writing Archives - Page 14 of 82 - Trisha Sugarek, Author, Playwright & Poet

What does it look like? From ‘no book’ to ‘finished book’?

A fellow writer and friend asked me this question: “What does the process of going from “no book” to “finished book” look like?” After years of writing my blog and interviewing other authors, it seemed to be each featured author’s favorite question. Having also completed several novels I’d like to add my two cents:

When writing my first novel, (Women Outside the Walls) I did not have a deadline and it probably would have really helped. I was my own deadline setter and that didn’t work out so well. On the other hand, I think having a publisher breathing down my neck would have stifled my creative flow. When life got in the way I wouldn’t work on it for weeks but then I would get inspired and work on it for days, weeks, non-stop, sometimes 10-14 hours a day. So I guess it all evened out. Whatever you do, don’t beat yourself up if you don’t write for a few days….you’ll make up for it with better, more relaxed creative writing.

Because I inherently ‘rush’, I found that I had to watch-dog myself and be careful not to leave out important roads of the story. I was in early proofing of the final product of my novel and realized (in a countless re-read) that I had never described my female negotiator’s physical appearance. (Yikes!). Again, (if the writer tends to rush) go back and re-read your work to see where you need to flesh out a chapter or a character.

I am not structured at all, if ‘structured’ means writing an outline, a story plot and character descriptions. I write a new project in my head for days, weeks and then when my brain is about to burst I begin putting it down on paper (or in my case, sitting at the keyboard). I also write out of sequence and I think that’s okay. My novel’s last chapter was completed months before the middle was written.

Some writers have actually written whole books while blogging; they found it less daunting by writing in segments. At the end they had a book and then they published. If you need a deadline the days that you commit to writing a blog would serve. For me this wouldn’t work; I would feel too exposed having my rough draft out there for the world to see as I am a writer who slams it down the first time around and then edit, edit, delete, edit. Did I mention that the lettering is worn off my ‘delete’ key?

Frequently I will begin a story that has inspired me, not knowing much about the subject. It has sometimes stopped me dead in my tracks while I researched (example: hostage negotiations for Women Outside the Walls). I had 8 pages of a new play about Winston Churchill written and had to stop to do research on his life during WW II. I find that it can be done while I am writing and that is what I prefer. It’s more fun and keeps me interested. I don’t think I would do well having my research all done before I put my story down. I find that the research itself inspires my story line.

And then there is that unseen, unheard phenomenon where, with any luck, the characters take over and you become the typist. Your muse begins to tell you the story. This has happened to me time and again, and while I resisted at first (being a control-freak) I now embrace and welcome it. In Women Outside the Walls my character Alma, at sixteen, is abandoned by her promiscuous mother. Alma is befriended by the ex-girl friend of the man Alma had a teen crush on. They end up being room mates. I could never have dreamed that one up; but my characters got together and decided that this was what they would to do.

I don’t think that there is a right or wrong way to go through the process. Each writer should be unique in how they work. Instead of thinking of it as a project/deadline ‘thing’; think of it as a work of art, created just for you and by you. Where possible, let the characters lead you. They will never steer you wrong!

well, there you have it…the process such as it is and how it works for me. (First posted January, 2013)
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, July: Veronica Henry.
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BOOKS BY TRISHA SUGAREK

Life…In a Nutshell

Scent of Life ©

Cool rain drumming on blistering asphalt,
the scent streams into nostrils.
Uncertain why it pleases.

Fresh popcorn drenched in butter,
childhood memories of
dark, musty movie houses when
Tom Mix raced across the screen.

Rich, peaty earth turned over under an autumn sky,
a primal sense of conclusion with the
larder full at harvest time.

Wrapped in strong arms, nose pressed to warm skin.
Drinking in the heat and smell of the man, your man,
beloved man, the partner in life.

Sweet puppy breath. Pure doggy conviction
that you will love him as much as he loves you.

Soft curls and sweet skin of the new babe,
powdery newness, innocence,
and trust.

Candles and incense in the great cathedral,
eons of faith, hope, belief and expectation.

Briny, sharp tang of a northern sea,
Balmy, yielding, salty essence under
the southern Cross.

