specific spot changes with every book I write. By the time I spend a year or more working on a manuscript, I’m so tired of sitting in the same place day after day (my rocking chair, office desk, kitchen table, living room couch, etc) that I have to switch it up for the next book. I often joke that after a few more books, we’ll have to move to a new house because I’ll have run out of fresh spots for writing!

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

KM. As a recovering event planner, I still absolutely have to have a clean work space. A large tumbler of decaf tea is a must (admittedly with an embarrassing amount of vanilla creamer) and fuzzy socks are the norm.

Q. Could you tell us something about yourself that we might not already know?

KM. I was fortunate enough to spend an entire college year living in Florence, Italy, an incredible experience that taught me an enormous amount about pasta and wine and, best of all, tiramisu. Ha. Seriously, though, I learned so many important life lessons there, and now even enjoy weaving Italian characters into my stories.

Q. Do you have a set time each day (or night) to write?

KM. That’s an easy one to answer: school hours. The clock starts when the kids get on the bus and stops when they come charging back through the door full of stories from their day!

Q. What’s your best advice to other writers for overcoming procrastination?

KM. Unplug from the Internet. (It’s hard, I know!) Take a walk, think about where the story is going, write the next scene by hand if needed (in other words, change things up), and sit down in the chair and just write.

Q. Where/when do you first discover your characters?

KM. A nugget of a premise always comes to me first, then I start to imagine who landed in that situation. I figure out how they got there by backtracking and digging deeper into their lives until I finally understand who the characters are at their core.

Q. What first inspired you to write?

KM. About a dozen years ago, I was creating a homemade cookbook featuring my grandmother’s recipes, meant as a Christmas gift for the grandkids. When I interviewed her for the biographical section, she shared that she and my late grandfather had dated only twice during WWII, fell in love through an ongoing letter exchange, and were married for fifty years until he passed away. Then she said, “Would you like to see the letters?” After spending an afternoon poring over those beautiful wrinkled pages, I envisioned a Cyrano de Bergerac-type story set during WWII, which ultimately became my debut novel, Letters from Home—and the course of my career at that point completely changed.

Q. Do you ‘get lost’ in your writing?

Review of Sold on a Monday

Don’t miss Part II of this Interview next week.
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Dust Off that Play and do Some Rewrites…

Don’t be shy about looking at something you wrote a few years ago and rewriting and revising it. Most reputable publishing platforms will allow you to change the interior files and upload a revised, improved edition. I reviewed this children’s play of mine and in doing so found some editing and new writing.

It’s October, Halloween is right around the corner. So I hauled out a play script that I wrote in 2013. Wow! Did it need work. So I edited, did some extensive rewrites, gave it a new, more contemporary cover and then re-published.

Synopsis: A young family rents a deserted lighthouse so that their critically ill daughter can enjoy the sea breezes and beautiful countryside. Little do they know that, for centuries, the lighthouse has been the home and is in the ‘possession’ of four outrageous spirits.

Ben, an eight year old boy, has no trouble whatsoever making friends with two of the spirits, Baubles and Chaos. The story climaxes as Claire, ill with cancer, slowly fades toward death. Baubles and Chaos have no intention of letting that happen!

While this play has it’s serious moments, for the most part, it is a comedy and makes for great fun as the spirits romp around the stage. The adults can neither see nor hear Chaos and Baubles as they converse and play with the children and terrorize a ‘Man of the Cloth’! All in innocent fun, of course! 4f. 4m. 2 children

If you’re an aspiring playwright you might want to take a look at >>>>>>>>>>>>>

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Interview with Sci-Fi author, Alan Dean Foster (part 2)

With Tom Christian, great-great-great grandson of Fletcher Christian – Pitcairn Is.

Q. What first inspired you to write?

AF. In Carl Barks Uncle Scrooge comics, Scrooge has to travel to unusual, exotic places either to check on his vast array of businesses or to hunt for treasure. Very early on, these comics inculcated in a desire to emulate Scrooge. Before I could do so in reality, I did so in my imagination. That desire has continued to afflict me to the present. My parents also had an old book by Richard Halliburton. I remember very clearly a picture of Halliburton standing in front of the Taj Mahal. I thought it impossibly romantic (and yes, I got to the Taj eventually).