Sultry air twines itself through the Vieux Carre.
Crushed sugar, wet pavement,
warm beer, praline sweet, heady grape.
Old water from a great river.

Metallic, bitter, smell of blood, be it from battle field,
hospital, butcher shop or birthing room.
Cloying In the nostrils, sticking in the throat.

Manure, pink sugary sweet, sawdust,
roasted peanuts, old canvas, the Big Top!
Childhood rushes back.

New trees, old petroleum, pine sol,
stale baloney, truck exhaust, tired clothes.
Drive on down the highway.

Quaking aspen, pitchy sap, crackling’ fire,
snowy air assaults the senses and warms
the heart.
The loon sings.

Available in Moths and Machetes, Book of Poetry
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BOOKS BY TRISHA SUGAREK

Author Don Bentley, Interview (conclusion)

Q. What makes a writer great?

DB. I don’t know that I’m qualified to answer that question, so I’m going to quote my fantastic editor, Tom Colgan, instead. Tom once told me that the difference between a good writer and a great writer is that a great writer is not content to write the same book twice. According to Tom, a great writer will always push himself to do something different and bigger each time they write, and I think that’s true.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

DB. I try to write my first draft as quickly as possible, but it inevitably takes longer than I want. In an effort to make the process more streamlined, I keep each POV as a separate word file until I’m completely done with the first draft as I’ve found this saves me quite a few headaches when I invariably move scenes around or cut them completely. Once the first draft is complete, I write out each scene on index cards and then arrange them using the Save the Cat beats as organizing tools. This is my first look at the completed novel, and I’ve found it’s a great way to ensure that I’ve hit the inflection points necessary for each Act in the Three Act structure. Once I’ve satisfied with the story’s layout, I’ll go back and begin editing in earnest. In my first pass or two, I’m concentrating mainly on plot weakness or other structural errors. In my final edits I focus more on language and the narrative flow.

Q. How has your life experiences influenced your writing?

DB. As a former Army Apache helicopter pilot and FBI Special Agent, I’ve been lucky enough to do some pretty interesting things. Since I write espionage/military thrillers, I draw extensively from both my background and the incredible people I’ve had the fortune of meeting and befriending. During a radio interview for WITHOUT SANCTION, my first Matt Drake thriller, the interviewer asked me if I was Matt Drake. I assured her that I was not, but I also told her that I’d stood in the same room with Matt a time or two. Once you’ve had the pleasure of spending time in the company of heroes, you can’t help but come away a different person.

Q. What’s your down time look like?

DB. That’s a tough one right now. I’m in the middle of transitioning from working a day job to writing full time, but until then, I work every single day. It’s a bit of a slog, but I’m incredibly grateful for the opportunity to be writing a book in two different series. When I’m not working, I love to workout, go to concerts with my wife, and hang out with my kids.

Q. Have you or do you want to write in another genre?

DB. I’m a huge fantasy fan, particularly epic and urban. The first two novels I attempted to write were both fantasy, and I still dabble in that genre from time to time. If my schedule ever allows, I’d love to take another shot at writing my take on urban fantasy.

Q. Note to Self: (a life lesson you’ve learned.)

DB. To progress as a writer, you have to do two things: get better at your craft and refuse to give up.

Did my readers miss the other parts of this wonderful INTERVIEW with Don Bentley?
BTW: Thank you for your service to our country, Don, and Happy Independence Day!!
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy, July: Veronica Henry.
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BOOKS BY TRISHA SUGAREK

Interview with author, Don Bentley, writing as Tom Clancy

Don Bentley is the author of the Matt Drake thriller series including WITHOUT SANCTION, THE OUTSIDE MAN, and two forth coming titles, as well as Tom Clancy’s TARGET ACQUIRED, a Jack Ryan, Jr. novel. Don spent a decade as an Army Apache helicopter pilot including a combat deployment to Afghanistan as an Air Cavalry Troop Commander. Following his time in the military, Don worked as an FBI special agent and was a Special Weapons and Tactics (SWAT) team member.

Q. Where do you write? Do you have a special room, shed, barn, special space for your writing? Or tell us about your ‘dream’ work space.

DB. I’m lucky enough to have a spare bedroom that doubles as my home officer. It’s filled with memorabilia from my days in the Army and the FBI and is a really fun place to work. Hanging on the wall above my computer monitor is the framed acceptance letter for the first short story I ever sold back in 2001. I have to say that never in my wildest dreams did I think I’d be writing a Tom Clancy novel twenty years later!

Q. Do you have any special rituals or quirks when you sit down to write? (a neat work space, sharpened #2 pencils, legal pad, cup of tea, glass of brandy, favorite pajamas, etc.)

DB. Coffee. Lots and lots of coffee! I also take a ton of research and plot notes while I write. One of my friends gave me a leather bound portable notebook from Saddleback Leather Company as a gift at the book launch party for WITHOUT SANCTION, the first book in my Matt Drake series. I absolutely love it. I can take it with me anywhere, the leather exterior wraps around replaceable notebooks, and I use a different notebook for each novel. As far as writing tools go, the Pilot G-2 #10 is the best pen every created. Period!

Q. Could you tell us something about yourself that we might not already know?

DB. My wife and I are high school sweethearts, and we’ve moved 16 times in the 23 years we’ve been married. We spent about half of my 10 years in the Army living overseas, and we traveled extensively. She and I dove on the Great Barrier Reef in Australia, and our kids have been sled riding in the foothills of the Alps in Austria. Our life really has been an adventure, and I’m so grateful I get to spend it with her.

Q. What tools do you begin with? Legal pad, spiral notebook, pencils, fountain pen, or do you go right to your keyboard?

DB. I usually begin with a sense of terror that another book is due, and I don’t feel prepared to write it. But I don’t think that’s what you were asking! Before I start writing, I normally take a lot of notes in the notebook I mentioned before or a yellow legal pad. I wrote down things like plot summaries, questions I have, motivations, important research tidbits, etc. Then I hit the keyboard. Many of my books have multiple POVs and I keep each of these as separate word files until I’m done with the first draft and ready to figure out the scene sequence. I usually try to start a writing session with an overview of where the scene needs to go with a focus on goal, motivation, and conflict. Then it’s time to pound the keyboard!

Q. Do you have a set time each day (or night) to write?

DB. Until very recently I was still working a day job in addition to writing. Because of this, I had to be very intentional about my writing time. On weekdays, I would get up at five and write for an hour or so before work and then again for an hour or so at the end of the day before bed. On the weekends, I would spend most of each day Saturday and Sunday writing. Now that I’ve transitioned into writing full time, I still do two writing sessions a day but they are now morning and then early afternoon after my workout. I’ve found that it feels less intimidating to break my daily word goal into two more easily achieved chunks rather than trying to crank them all out in one sitting.

Q. What’s your best advice to other writers for overcoming procrastination?

Enjoy Part 2 of this Interview June 25th

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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy.
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BOOKS BY TRISHA SUGAREK

Book Review ~~ The Iron Earl by KJ Jackson

1 out of 5 quills ~~ BOOK REVIEW

My biggest complaint with this book was how shallow the story plot was. Pages and pages of how the heroine needed to escape. She was pretty much ‘one note’. Then pages and pages of how rage-filled the hero was. Boring. Mixed in were graphic sex scenes with little romance. The first time for this virgin was just this side of a rape.
A missed opportunity for the author was to include a sub-plot exploring the relationship between Karta and Dommnel. Their story was interesting and a thread that was, sadly, not pulled by Jackson.
The villain is predictably the step-father until (handily in the last 30 pages) Evalyn discloses that she knows who her real father is and, conveniently, he is of aristocratic blood and owns land and she is his heir. This is sprung on the readers with no backstory of how she discovered her biological father. Sloppy writing. Sigh

The contents did not live up to the beautiful cover.

Did you miss my Interview with Grace Burrowes?

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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy.
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BOOKS BY TRISHA SUGAREK

Adapting your Stage Play into a Novella or Storybook

Many of my stage plays have ended up being the story outline (or more) in creating a children’s story book, or a short story, or a novella, or the bones of a novel. I thought that I would share, with my readers and fellow playwrights my process in converting these plays/stories.
The demand really began with my friends and fans insisting on more of the story they’d read or seen in a play. It wasn’t enough. Satisfyingly, they wanted to know what happened after the play ended, or they wanted to know how my characters got to where they were in the play’s timeframe.
Currently I am adapting my latest children’s play in to a story book. A chapter book with colored illustrations.