Q. What comes first to you? The Characters or the Situation?

AF. Could be either one. If an interesting character occurs to me, or if I meet one in my travels, I might build a book or story around them. If a plot idea comes first, I’ll populate it with suitable characters. I never know which will come first.

Q. Do you ‘get lost’ in your writing?

AF. Completely. I’m told my writing is very visual. This is because I “see” everything I’m writing about. I literally describe what I’m seeing. It’s as if I’m operating a video camera in my mind. I go to all the places I’m describing.

For example, this was taken of me in Tuareg headdress where the borders of Niger, Mali, and Burkina Faso meet. Not a safe place nowadays due to the depradations of Isis and Boko Haram. In life, you have to pick your spots.

Q. Are you working on something now? If so tell us about it.

AF. I do a monthly column on art and science for a local monthly paper (5enses; you can read the column on-line. Book-wise, I’m in pause mode.

Q. When did you begin to write seriously?

AF. My senior year at UCLA I discovered the film department. I’d always been a facile writer in high school. Film and TV writing courses offered an opportunity to acquire credits toward graduation that was very easy for me. I didn’t realize it was difficult for everyone else. To take a break from writing scripts, I started to write short fiction, and submit it. My first sale was to Arkham House. A long Lovecraftian letter that I thought might amuse the editor, August Dereleth. Imagine my surprise when he offered to buy it and publish it as a “story”. Payment was fifty bucks. I intended to frame the check…a resolution that lasted about ten minutes. The story, which is included in my first collection, was “Some Notes Concerning a Green Box”. It was set in the bowels of the UCLA library, an on-campus sanctuary for me.

Q. How long after that were you published?

AF. Although “Some Notes…” was my first sale, my first published fiction was the short story “With Friends Like These”, which appeared in Analog magazine in June, 1971.

Q. Do you think we will see, in our lifetime, the total demise of paper books?

AF. Not in our lifetime. But eventually, mass market paper books will disappear as a consequence of cost and ecological concerns. I believe there will always be a market for those who love to collect “real” books.

Q. What makes a writer great?

AF. Find a new way to describe the human condition and how it interacts with is surroundings.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

AF. George Orwell once said that anyone who wants to be a writer is certifiable. It’s slow, agonizing, brain-wrenching work. And it never gets easier. As I tell students, page one is easy, page 400 is easy. It’s the 398 pages in between that’s hard. Ideas, characters, plots are easy enough. Turning them into stories that people want to read…that’s hard.

Q. How has your life experiences influenced your writing?

A. My travels percolate all through my writing. Locations, characters, new ideas…they all show up sooner or later. Sometimes, like the aforementioned oriental gentleman, an acquaintance will become a character. Other times I’ll get an entire book out of a trip, such as SAGRAMANDA (India) or INTO THE OUT OF (Tanzania/Kenya). Or parts of a book, like CATALYST (Peru, Australia). I don’t know how writers can imagine or create other cultures without having explored those right here on Earth.

Q. What’s your down time look like?

AF. I lift weights, now only twice a week. I spend too much time on the web surfing the planet. I read as often as my strained eyesight permits. I am not averse to television, everything from The Simpsons to American Experience (PBS). I enjoy spending time with our pets (currently six cats and one tolerant dog). I listen to a lot of classical music interspersed with heavy metal and interesting newcomers (Angelina Jordan, Courtney Hadwin, The Hu). Me and the late Ronnie Dio, of DIO…a big fan of Spellsinger. After a concert. I was perspiring more heavily than Ronnie was.

Q. Have you or do you want to write in another genre`?

AF. I’ve written science-fiction, fantasy, contemporary, historical, western, detective, and non-fiction. I’m very comfortable sliding between genres.

Note to Self: (a life lesson you’ve learned.)

AF. No matter how bad you think your situation is, it is undoubtedly a thousand times better than that of the person next to you.

Check out Part 1 of this Interview
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Other Writers Will Inspire You If You Let Them

I’m enjoying everything written by Catherine Ryan Hyde. I stumbled upon her as I searched through online book stores a few months back. Looking for new authors to read and possibly interview….but mostly to read. The cover of Have You Seen Luis Velez? caught my eye. Two figures (from the waist down) walking together; one obviously a boy with his worn jeans and sneakers. The other an older woman in a house dress and ill fitting coat. A white cane searching the pavement out in front of her old lady shoes. It intrigued me. It could be a grandson with his grandma but something about the image said no. It was something else. I ordered it and thanked my lucky stars I went with my instincts. As I have said before, it is #1 of my top ten hits. It’s beautifully written and a gorgeous story.