First I pull up the full script. I re-read it in sections to get immerse, once more, in the story. The blocking will be my guide on describing the ‘action’. I will be certain to describe each character as they appear in the story. Something you can’t do writing a stage play. After I read this section of the play, I begin to describe the characters, the environment, the emotions within the scene. Remember, playwrights, you are now free to write as much description as you want. (But don’t be redundant or boring, please.) I copy and paste the section of the play script into my new manuscript. Then I write above the scene in the play. I am able to use almost all of the dialogue that I have created in the play. After I have written the new work I delete the play script and go on to the next. Here’s a sample:

Chapter 1 ©

Agnes and Annie, sister Aardvarks, stepped off the path into the forest clearing. Except for the occasional rustle in the underbrush and bird song it was a quiet, sun-filled idyllic setting. The smells of forest; tree sap, damp moss, rotting tree trunks, and hidden flowers filled their busy noses. It was worlds away from the dusty deserts in their homeland of Africa. They both looked around fearfully. The fanciful hats atop their heads bobbled in the breeze.
“I think we’re lost, dear sister.” Agnes moaned.
“This doesn’t look anything like the pictures of Australia in our book.”
“Oh, dear, I’m quite afraid,” Annie whispered.
“Whooo?” Something said from high atop a tree.
Annie rushed closer to her sister, “Ekk. What was that?”
Annie had always been the shy Aardvark. Her sister, Agnes had always been the bold one, leading the way and protecting her younger sister.
“Who?” Came the cry again.
“What?” Agnes demanded, looking up into the tree where she thought the sound was coming from. “There are so many trees, all mashed together, I can’t tell where the creature is, Annie.”
“Who?”
“That.” Annie cried.
“What?” Agnes demanded.
“I can’t see anything.” Annie said. “What do you suppose it is?”
“Not certain,” Agnes replied. “But keep a look out anyway.”
“I don’t like this place, Agnes.”

ACT I © (The section we are adapting.)
Scene 1

At Rise: Morning in the fabled forest. Pale sunlight filters through the trees.

(ANNIE and AGNES enter. THEY cross into a clearing, looking all around. THEY are wearing ridiculous hats and are carrying suitcases and a book entitled Australia. The WOODLAND CREATURES scatter into the underbrush.)

AGNES
(Gazing up into the trees, HER nose switching as fast as possible.)
I think we’re lost, dear sister. This doesn’t look anything like the pictures of Australia in our book.
ANNIE
(Frowning.)
Oh, dear, I’m quite afraid.

STARE

Whooo?
ANNIE
(ANNIE runs over to AGNES.)

Ekk. What was that?

STARE
Who?

AGNES
What?

STARE

Who?

ANNIE
That.

AGNES

Not certain. But keep a look out anyway.

ANNIE
I don’t like this place, Agnes.

AGNES

You’re such a scaredy-cat, Annie. It’s a simple forest, much like the jungles of home.

(DONALD, a fairie, enters whistling a merry tune. HE sees the Aardvarks. AGNES and ANNIE turn to run.)

DONALD

Don’t go. I mean you no harm.

STARE
Who? Who?

PATSY
(Knitting her web very fast.)

Eye–eee! Por favor, who are these ugly newcomers? Dios mío, ¿se comerán mis insectos? The bugs are for me and me alone!

You have your character list to refer to so you don’t forget or leave out a character from your play. In the story books, I always use an illustrator to bring the story alive with their wonderful color drawings based upon the scene I chosen. I try, as much as possible, to give the artist full rein; hoping that they will be inspired by the writing. That approach has been very successful for me. Here’s another sample of adapting a section of my play:

© A couple of days had passed since Emma had visited the clearing in the forest. She and Donald had still not solved the problem of helping Annie and Agnes on their journey to Australia. There suddenly came some rustling of the undergrowth and Stare, the owl began to hoot.
“Who? Who? Who?”
“What’s wrong, Stare?” Emma peered up through the leaves and branches trying to see the owl.
“Whooo?”
From the path a man stumbled into the clearing. He wore work clothes, suspenders and a bow tie. A tool belt hung from his waist. He carried a large tool box. He walked to the middle of the clearing and made a courtly bow.
“Greetings from the Royal Court.”
“Oh my.” Emma murmured.
Donald stepped forward a couple of paces. “Greetings to you. Who are you, sir?”
“Who?” Asked Stare.
“Who might you be, young sir?”
“I’m Donald, a fairie of this realm.”
Taking his half-glasses off his nose he polished them with a clean, white handkerchief, “Blimey. Don’t think I’ve ever seen one before.”
“And you, sir?”
“Who?”
“Not now Stare.” Donald glanced up.
“Allow me to formally introduce myself. I’m Sir Fergus, the royal engineer. I’ve been sent here by the⸺”
Emma sighed, “The Queen.”
“Our Queen.”
“Who?” Stare asked.
“Who?” Annie asked.
“What’s a queen?” Agnes asked.
Cheets began running around the clearing, “The Queen! The Queen! The Queen Cometh!”
Sir Fergus looked around, “No. I don’t think so. It’s just me with my toolbox.”
“Why have you been sent to us, Mr. Fergus?”
“The name’s just Fergus, Miss. Or at court, Sir Fergus.”
“And you’re here because⸺?” Donald inquired.
“To repair your portal⸺time machine⸺of course. It is broken, isn’t it?”
“Our portal?”
“We have a portal? Cheets whispered in awe but having no idea what a portal was. “What is a portal, exactly?”
“And the Queen knew ours is broken?” Emma asked.
“Yes. Yes. Indubitably.” Fergus became impatient to see it, “If you’ll just show me the way, I’ll begin my work.”
“I’m afraid we have no idea where it might be in the forest.” Emma explained. “Until the sisters arrived we didn’t know anything about a portal. They arrived from Africa.”

ACT I ©
Scene 5

At Rise: The clearing in the forest.

(FERGUS, the royal engineer enters from the forest path. HE wears formal clothes but with a large bow-tie and a pocket protector in his shirt pocket. HE carries a large toolbox.)

FERGUS
(Sets down toolbox and bows.)
Greetings from the Royal Court.
EMMA
Oh my.
DONALD
Greetings to you. Who are you?
STARE
Who?
FERGUS
Who might you be?
STARE
Whooo?
DONALD
I’m Donald, a fairie of this realm.
FERGUS
(Takes his half-glasses off and polishes them.)
Blimey. Don’t think I’ve ever seen one before.
DONALD
And who are you, sir?
STARE
Who?
FERGUS
Allow me to formally introduce myself. I’m Fergus, the royal engineer. I’ve been sent here by the⸺
EMMA
(Sighing.)
The Queen.
DONALD
Our Queen.
STARE
Who?

AGNES
Who?
ANNIE
What’s a queen?
CHEETS
(Jumping up and down.)

The Queen! The Queen! The Queen Cometh!

FERGUS
(Looking around.)
No. I don’t think so. It’s just me and my toolbox.
EMMA
Why have you been sent to us, Mr. Fergus?
FERGUS
It’s just Fergus, Miss. Or in more formal settings, Sir Fergus.
DONALD
And you’re here because⸺?
FERGUS
To repair your portal⸺time machine⸺of course. It is broken, isn’t it?

Your play script can grow into something much more ambitious than a novella or children’s story. I have written three full length novels using my stage play as the story outline.
Please leave your comments if you found this informative and helpful.
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy.
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BOOKS BY TRISHA SUGAREK

Book Review ~~ the stepsisters by Susan Mallery

4 out of 5 quills ~~ A Book Review

Susan Mallery delivers again. This author can do no wrong.
Families are complicated on any given day and certainly even more so when dads marry again and create a brand new stepsister for their daughter. Sometimes expectations are high; amidst the ruble of a divorce, sometimes girls long for the connection of a new sibling. Sage is lovely and graceful and popular; Daisy is not. Sage didn’t have Daisy’s smarts. Threatened by this, Sage put Daisy down at every opportunity. Daisy was crushed by Sage’s hostility. So went the teenage years. Then Daisy did the unforgivable; she falls for and marries Sage’s first time love. Heartbroken, Sage can’t flee fast enough.