After that I read Allie and Bea. The joy of reading Hyde’s writing continued. Luis Velez was not a one shot wonder as I had feared.
I am now reading Say Goodbye For Now. The beautiful prose continues. Catherine Ryan Hyde is a master. It’s a turn a phrase, connecting words perfectly—(now I’m just plain gushing). But let me give you an example. It’s a small one but worth the mention.

On page 138 the two young boys are talking. It’s the dead of night and neither of them can sleep. The day had been jarring and scary. Pete is a thoughtful young boy. He isn’t quick to answer or judge or act. The two boys are exploring if it’s only scary when you’re a kid or are grownups scared too. They find it a depressing thought that just being a person, no matter what age, will be scary.

Pete’s new friend has asked, “Just…I don’t know. Being a person, I guess. Is it just me, or is it really scary?”

“That’s a good question.” Pete says. “I’ll have to think about that.”

(Here’s the example of this writer’s thoughtfulness and mastery with words)

‘But once again, Pete didn’t exactly think. More left simple openings for thoughts or feelings to volunteer.’

AND: (on page 293)
“She couldn’t quite read his expression. His face looked the way it always did. The way it always had, as long as she had known him. Maybe his sadness over these new events was no bigger or more powerful than the sadness he had brought with him to her door on that first day.”

These questions, thoughts, observations are on every page. They are sometimes so subtle, like this one, you have to be on your toes to even notice them. But, damn! They’re beautiful when you catch them and stop a moment to taste them.

Did you see my Interview with Catherine Ryan Hyde?

Watch for my Review and the Release of her newest book, Stay (On sale December 2019)
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Interview with Sci-Fi Author, Alan Dean Foster

TS. His first attempt at a novel, The Tar-Aiym Krang, was published by Ballantine Books in 1972. Hence began close to a 40 year writing career. Since then, Foster’s sometimes humorous, occasionally poignant, but always entertaining short fiction has appeared in all the major SF magazines as well as in original anthologies and several “Best of the Year” compendiums. His published oeurve includes more than 120 books.His work to date includes excursions into hard science-fiction, fantasy, horror, detective, western, historical, and contemporary fiction.

Though restricted (for now) to the exploration of one world, Foster’s love of the far-away and exotic has led him to travel extensively. After graduating from college he lived for a summer with the family of a Tahitian policeman and camped out in French Polynesia. He and his wife JoAnn have traveled to Europe and throughout Asia and the Pacific in addition to exploring the back roads of Tanzania and Kenya. Foster has camped out in the “Green Hell” region of the Southeastern Peruvian jungle, photographing army ants and pan-frying piranha (lots of small bones; tastes a lot like trout); has ridden forty-foot whale sharks in the remote waters off Western Australia, and was one of three people on the first commercial air flight into Northern Australia’s Bungle Bungle National Park. He has rappelled into New Mexico’s fabled Lechugilla Cave, white-water rafted the length of the Zambezi’s Batoka Gorge, driven solo the length and breadth of Namibia, crossed the Andes by car, sifted the sands of unexplored archeological sites in Peru, gone swimming with giant otters in Brazil, surveyed remote Papua New Guinea and West Papua both above and below the water, and dived unexplored reefs throughout the South Pacific and Indian Ocean.

The Fosters reside in Prescott, AZ in a house built of brick salvaged from a turn-of-the-century miners’ hotel/ brothel, along with assorted dogs, cats, fish, several hundred houseplants, visiting javelina, roadrunners, eagles, red-tailed hawks, skunks, coyotes, and bobcats. He is presently at work on several new novels and media projects.

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? (shed, room, closet, barn, houseboat….) Or tell us about your ‘dream’ work space.

AF. For years I worked in a tiny tack room attached to a large garage. When we had enough money saved, we pulled the roof and made a single room above the garage into my study. Since it’s a separate building, I’ve always had a sufficiency of peace and quiet.

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

AF. I read news from around the world until I get tired of it. Then I enter my own world(s). I have (as you can tell from photos) possibly the most organized work space of any writer alive. It’s just…me.

Q. Could you tell us something about yourself that we might not already know?

AF. In the 1965-69 198lb. class, I have a world record in competitive raw power lifting…and a bunch of state records. Healthy mind in a healthy body.

Q. Do you have a set time each day (or night) to write?

AF. I prefer to work in the morning. My mind is clear and I have a lot to do around the house in the afternoon (my wife’s physical condition restricts what she is able to do). But if the muse strikes, I can write anytime.

Q. What’s your best advice to other writers for overcoming procrastination?

AF. Persistence. Internalized anger at your inability to set down words. Just tell yourself to write one page. Just one. Even if the content is goop. Usually I find that I end up writing two, three, or many more pages. It’s those first few words that get you started. Just like turning the crank to start a car in the old days. Keep cranking, as it were.

Q. Where/when do you first discover your characters?

AF. Some I invent out of whole cloth. Some I base on people I’ve encountered. As an example of the later, when I was writing the novel CACHALOT I needed a dignified gentleman of oriental extraction to fit a character. You never know how something like that will morph. Here’s a rather unusual example.

Q. What first inspired you to write?

Check out Part II of this wonderful interview on September 27th.
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We’ve Lost One of the Great Writers

TS. By now fans around the world have heard about Dorothea Benton Frank’s passing earlier this month. A rare blood cancer swiftly took her life at age 67. When I interviewed Dorothy Benton Frank back in 2015 it was a large feather in my cap as I had been a fan for decades. I found her warm and friendly, much like her stories. As a tribute to this wonderful story teller, I have resurrected that interview so that we might once again enjoy her humor and inspiration. You and your stories will be sorely missed, Dorothea.

The interview

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? Or tell us about your ‘dream’ work space.

A. I write in my office in my home in NJ or in my office in my home in SC. My dream work space would be to occupy my little office in SC full time. This cruelty of this past winter’s plummeting temps, deep snow and black ice has cured me of any desire I may have had to remain in NJ. It’s not that I have anything against NJ. I have had many wonderful years here. It’s that I’m trapped indoors for months. But check back with me in a few years when I finally do reside in SC and hurricanes have me screaming for higher ground. Is anyone ever completely happy?

Q. Do you have any special rituals when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

A. Water. Solitude. My work space is neat and tidy in chapter one. By the end of a book it looks like someone dropped a bomb on my desk. Usually I dress for work the same way you would if you reported for work in a very casual corporate environment.

Q. Could you tell us something about yourself that we might not already know?

A. The nuns who taught me in high school told my parents I wasn’t “college material.” Nice, right? In 1970, parents believed teachers, especially clergy, as though their words were spoken Ex Cathedra.

Q. Do you have a set time each day to write or do you write only when you are feeling creative?

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The book that started it all….stories about the low country>>>>>>>>>>>>>>>>>>>>>>>>

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MY BLOG features INTERVIEWS with best-selling AUTHORS! June: Anne D. LeClaire and July — Catherine Ryan Hyde. August: My interview with Susan Wiggs September: Alan Foster (sci-fi) and October: Kristina McMorris

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Book Review~~Allie and Bea

5 out of five quills A Review

Allie and Bea by Catherine Ryan Hyde is breathtakingly beautiful. Once again the author takes two unlikely characters and puts them together in such a way that the reader doesn’t question how or why it happened. It becomes believable and a delightful read.

I could especially relate to Bea. Senior citizens are mostly only a social security check away from destitution. One little thing can tip the scales. And since I avoid writing spoilers, at all costs, that’s all I’m going to say.

The story is crafted by this author, word by word. It had everything for this reviewer. Struggle, pathos, heartbreak, friendship, love, and a surprise ending.
My favorite book in the world is Hyde’s Have You Seen Luis Velez? but Allie and Bea runs a very close second. I loved this story!
A must read!

Did you see my Interview with CRH?
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MY BLOG features INTERVIEWS with best-selling AUTHORS! May: Boo Walker, June: Anne D. LeClaire and July — Catherine Ryan Hyde. August: My interview with Susan Wiggs September: Alan Foster (sci-fi) and October: Kristina McMorris

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