Almost two decades later the now-grown women are thrown together again. But they must put aside all of their history for a familial common cause.

Another great story filled with human foibles. Well drawn characters who the reader will like to hate or stand up and cheer for. I highly recommend this book to my readers.

Did you miss my interview with Susan Mallery?

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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy.
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BOOKS BY TRISHA SUGAREK

Interview with Jenny Colgan, Writer (part 3)

Q. Are you working on something now or have a new release coming up? If so tell us about it.

JC. Yup, I have a full slate. I am working on a new Mure book for next summer, An Island Wedding, then coming out in June 2021 is Sunrise, a new Little Beach Street Bakery novel. And in October A Christmas Bookshop is coming out, which is set in Edinburgh and I really hope people are going to love it. We had so much snow in Edinburgh this winter and it just looked gorgeous so I wrote throughout the winter. And if we can pop it into the schedule, there’s a fourth boarding school book ready to go.

Q. When did you begin to write seriously?

JC. I have always written seriously. Seven-ish or so?

Q. Do you think we will see, in our lifetime, the total demise of paper books?

JC. No, but I am quite old. I think everything shook down; some people, like me, adore their kindles and the flexibility of carrying a library at your fingertips, some people tried it and went straight back to paper books. So it’s kind of balanced out.

Q. What makes a writer great?

JC. Well, I would consider myself a very decent writer, as are most professionals. There are barely any greats. The ones that are… I suppose they somehow touch on something in the human condition that is common to all of us, that immediately helps us understand the state of being human better.

I would say A Tale of Two Cities teaches us more about the ability of a human being to sacrifice themselves for others better, and certainly more entertainingly, than any science course, psychology textbook, survey or questionnaire ever devised. Pride and Prejudice has the plot of Cinderella yet somehow, at its essence, cracks the nut of what it is to fall in love better than anything else ever has. CS Lewis presented a world of wonder, of awe, to countless millions of children. To find inside one writer an entire world is an extraordinary- and crushingly rare.

Q. and the all-important: What does the process of going from “no book” to “finished book” look like for you?

JC. Two hundred cups of coffee.

Q. How has your life experiences influenced your writing?

JC. Oh, hugely. The Mure novels came out of me having to move back to Scotland when my mother was dying; you can really

see it in the first one. I started writing lots of children in my books when I had my own children and realised that people often write children very badly, make them sassy little know it alls, rather than the adorably curious drunks most small kids behave like all the time.

Q. What’s your down time look like?

JC. Piano playing, reading watching Buffy with my two youngest- we’re going through everything, we did Lost through lockdown, and Merlin, but Buffy is the big obsession at the moment. My husband is a mean bb-quer. We have been locked down for so long though, I cannot wait to reclaim all the stuff I used to love- I absolutely adore a party, a book festival, a big get together of friends and writers, travelling to new places. All of that stuff. I like most things.

Q. Have you or do you want to write in another genre`?

JC. I do, I write sci fi as Jenny T. Colgan. I don’t really believe in genre but it helps publishers know where to put you.

Q. Note to Self: (a life lesson you’ve learned.)

Nobody is ever thinking about you, they’re obsessing about their own shit, like ALL DAY. So get on and do whatever the hell it is you want to do, nobody gives a rat’s ass.

Did you miss the beginning of this Interview?
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy.
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Book Review ~~ Pay Back by Robert B. Parker (nes’ Mike Lupica)

5 out of 5 quills ~~ BOOK REVIEW

Flawless writing and plot. Sunny Randle, PI is like a horse fly. No frills and tenacious. Not unlike the fly, Sunny looks for a patch of unprotected skin and then she stings. It hurts like hell.

Mike Lupica is a maestro when writing in Robert B. Parker’s voice. In this new Sunny Randall murder mystery the whole gang has returned (I love when that happens.) Jesse Stone, Richie Burke, Tony Marcus, Frank Bilson, Susan Silverman, Tie bop and all the rest. Sadly, Hawk was out of town.
Robert B. Parker’s wonderful tales live on. I highly recommend the book to the fans of Robert B. Parker, old and new. This collection of authors writing in Parker’s voice keeps his work alive and fresh.

Did you miss my Interview with Mike? It’s great reading. He’s a fascinating guy.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy.
To receive my weekly posts sign up for my

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Interview with author, Jenny Colgan (part 2)

TS. As my readers know, I am (1) a voracious reader and (2) always looking for new (to me) authors. My first exposure to Jenny was
The Cafe by the Sea. I’ll be honest, I wasn’t certain that I would continue to buy her books. So quirky; I hadn’t before heard this particular ‘voice’ in an author. 15 books (and counting) later, I admit to being a girl-fan. I love her stories! The characters are real people trying to stumble through life, as we all are, as best we can. So imagine my joy when this prolific and busy author agreed to be interviewed. And she was so generous with her answers!

Q. What’s your best advice to other writers for overcoming procrastination?

JC. You don’t have to do it if you don’t want to. Lots of people think they’d like to be writers, but then just can’t get it done, and you know what, that’s fine, that’s okay, go do something else, don’t make yourself miserable. I wanted to be a stand up comedian, but I hated every single second of being onstage, and I realized I just wanted to call myself a stand up, I didn’t actually want to do the work. That’s fine. There’s plenty of books out there already, there’s absolutely no need to do it if you don’t want to, so find something else fun to do.

If you really want to, you’ll set your wordcount in your head, even if it’s only 500 words a day, and you’ll do it. Somehow. They never have to be your best words, they don’t even have to be any good. All that kind of stuff you fix in the edit. Your first draft you just have to find the momentum to get 1000 words down every day for 80 days, then look at what you have at the end.

Q. Where/when do you first discover your characters?

JC. All over the place. Sometimes bits and pieces of people I’ve met, sometimes I just start them off and see. I’m writing a character now who is very beautiful. I wanted them to be difficult and impossible, but actually that didn’t work at all.

What turned out to be much more interesting are normal people’s reactions to someone who is extremely beautiful. It isn’t her fault at all; other people just become really weird around her when she’s in the room, and her experience of life is different from most people’s. So, they develop as you go. I worked with a scientist last year- I don’t usually meet a lot of scientists in my line of work- and he never said anything unless he knew it was absolutely a fact, the case. You could see the gears working in his brain every time he was asked for an opinion on anything. And I thought, that’s interesting, and wrote a character (who isn’t based on my colleague at all) who has that kind of rigorous thought process.

Q. What tools do you begin with? (from last week)

JC. Sometimes I like to sketch my characters to get a view for what they look like and what they’re doing. If I’m a bit stuck, I’ll start drawing…..

Q. What first inspired you to write?

JC. Oh I was just a massive bookworm. Writing books is the closest you get to reading books your entire life. I write the kind of books I absolutely love reading and if I can’t find a book I want- eg a series for adults set amongst teachers in a boarding school- I just go write it myself.

Q. What comes first to you? The Characters or the Situation?

JC. The situation, generally. ‘What if you were a refugee and posted to a remote Scottish island?’ ‘What if you lost everything and could only get a really lowly job in a bakery?’ ‘What if you met an alien?’. Things I think might be interesting.

Q. Do you ‘get lost’ in your writing?

JC. Yeah, sometimes. Generally near the end of something. Not always, and it doesn’t have a huge effect on the work, really, I mean I don’t think the reader could tell the points where I’ve got very obsessed with it, but sometimes I get completely wrapped up in them and can’t think about anything else. My husband can always tell. 🙂

Q. Are you working on something now or have a new release coming up? If so tell us about it.

Did you miss Part 1 of this in-depth interview?

Don’t Miss part 3 of this spectacular Interview with Jenny. Coming May 21st.
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My weekly BLOG features INTERVIEWS with best-selling AUTHORS! January: Madeline Hunter, February: Mike Lupica, March: Lee Matthew Goldberg, May: Jenny Colgan, June: Don Bentley writing for Tom Clancy.
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